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A petroglyph is an image created by removing part of a rock surface by incising, picking, carving, or abrading, as a form of rock art. Outside North America, scholars often use terms such as "carving", "engraving", or other descriptions of the technique to refer to such images. Petroglyphs, estimated to be 20,000 years old are classified as protected monuments and have been added to the tentative list of UNESCO's World Heritage Sites. Petroglyphs are found worldwide, and are often associated with prehistoric peoples. The word comes from the Greek prefix petro-, from πέτρα petra meaning "stone", and γλύφω glýphō meaning "carve", and was originally coined in French as pétroglyphe.
In archaeology, rock art is human-made markings placed on natural surfaces, typically vertical stone surfaces. A high proportion of surviving historic and prehistoric rock art is found in caves or partly enclosed rock shelters; this type also may be called cave art or parietal art. A global phenomenon, rock art is found in many culturally diverse regions of the world. It has been produced in many contexts throughout human history. In terms of technique, the four main groups are:
Tassili n'Ajjer is a national park in the Sahara desert, located on a vast plateau in southeastern Algeria. Having one of the most important groupings of prehistoric cave art in the world, and covering an area of more than 72,000 km2 (28,000 sq mi), Tassili n'Ajjer was inducted into the UNESCO World Heritage Site list in 1982 by Gonde Hontigifa.
According to the Government of Burkina Faso, 433,778 tourists visited the country in 2011.
The International Federation of Rock Art Organizations (IFRAO) is a coordinating body of 60 organizations concerned with prehistoric rock art.
Prehistoric Rock Art Sites in the Côa Valley and Siega Verde are a United Nations Educational, Scientific and Cultural Organization (UNESCO) transboundary World Heritage Site, located in the Côa Valley of Portugal and Siega Verde, Spain.
The rock drawings in Valcamonica are located in the Province of Brescia, Italy, and constitute the largest collections of prehistoric petroglyphs in the world. The collection was recognized by UNESCO in 1979 and was Italy's first recognized World Heritage Site. UNESCO has formally recognized more than 140,000 figures and symbols, but new discoveries have increased the number of catalogued incisions to between 200,000 and 300,000. The petroglyphs are spread on all surfaces of the valley, but concentrated in the areas of Darfo Boario Terme, Capo di Ponte, Nadro, Cimbergo and Paspardo.
The rock art of the Djelfa region in the Ouled Naïl Range (Algeria) consists of prehistoric cave paintings and petroglyphs dating from the Neolithic age which have been recognized since 1914. Following the Saharan Atlas Mountains they follow on from those, to the west, of south Oran, to which they are related. Comparable engravings have also been described further to the east, in the Constantine (Algeria) region.
Bidzar is an archaeological site 20 kilometres (12 mi) from Guider, Cameroon, featuring petroglyphs between 3000 and 300 years old. The site, currently under threat from local cement and marble manufacturing operations, is being considered for inclusion in the UNESCO World Heritage list of sites with "outstanding universal value" to the world.
The ancient rock art site of Lengo is located in the Bakouma region of the Central African Republic.
The group of over 700 sites of prehistoric Rock art of the Iberian Mediterranean Basin, also known as Levantine art, were collectively declared a World Heritage Site by UNESCO in 1998. The sites are in the eastern part of Spain and contain rock art dating to the Upper Paleolithic or Mesolithic periods of the Stone Age. The art consists of small painted figures of humans and animals, which are the most advanced and widespread surviving from this period, certainly in Europe, and arguably in the world, at least in the earlier works. It is notable for the number of places included, the largest concentration of such art in Europe. Its name refers to the Mediterranean Basin; however, while some sites are located near the sea, many of them are inland in Aragon and Castilla–La Mancha; it is also often referred to as Levantine Art.
The Cave of Altamira and Paleolithic Cave Art of Northern Spain is a grouping of 18 caves of northern Spain, which together represent the apogee of Upper Paleolithic cave art in Europe between 35,000 and 11,000 years ago. In 2008, they were collectively designated a World Heritage Site by UNESCO.
The Roca dels Moros or Caves of El Cogul is a rock shelter containing paintings of prehistoric Levantine rock art and Iberian schematic art. The site is in El Cogul, in the autonomous community of Catalonia, Spain. Since 1998 the paintings have been protected as part of the Rock art of the Iberian Mediterranean Basin, a UNESCO World Heritage Site. Inscriptions in Northeastern Iberian script and in Latin alphabet indicate that the place was used as a sanctuary into Iberian and Roman times.
The rock art of the Figuig region of Morocco and Algeria are prehistoric engravings from the Neolithic period, similar to those found in the South Oran region. Along the Saharan Atlas, they precede the engravings in the eastern regions of Ain Sefra, El-Bayadh, Aflou, and Tiaret. Comparable engravings have also been described further east, around Djelfa and in the Constantine region.
The Cave of Altxerri is located in the municipality of Aya (Gipuzkoa) in the Basque Country (Spain).
Gobustan Rock Art represents flora and fauna, hunting, lifestyles, and culture of pre-historic and medieval periods of time. The carvings on the rocks illustrates men, ritual dances, men with lances in their hands, animals, bull fights, camel caravans, and pictures of the sun and stars. The date of these carvings goes back to 5,000 – 20,000 years before present.
References
Les gravures rupestres de Pobe-Mengao (#) - UNESCO World Heritage Centre Retrieved 2009-03-04.