Pirate Cinema is a do-it-yourself cinema. Recently Pirate Cinema has been associated with groups in Brazil, Berlin, Copenhagen, Melbourne and Helsinki, where local Pirate Cinema groups are associated with the anti-copyright movement and squatting. [1]
At its simplest Pirate Cinema involved the screening of a movie in front of an audience, for free. Some Pirate Cinema groups perceive their actions within a political context, by deliberately screening copyrighted movies, or movies that document the current copyright debate.
In connection with showing copyrighted movies the Pirate Cinema group in Helsinki had confrontation with the local police.
Pirate Cinema groups are also active in Amsterdam, Stockholm, Paris and London. [2]
The first pirate cinema initiative in Brazil was Cine Falcatrua ("Cine Hoax"), an academic film society based on the state of Espírito Santo. [3] Cine Falcatrua started its activities around 2003, downloading movies from P2P networks and screening them in open weekly sessions on the whereabouts of the Federal University of Espírito Santo. [4]
Most of the movies were exhibited by the film society long before they officially got into Brazilian movie theaters. Some of them, like Kill Bill and Fahrenheit 9/11 , were screened more than two months before their official release. They were subtitled in Brazilian Portuguese by the very members of Cine Falcatrua.
In June 2004, the university that hosted the project was prosecuted by a couple Brazilian film companies that held the rights to distribute these films in national territory. Nevertheless, the film society did not stop its activities.
In October 2009, the Growing Minds Project started "Cinema Pirata São Paulo", another initiative to encourage free screenings and the popularization of free culture in Brazil. They promote free screenings in many places, theatres, streets, parks, etc., promoting free culture and conscience on the Intellectual Property revolution.
Pirate Cinema Copenhagen has since 2006 [5] on a regular basis screened movies on different locations in Copenhagen. The group has explained its position in a statement from November 2006. In it the group says:
"The battle of copyright is a battle for control. The film industry is fearing to lose control of which films we want to watch, how we want to watch them and how we produce new film. The technological evolution is giving access to a gigantic supply of film. Video technology is incorporated into cheap cameras and mobile phones. Now that we also can edit our own film on our computers, the film industry is scared - and they should be - of losing their monopoly on creating film culture." [6]
In 2008 the group was renamed Jesper Cinema Copenhagen for a shorter period as a statement relating to the Danish "The Jesper Bay"-campaign. [7]
Pirate Cinema Copenhagen screens mainly copyrighted movies, but makes few exceptions when the movies are copyright-related (such as the Steal This Film and Good Copy Bad Copy documentaries)
The group behind Pirate Cinema Berlin states in "Keep Up Your Rights. First Preliminary Program of the Berlin Pirate Cinema" that:
"But above all, the “War on Piracy” is a war against revolution: against the French Revolution that has generalized individual rights and against the Digital Revolution that has generalized the individual exchange of data." [8]
Pirate Cinema Berlin regularly screens copyrighted and un-copyrighted movies. [2]
Members of Pirate Cinema Berlin were interviewed, asked "How did it all start?" they answered: "(Sebastian Lütgert) Conventional cinema is fucked up and useless... (Jan Gerber) But we started off because one of the films we had hadn’t been distributed and we wanted to have it screened . Our strong opinions about copyright and restrictions on distributing digital data always surfaced in Pirate Cinema events, with their motto: »Free admission, cheap drinks, and bring a blank CD.« [9] "
Segments of an interview with Sebastian Lütgert are featured in Steal This Film (Two), reflecting on copyright, internet and culture. [10]
The "archive" of Pirate Cinema Berlin is said to be growing steadily. Content is mostly obtained via different peer-to-peer file-sharing networks. In late 2008, it contains over 3 TB of compressed, tagged, sorted and searchable video material. [9]
In Melbourne a pirate cinema group has been running successfully (although sporadically) since early 2010. Amongst other things they aim provide free entertainment, protest against copyright and censorship laws, and make use of abandoned & disused spaces screening films under freeway bridges, in abandoned buildings & squats, etc... They mostly screen independent or less known films that would not be shown at a mainstream cinema.[ citation needed ]
In Helsinki on organiser of the local Pirate Cinema has been arrested by police in connection with the screening of copyrighted movies. The organisers said that their aim is to show the discrepancy between laws and how people really act.
Antti Kotilainen, executive director of the Copyright Information and Anti-piracy Centre (CIAPC), stated "They say that they are anarchists, fighting against big movie moguls. Then the only recreation that they have is to show movies produced by the companies that they despise so much."
Professor Jukka Kemppinen, an expert on copyright legislation, states that Pirate Cinema is a deliberate provocation, but that, despite it being illegal, there is no point in making a big issue out of it. Kemppinen states "It is no more illegal than showing a legally rented DVD to residents of an apartment building after an afternoon of volunteer work." [11]
A movie theater, cinema, or cinema hall, also known as a picture house, the pictures, picture theater, the silver screen, the big screen or the movies, is a building that contains auditoria for viewing films for entertainment. Most, but not all, theaters are commercial operations catering to the general public, who attend by purchasing a ticket. Some movie theaters, however, are operated by non-profit organizations or societies that charge members a membership fee to view films.
Criticism of copyright, perhaps outright anti-copyright sentiment, is a dissenting view of the current state of copyright law or copyright as a concept. Critical groups often discuss philosophical, economical, or social rationales of such laws and the laws' implementations, the benefits of which they claim do not justify the policy's costs to society. They advocate for changing the current system, though different groups have different ideas of what that change should be. Some call for remission of the policies to a previous state—copyright once covered few categories of things and had shorter term limits—or they may seek to expand concepts like fair use that allow permissionless copying. Others seek the abolition of copyright itself.
