Related Research Articles
Benedetto Bonfigli was an Italian Renaissance painter born in Perugia, and part of the Umbria school of painters including Raphael and Perugino. He is also known as Buonfiglio. Influenced by the style of Domenico Veneziano, Benozzo Gozzoli, and Fra Angelico, Bonfigli primarily painted frescos for the church and was at one point employed in the Vatican. His best preserved work is the Annunication, but his masterpiece is the decoration of the chapel of the Palazzo dei Priori. Bonfigli specialized in gonfaloni, a Perugian style using banners painted on canvas or linen. Little is known of his personal life, but he was an esteemed painter in Perugia before Perugino, who is said to be his pupil.
Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.
LudovicoBrea was an Italian painter of the Renaissance, active mainly in and near Genoa.
Cristofano or Cristoforo Gherardi, also known as il Doceno, was an Italian painter of the late-Renaissance or Mannerist period, active mainly in Florence and Tuscany.
The decade of the 1470s in art involved some significant events.
Marco Bello was an Italian painter active in the Renaissance period. He was one of the pupils in the studio of Giovanni Bellini.
Bernardino Zacchetti was an Italian painter of the Renaissance period. He was born in Reggio Emilia. His style recalls Raphael, and is also said to have worked with Michelangelo in the Sistine chapel. His picture of St. Paul in the church of San Prospero at Reggio recalls Il Garofalo. One of his pupils, Giovanni Soncini was the godfather of Corregio's second daughter.
Tommaso Barnabei, also known as Maso Papacello, was an Italian painter of the Renaissance.
Ottaviano Nelli (1375–1444?) was an Italian painter of the early Quattrocento. Nelli primarily painted frescoes, but also panel paintings. He had several pupils and two painters were influenced by him.
Benedetto Nucci (1515–1587) was an Italian painter of the late-Renaissance or Mannerism period.
Giuliano Presutti or Persciutti or Presciutti (active, Fano, 1490 – Ancona, 1557 was an Italian painter of the Renaissance period, active in Marche and Umbria.
Giovanni Antonio Scaramuccia (1580–1633) was an Italian painter, active mainly in Rome and Perugia.
Orsini Carota was an Italian painter of the Renaissance period, active in Perugia.
Giovanni Battista Cungi was an Italian painter of the late-Renaissance or Mannerist period, active mainly in Florence and Tuscany.
Mello da Gubbio, also called Mello de Eugubio or Nello da Gubbio, ,was an Italian painter, active in Gubbio.
Sebastiano Flori was an Italian painter active in Rome and Umbria. Sebastiano was a pupil of Giorgio Vasari and he painted with him in the large frescoes in the Palazzo della Cancelleria in Rome. He also frescoed in the church of San Francesco, Terni.
Jacopo Bedi, also known by Giacomo di Bedo di Benedetto was an Italian painter of the Quattrocento.
Domenico di Cecco, also known by Domenico di Cecco di Baldi was an Italian painter of the Quattrocento.
Bartolomeo Barbiani (1596–1645) was an Italian painter of the Baroque period, active in Umbria.
The Sant'Agostino Altarpiece is a painting by Perugino, produced in two stages between around 1502 and 1512 and then around 1513 to 1523. The altarpiece's 28, 29 or 30 panels were split up during the Napoleonic suppression of religious houses - most of its panels are now in the Galleria Nazionale dell'Umbria in Perugia. It is notable as the painter's last masterwork before he moved into his late phase producing more provincial commissions.
References
- ↑ Catalogo dei quadri che si conservano nella Pinacoteca Vannucci in Perugia, by Galleria Nazionale dell'Umbria, (1903) page 61.
 | This article about an Italian painter born in the 16th century is a stub. You can help Wikipedia by expanding it. |