Related Research Articles
Henri Chopin was a French avant-garde poet and musician.
Concrete poetry is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance. It is sometimes referred to as visual poetry, a term that has now developed a distinct meaning of its own. Concrete poetry relates more to the visual than to the verbal arts although there is a considerable overlap in the kind of product to which it refers. Historically, however, concrete poetry has developed from a long tradition of shaped or patterned poems in which the words are arranged in such a way as to depict their subject.
Ian Hamilton Finlay, CBE was a Scottish poet, writer, artist and gardener.
"The British Poetry Revival" is the general name given to a loose movement in Britain that took place in the late 1960s and 1970s. The revival was a modernist-inspired, primarily by Basil Bunting's works, reaction to the Movement's more conservative approach to British poetry. The poets included an older generation—Bob Cobbing, Paula Claire, Tom Raworth, Eric Mottram, Jeff Nuttall, the Finnish poetAnselm Hollo, Andrew Crozier, the Canadian poet Lionel Kearns, Lee Harwood, Allen Fisher, Iain Sinclair—and a younger generation: Paul Buck, Bill Griffiths, John Hall, John James, Gilbert Adair, Lawrence Upton, Peter Finch, Ulli Freer, Ken Edwards, Robert Gavin Hampson, Gavin Selerie, Frances Presley, Elaine Randell, Robert Sheppard Paul Evans, Adrian Clarke, Clive Fencott, Maggie O'Sullivan, Cris Cheek, Tony Lopez and Denise Riley.
Bob Cobbing was a British sound, visual, concrete and performance poet who was a central figure in the British Poetry Revival.
Fulcrum Press was founded in London in the mid-1960s by medical student Stuart Montgomery and his wife Deirdre. Montgomery later became an eminent psychiatrist and expert in depression. Earning a reputation as the premier small press of the late 1960s to early '70s, Fulcrum published major American and British poets in the modernist and the avant-garde traditions in carefully designed books on good paper. The Fulcrum Press made a significant contribution to the British Poetry Revival and was one of the best known little presses of the period, recognized for publishing the works of Modernist poets including Ezra Pound, Basil Bunting, Allen Ginsberg and Roy Fisher.
Kettle's Yard is an art gallery and house in Cambridge, England. The director of the art gallery is Andrew Nairne. Both the house and gallery reopened in February 2018 after an expansion of the facilities.
British Poetry since 1945 is a poetry anthology edited by Edward Lucie-Smith, first published in 1970 by Penguin Books. The anthology is a careful attempt to take account of the whole span of post-war British poetry including poets from The Group, a London-centred workshop for whom Lucie-Smith himself had once been chairman.
Neo-Dada was a movement with audio, visual and literary manifestations that had similarities in method or intent with earlier Dada artwork. It sought to close the gap between art and daily life, and was a combination of playfulness, iconoclasm, and appropriation. In the United States the term was popularized by Barbara Rose in the 1960s and refers primarily, although not exclusively, to work created in that and the preceding decade. There was also an international dimension to the movement, particularly in Japan and in Europe, serving as the foundation of Fluxus, Pop Art and Nouveau réalisme.
OBERIU was a short-lived avant-garde collective of Russian Futurist writers, musicians, and artists in the 1920s and 1930s. The group coalesced in the context of the "intense centralization of Soviet Culture" and the decline of the avant garde culture of Leningrad, as "leftist" groups were becoming increasingly marginalized.
The Neoterikoi or Neoterics were a series of avant-garde Latin poets who wrote in the 1st century BCE. Neoteric poets deliberately turned away from classical Homeric epic poetry. Rather than focusing on the feats of ancient heroes and gods, they propagated a new style of poetry through stories that operated on a smaller scale in regard to themes and setting.
Little Sparta is a garden at Dunsyre in the Pentland Hills in South Lanarkshire, Scotland, created by artist and poet Ian Hamilton Finlay and his wife Sue Finlay, since 1966.
Nationality words link to articles with information on the nation's poetry or literature.
The Foksal Gallery or Galeria Foksal is a non-commercial gallery space in Warsaw, Poland established in 1966, that shows works by contemporary avant-garde artists.
Anton Podbevšek was a Slovenian avant-garde poet. He was an important influence to the poet Srečko Kosovel. He was one of the participants of the artistic activity known as the Novo Mesto Spring in 1920, which marked the beginning of Slovenian modernism. The poet Miran Jarc portrayed him in the semi-autobiographical novel Novo mesto in the character of Andrej Vrezec.
Dom Pierre-Sylvester HouédardWED-ar, also known by the initials 'dsh', was a British Benedictine priest, theologian and noted concrete poet.
grOnk, or GRoNK, was a Canadian literary magazine begun in 1967 by bpNichol and others (for example, David Aylward, David W. Harris, and Rah Smith. After the primary 8 series of 8 issues each were published, it was Nichol's efforts that maintained the irregular periodical, with guest editors including Nelson Ball, jwcurry, Steve McCaffery and R. Murray Schafer. An offshoot of Ganglia Press's Ganglia magazine, grOnk began with material gathered for Ganglia's sixth issue and became a monthly publication focusing on concrete poetry and "the language revolution" underway in Canada at the time, publishing a wide variety of "extralinear" writing from an international cast of contributors anchored in a context of parallel developments in Canadian literature. "GrOnk brought together British, Czech, American, Canadian, French and Austrian concrete and experimental practitioners..."
The SoundEye Festival of the Arts of the Word is an annual festival of poetry and other related art forms. It is held annually in Cork City over several days in either late-June to mid-July, with over 20 poets reading at the 2017 event. Events take place in venues such as the Guesthouse and Firkin Crane within the city.
The film-poem is a label first applied to American avant-garde films released after World War II. During this time, the relationship between film and poetry was debated. James Peterson in Dreams of Chaos, Visions of Order said, "In practice, the film poem label was primarily an emblem of the avant-garde's difference from the commercial narrative film." Peterson reported that in the 1950s, overviews of avant-garde films "generally identified two genres: the film poem and the graphic cinema". By the 1990s, the avant-garde cinema encompassed the term "film-poem" in addition to different strains of filmmaking. Film-poems are considered "personal films" and are seen "as autonomous, standing apart from traditions and genres". They are "an open, unpredictable experience" due to eschewing extrinsic expectations based on commercial films. Peterson said, "The viewer's cycles of anticipation and satisfaction derive primarily from the film's intrinsic structure." The film-poems are personal as well as private: "Many film poems document intimate moments of the filmmaker's life."
Magazine Signal with the subtitle "International Review of Signalist Research" was the periodical of Signalism, international avant-garde creative movement. The magazine was founded in 1970 in Belgrade. Founder and editor-in-chief was Miroljub Todorović.
References
- 1 2 Smith, Stewart (2011). "The Poet's Blueprint: The Pastoral and the Avant-Garde in Ian Hamilton Finlay's Poor.Old.Tired.Horse". Revista Canaria de Estudios Ingleses R.c.e.i. ISSN 0211-5913.
- ↑ Pagan, Victoria Emma, 1965- (2006). Rome and the literature of gardens. London: Duckworth. ISBN 0715635069. OCLC 71164340.
{{cite book}}: CS1 maint: multiple names: authors list (link) - ↑ Crompton, Sarah (17 June 2009). "Poor. Old. Tired. Horse at the ICA". The Telegraph. Retrieved 20 June 2019.
