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The Porter's Hall Theatre was a small theatre in London, it existed for a short while in 1616. The licence for its construction was revoked around its date of completion, and few records of it survive.
Porter's Hall Theatre was constructed in Blackfriars by Philip Rosseter, the manager of the Queen's Revels company, after he lost his lease on the Whitefriars Theatre in 1614. It received a royal license on 3 June 1615, allowing it to be used by the Queen's Revels Prince Charles', and Lady Elizabeth's Players.
The city was opposed to the construction of another theatre, and a petition was given against the construction to Sir Edward Coke, Lord Chief Justice, in August 1615. On 26 September it was ordered that the license for the playhouse did not allow it to be constructed in the city, and that all building work must stop.
Legal arguments from Rosseter and his two fellow investors, Philip Kingman and Ralph Reeve, [1] went back and forth until 27 January 1617, when the king gave his consent that the playhouse should be pulled down. [2] By this time it would appear that construction of the theatre was completed.
Nathan Field's Amends for Ladies was printed in 1618 'As it was acted at the Blacke Fryers, both by the Princes Seruants, and the Lady Elizabeths'; and there is no difficulty in supposing that the play was produced at the Porter's Hall theatre in late 1616 or early 1617.
The English Renaissance theatre or Elizabethan theatre was the theatre of England from 1558 to 1642. Its most prominent playwrights were William Shakespeare, Christopher Marlowe and Ben Jonson.
This article contains information about the literary events and publications of 1613.
The King's Men was the acting company to which William Shakespeare (1564–1616) belonged for most of his career. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became the King's Men in 1603 when King James I ascended the throne and became the company's patron.
Nathan Field was an English dramatist and actor.
John Fletcher was an English playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; during his lifetime and in the Stuart Restoration, his fame rivalled Shakespeare's. Fletcher collaborated in writing plays, chiefly with Francis Beaumont or Philip Massinger, but also with Shakespeare and others.
Queen Anne's Men was a playing company, or troupe of actors, in Jacobean-era London. In their own era they were known colloquially as the Queen's Men — as were Queen Elizabeth's Men and Queen Henrietta's Men, in theirs.
Robert Jones was an English lutenist and composer, the most prolific of the English lute song composers.
The Mermaid Theatre was a theatre encompassing the site of Puddle Dock and Curriers' Alley at Blackfriars in the City of London, and the first built in the City since the time of Shakespeare. It was, importantly, also one of the first new theatres to abandon the traditional stage layout; instead of this, a single tier of seats surrounded the stage on three sides.
Philip Rosseter was an English composer and musician, as well as a theatrical manager. His family seems to have been from Somerset or Lincolnshire, he may have been employed with the Countess of Sussex by 1596, and he was living in London by 1598. In 1604 Rosseter was appointed a court lutenist for James I of England, a position he held until his death in 1623. Rosseter is best known for A Book of Ayres which was written with Thomas Campion and published in 1601. Some literary critics have held that Campion wrote the poems for Rosseter's songs; however, this seems not to be the case. It is likely that Campion was the author of the book's preface, which criticizes complex counterpoint and "intricate" harmonies that leave the words inaudible. The two men had a close professional and personal relationship; when Campion died in 1620, he had named Rosseter his sole heir.
The Cockpit was a theatre in London, operating from 1616 to around 1665. It was the first theatre to be located near Drury Lane. After damage in 1617, it was named The Phoenix.
The Whitefriars Theatre was a theatre in Jacobean London, in existence from 1608 to the 1620s — about which only limited and sometimes contradictory information survives.
The Children of the Chapel are the boys with unbroken voices, choristers, who form part of the Chapel Royal, the body of singers and priests serving the spiritual needs of their sovereign wherever they were called upon to do so. They were overseen by the Master of the Children of the Chapel Royal.
The Lady Elizabeth's Men, or Princess Elizabeth's Men, was a company of actors in Jacobean London, formed under the patronage of King James I's daughter Princess Elizabeth. From 1618 on, the company was called The Queen of Bohemia's Men, after Elizabeth and her husband the Elector Palatine had their brief and disastrous flirtation with the crown of Bohemia.
Prince Charles's Men was a playing company or troupe of actors in Jacobean and Caroline England.
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Ladies Hall in Deptford, London is thought to have been the first girls' school in England. Founded in approximately 1615 by Robert White, the school was for aristocratic girls connected with the royal court, and they performed before Queen Anne in May 1617. The school taught basic reading and writing in English, and it is likely they covered other skills a lady was encouraged to acquire, in music, dance, and needlework. Archival evidence for the school and its pupils beyond the published text of Robert White's masque is sparse.
Dorothy Hastings was a courtier to Elizabeth I of England and Anne of Denmark