A screener (SCR) is an advance screening of a film or television series sent to critics, awards voters, video stores, and other film industry professionals, including producers and distributors. It is similar to giving out a free advance copy of books before it is printed for mass distribution. Director John Boorman is credited with creating the first Oscar screeners to promote his film The Emerald Forest in 1985.
Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity is a 2004 book by law professor Lawrence Lessig that was released on the Internet under the Creative Commons Attribution/Non-commercial license on March 25, 2004.
"Home Taping Is Killing Music" was the slogan of a 1980s anti-copyright infringement propaganda campaign by the British Phonographic Industry (BPI), a British music industry trade group. With the rise in cassette recorder popularity, the BPI feared that the ability of private citizens to record music from the radio onto cassettes would cause a decline in record sales. The logo, consisting of a Jolly Roger formed from the silhouette of a compact cassette, also included the words "And It's Illegal". The campaign was officially launched by then-BPI chairman Chris Wright on 28 October 1981.
Piratbyrån was a Swedish think tank established to support the free sharing of information, culture, and intellectual property. Piratbyrån provided a counterpoint to lobby groups such as the Swedish Anti-Piracy Bureau.
A cam is a bootleg recording of a film. Generally unlike the more common DVD rip or screener recording methods which involve the duplication of officially distributed media, cam versions are original clandestine recordings made in movie theaters.
The Federation Against Copyright Theft (FACT) is an organisation established in 1983 to protect and represent the interests of its members' intellectual property (IP). FACT also investigates fraud and cybercrime, and provides global due diligence services to support citizenship investment and trade, business, financial and legal compliance.
"You can click, but you can't hide" is an advertising campaign run jointly by several international associations, most notably the MPAA and the GVU, as part of the larger "Respect Copyrights" campaign against peer-to-peer file sharing of motion pictures. The associations have long alleged that Internet file sharing, or maintaining a file sharing tracker, network or search engine, constitutes copyright infringement since the practice hurts their revenues.
Pirated movie release types are the different types of pirated movies and television series that end up on the Internet. They vary wildly in rarity and quality due to the different sources and methods used for acquiring the video content, in addition to encoding formats. Pirated movie releases may be derived from cams, which have distinctly low quality; screener and workprint discs or digital distribution copies (DDC), telecine copies from analog reels, video on demand (VOD) or TV recordings, and DVD and Blu-ray rips. They are seen in P2P networks, pirated websites and video sharing websites such as YouTube and Dailymotion.
Steal This Film is a film series documenting the movement against intellectual property directed by Jamie King, produced by The League of Noble Peers and released via the BitTorrent peer-to-peer protocol.
According to Circular 38a of the U.S. Copyright Office, Iran has no official copyright relations whatsoever with the United States.
R5, in the film business, is a DVD of a movie sold in Russia very soon after the first screening in cinema, at reduced wholesale prices. It is made with a telecine machine from an analog source and is typically of a lower quality than other retail releases.
Good Copy Bad Copy is a 2007 documentary film about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances, directed by Andreas Johnsen, Ralf Christensen, and Henrik Moltke. It features interviews with many people with various perspectives on copyright, including copyright lawyers, producers, artists and filesharing service providers.
"You Wouldn't Steal a Car" is the first sentence of a public service announcement created in July 2004, which was part of the anti copyright infringement campaign "Piracy. It's a crime." It was created by the Federation Against Copyright Theft and the Motion Picture Association of America in cooperation with the Intellectual Property Office of Singapore, and appeared in theaters internationally from 2004 until 2007, and on many commercial DVDs during the same period as a clip before the main menu appears, as either an unskippable or skippable video.
The Motion Picture Association (MPA) is an American trade association representing the five major film studios of the United States, as well as the video streaming service Netflix. Founded in 1922 as the Motion Picture Producers and Distributors of America (MPPDA) and known as the Motion Picture Association of America (MPAA) from 1945 until September 2019, its original goal was to ensure the viability of the American film industry. In addition, the MPA established guidelines for film content which resulted in the creation of the Motion Picture Production Code in 1930. This code, also known as the Hays Code, was replaced by a voluntary film rating system in 1968, which is managed by the Classification and Rating Administration (CARA).
RiP!: A Remix Manifesto is a 2008 open-source documentary film about "the changing concept of copyright" directed by Brett Gaylor.
Moscow Pride '06 is a documentary movie of the 2006 gay pride parade in Moscow.
New Nigerian Cinema is an emerging phase in Nigerian cinema, in which there became a major shift in the method of film production, from the video format, which came about during the video boom, back to the cinema method, which constituted the films produced in the Golden era of Nigerian cinema history. The films in the New Wave are specifically characterized by improved narrative complexity, aesthetic nuance, much higher budgets and advanced overall production values, when compared to video films from the second generation of filmmakers. They are mostly released theatrically, although some are still released directly on DVD.
Tamil Rockers is a torrent website which facilitates the illegal distribution of copyrighted material, including television shows, movies, music and videos. The site allows visitors to search for and download copyrighted material with the help of magnet links and torrent files, which facilitate peer-to-peer file sharing. It also operates multiple Telegram channels and groups with thousands of subscribers. Tamil Rockers is the tenth most popular torrent site in TorrentFreak's Top 10 Most Popular Torrent Sites of 2020 list.