Pirayeh Pourafar (Born) is an Iranian musician, tar player, and expert on Persian music. Pourafar learned the radif as a student of Grand Master Ali Akbar Shahnazi at the Royal National Music Conservatory of Tehran. She has directed two successful Persian music ensembles, Nava Ensemble and Lian Ensemble. [1]
Pirayeh Pourafar is a composer whose compositions have been noted for innovative sophistication, thoughtfulness, and commanding technique. She entered the Royal National Music Conservatory of Teheran at the age of nine, where she started her studies with Masters Houshang Zarif, Habiboallah Sallehi, Mahmoud Karimi and Grand Master Ali-Akbar Shahnazi. From these masters she learned the Radif of Persian Traditional Music. She obtained an extensive knowledge of theory and a greatly accomplished technique on the Tar. After several years of training and numerous performances, she began her official cooperation with the National Radio and Television of Iran in 1975. At seventeen, Pourafar had performed with Iran 's most prestigious artists at the Center for Preservation and Propagation of Iranian Music, where she worked as both a performer and a teacher for four years. In 1979 Pirayeh moved to Spain to continue her studies in Western Classical Music at the Madrid Royal Conservatory and resided in Europe for three years. In 1982 she came to the U.S. where later she received her Master of Fine Arts from the California Institute of the Arts in Performer/Composer program. Pourafar was a music director of the Nava Ensemble from 1989 to 1994. She led the Nava ensemble to critical acclaim and established a reputation for high artistic standards and innovative and educational concert experiences. She created a successful summer series with capacity audiences and encouraged the organization's community involvement. She is known not only for her work in traditional Persian music, but also for her creative east–west fusion of composition and performance work. She has composed work for the stage, orchestra, solo performers and Instrumental ensemble. Pourafar diverse performing background has led her involvement in many innovative ensembles. Pirayeh has headlined on major festivals throughout the world. She has given lecture-demonstrations, and workshops throughout the United States, Europe, and Middle East . Pirayeh composed music for short film The "River’s Quest" which was featured at the 2003 CalArts View Screening Series Festival and music for a Documentary "Four Wives - One Man". Pourafar is one of the first women to play the traditional Persian Music outside Iran, thereby paving the way for the wider role for women in traditional Persian music in Iran . In 1996 Pourafar has co-founded The Lian Ensemble.
Mohammad-Reza Shajarian was an Iranian singer and master (Ostad) of Persian traditional music. He was also known for his skills in Persian calligraphy and humanitarian activities. Shajarian started his singing career in 1959 at Radio Khorasan, rising to prominence in the 1960s with his distinct singing style. His main teachers were Ahmad Ebadi, Esmaeil Mehrtash, Abdollah Davami, and Nour-Ali Boroumand. He also learned the vocal styles of singers from previous generations, including Reza Gholi Mirza Zelli, Fariborz Manouchehri, Ghamar Molouk Vaziri, Eghbal Azar, and Taj Isfahani. He has cited legendary Persian tar soloist Jalil Shahnaz as highly influential to his development, indicating that he has often tried to mimic Shahnaz's playing style in his singing.
Persian traditional music or Iranian traditional music, also known as Persian classical music or Iranian classical music, refers to the classical music of Iran. It consists of characteristics developed through the country's classical, medieval, and contemporary eras. It also influenced areas and regions that are considered part of Greater Iran.
Hossein Alizadeh is an Iranian musician, composer, radif-preserver, researcher, teacher, and tar, shurangiz and setar instrumentalist and improviser. He has performed with such musicians as Shahram Nazeri, Mohammad-Reza Shajarian, Alireza Eftekhari and Jivan Gasparyan, as well as with a number of orchestras and ensembles.
Kayhan Kalhor is an Iranian-Kurdish kamancheh and setar player and vocalist composer and master of classical Iranian traditional music.
Radif is a collection of many old melodic figures preserved through many generations by oral tradition. It organizes the melodies in a number of different tonal spaces called dastgah. The traditional music of Iran is based on the radif, which is a collection of old melodies that have been handed down by the masters to the students through the generations. Over time, each master's own interpretation has shaped and added new melodies to this collection, which may bear the master's name.
Ali-Akbar Shahnazi was an Iranian musician and master of the tar.
Hossein Dehlavi was an Iranian composer.
Parviz Meshkatian was an Iranian musician, composer, researcher and university lecturer.
Ali-Naqi Vaziri, also transcribed as Ali Naghi Vaziri was a composer, thinker and a celebrated player of the tar. He is considered a revolutionary icon in the history of 20th-century Persian music.
Mohammad-Reza Lotfi was an Iranian classical musician renowned for his mastery of the tar and setar. He collaborated with singers such as Mohammad-Rezā Shajarian, Hengameh Akhavan, Shahram Nazeri and Alireza Shahmohammadi.
Lian Ensemble is a Persian classical music ensemble based in Los Angeles, California, USA.
Master Farâmarz Pâyvar was an Iranian composer and santur player. Payvar died on 9 December 2009 after a long struggle with brain damage. Although once perceived as marginal, the santur is now considered an important solo instrument in Persian classical music, largely as a result of his work. Over the course of his career, Payvar revolutionised its playing, led two major ensembles and made numerous recordings.
Dariush Talai plays both the Tar and Setar.
Farhang Sharif was an Iranian musician and renowned tar player.
Daryoush Pirniakan is an Iranian musician, tar and setar player, and music researcher.
Manoochehr Sadeghi is a Persian-American naturalized citizen, born in Tehran, Iran. He is considered a Grandmaster or Ostad of the santur, a Persian hammered dulcimer. He has been lecturing, teaching, recording and performing Persian classical music on the santur professionally for over 50 years. In 2002, Sadeghi received the Durfee Foundation Master Musician Award and he is a recipient of a 2003 National Heritage Fellowship from the National Endowment of the Arts, which is the United States' highest honor in the folk and traditional arts.
Majid Kiani is a Master of the Persian Santur. He was the best student of Manoochehr Sadeghi, among others. He teaches traditional Iranian music and his masterpiece is the book named: "Seven Dastgah(s) of Iranian Music". He is a leading figure in the Iranian musical establishment, and known for his controlled expositions.
Mehdi Bagheri, , is an Iranian kamancheh player and composer.
Shahin Shahbazi is an Iranian composer, musician and poet. He is mostly renowned for his mastery of the tar and setar and his composition of the complete Radif works of maestro Ali Akbar Shahnazi with his band Nafir ensemble.
Morteza Neidavoud (1900–1990) was a prominent master of Persian classical music and a soloist of tar. His 1927 Morq-e sahar is one of the most famous Persian songs which has been performed by various singers.