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A bodysuit is a one-piece form-fitting or skin-tight garment that covers the torso and the crotch. The design of a basic bodysuit is similar to a one-piece swimsuit and a leotard, though the materials may vary. Thong or T-front thong bodysuits usually have the crotch opening moved up to the front to underbelly area to increase the wearer's comfort. A bodysuit may have sleeves and varying shoulder strap and collar. Bodysuits can be made from a number of fabrics, including cotton, lace, nylon, etc. In general, textile bodysuits include expandable fiber such as spandex for a better fit to the shape of the body.
Clothing in India varies with the different ethnicities, geography, climate, and cultural traditions of the people of each region of India. Historically, clothing has evolved from simple garments like kaupina, langota, achkan, lungi, sari, to rituals and dance performances. In urban areas, western clothing is common and uniformly worn by people of all social levels. India also has a great diversity in terms of weaves, fibers, colors, and the material of clothing. Sometimes, color codes are followed in clothing based on the religion and ritual concerned. The clothing in India also encompasses a wide variety of Indian embroidery, prints, handwork, embellishments, and styles of wearing clothes. A wide mix of Indian traditional clothing and western styles can be seen in India.
1860s fashion in European and European-influenced countries is characterized by extremely full-skirted women's fashions relying on crinolines and hoops and the emergence of "alternative fashions" under the influence of the Artistic Dress movement.
A ball gown, ballgown or gown is a type of evening gown worn to a ball or a formal event. Most versions are cut off the shoulder with a low décolletage, exposed arms, and long bouffant styled skirts. Such gowns are typically worn with opera-length white gloves, vintage jewelry or couture, and a stole, cape, or cloak in lieu of a coat. Where "state decorations" are to be worn, they are on a bow pinned to the chest, and married women wear a tiara if they have one. Although synthetic fabrics are now sometimes used, the most common fabrics are satin, silk, taffeta and velvet with trimmings of lace, pearls, sequins, embroidery, ruffles, ribbons, rosettes and ruching.
Fashion in the period 1795–1820 in European and European-influenced countries saw the final triumph of undress or informal styles over the brocades, lace, periwigs and powder of the earlier 18th century. In the aftermath of the French Revolution, no one wanted to appear to be a member of the French aristocracy, and people began using clothing more as a form of individual expression of the true self than as a pure indication of social status. As a result, the shifts that occurred in fashion at the turn of the 19th century granted the opportunity to present new public identities that also provided insights into their private selves. Katherine Aaslestad indicates how "fashion, embodying new social values, emerged as a key site of confrontation between tradition and change."
The robe à la polonaise or polonaise, literally meaning the Polish dress, is a woman's garment of the 18th century 1770s and 1780s or a similar revival style of the 1870s inspired by Polish national dress style, costume, consisting of a gown with a cutaway, draped and swagged overskirt, worn over an underskirt or petticoat. From the 18th century, the term polonaise also described a fitted overdress which extended into long panels over the underskirt, but was not necessarily draped or swagged.
Claire McCardell was an American fashion designer of ready-to-wear clothing in the twentieth century. She is credited with the creation of American sportswear.
A wrap dress is generic term for a dress with a front closure formed by wrapping one side across the other, and is fastened at the side or tied at the back. This forms a V-shaped neckline. A faux wrap dress resembles this design, except that it comes already fastened together with no opening in front, but instead is slipped on over the head. A wrap top is a top cut and constructed in the same way as a wrap dress, but without a skirt. The design of wrap-style closure in European garments was the results of the heavy influences of Orientalism which was popular in the 19th century.
Ballet flats or ballet pumps are women's shoes for everyday wear which are similar to/inspired by a women's ballet shoes, with a very thin heel or the appearance of no heel at all. The style sometimes features a ribbon-like binding around the low tops of the slipper and may have a slight gathering at the top-front of the vamp and sometimes a tiny, decorative string tie. Ballet slippers can be adjusted and tightened to the wearer's foot by means of this string tie.
A dress is a garment predominantly worn by women or girls consisting of a skirt with an attached bodice. It consists of a top piece that covers the torso and hangs down over the legs. A dress can be any one-piece garment containing a skirt of any length, and can be formal or casual.
Louise Chéruit, also known as Madame Chéruit and often erroneously called Madeleine Chéruit, was a French fashion designer. She was among the foremost couturiers of her generation, and one of the first women to control a major French fashion house. Her salon operated at Place Vendôme in Paris under the name Chéruit from 1906 to 1935. She is best remembered today as the subject of a number of portraits by Paul César Helleu and for the appearance of her name in two celebrated works of literature, Marcel Proust's Remembrance of Things Past (1910) and Evelyn Waugh's Vile Bodies (1930). Her name is also frequently associated with the fashion photography of Edward Steichen, whose favorite model, Marion Morehouse, often wore gowns from the house of Chéruit for Vogue magazine in the 1920s. One particular Steichen image has become iconic – Morehouse in a jet-beaded black net Chéruit dress, first published in 1927.
Vera Huppe Maxwell was an American pioneering sportswear and fashion designer.
Maternity clothing is worn by women as an adaptation to changes in body size during pregnancy. The evolution of maternity clothing began during the Middle Ages, and became fashionable as women became more selective about style and comfort in the types of maternity clothing they wore. Fashions were constantly changing over time, such as the high-waisted Empire silhouette style maternity dress that was fashionable at the turn of the 19th century, and the "wrapper" style dress of the Victorian era that a woman could simply wrap around herself and button up.
Evidence of bikini-style women's clothing has been found as early as 5600 BC, and the history of the bikini can be traced back to that era. Illustrations of women wearing bikini-like garments during competitive athletic events in the Roman era have been found in several locations, the most famous of which is at Villa Romana del Casale.
Richard Martin was an American scholar, lecturer, critic and curator, and a leading art and fashion historian. At the time of his death he was curator of the Costume Institute at the Metropolitan Museum of Art, creating many critically acclaimed exhibitions and contributing widely towards publications on the subject. After his death, an award in his name was set up to recognise creative, high quality and innovative costume exhibitions.
Sportswear is an American fashion term originally used to describe separates, but which since the 1930s has come to be applied to day and evening fashions of varying degrees of formality that demonstrate a specific relaxed approach to their design, while remaining appropriate for a wide range of social occasions. The term is not necessarily synonymous with activewear, clothing designed specifically for participants in sporting pursuits. Although sports clothing was available from European haute couture houses and "sporty" garments were increasingly worn as everyday or informal wear, the early American sportswear designers were associated with ready-to-wear manufacturers. While most fashions in America in the early 20th century were directly copied from, or influenced heavily by Paris, American sportswear became a home-grown exception to this rule, and could be described as the American Look. Sportswear was designed to be easy to look after, with accessible fastenings that enabled a modern emancipated woman to dress herself without a maid's assistance.
Paper clothing is garments and accessories made from paper or paper substitutes.
A house dress is a type of simple dress worn informally at home for household chores or for quick errands. The term originated in the late nineteenth century to describe at-home garments designed for maximum practicality and usually made from washable fabrics. It is directly descended from the Mother Hubbard dress. House dresses are also known as dusters in American and Philippine English, a term which also encompasses the muumuu. Such dresses were a necessary part of the housewife's wardrobe in the early twentieth century and could be widely purchased through mail-order catalogues. The house dress remains a contemporary and frequently worn garment in some parts of the world.
Louella Ballerino was an American fashion designer, best known for her work in sportswear.
Heidi Weisel was an American fashion designer. She was the founder and head of design for Heidi Weisel, a New York City-based women's luxury brand. Weisel's signature was creating modern, timeless evening wear with the simplicity and ease of sportswear. She was known for her unexpected mix of fabrics, often incorporating knitted cashmere, silk chiffon, silk satin, lace, tulle, and leather. A Heidi Weisel chiffon and lace design is in the permanent collection of the Metropolitan Museum of Art. Weisel was a member of the Council of Fashion Designers of America (CFDA).
References
- ↑ "Pop-over". www.metmuseum.org. Retrieved 2 June 2022.
- ↑ Polan, Brenda; Tredre, Roger (2009). The great fashion designers (English ed.). Oxford: Berg Publishers. p. 93. ISBN 9780857851758.
- 1 2 "Claire McCardell: "Popover" dress (C.I.45.71.2ab) | Heilbrunn Timeline of Art History" The Metropolitan Museum of Art. Web. 14 Nov 2009.
