Jacob (Jacques) Jordaens was a Flemish painter, draughtsman and a designer of tapestries and prints. He was a prolific artist who created biblical, mythological, and allegorical compositions, genre scenes, landscapes, illustrations of Flemish sayings and portraits. After the death of Rubens and Anthony van Dyck, he became the leading Flemish Baroque painter of his time. Unlike those illustrious contemporaries he never travelled abroad to study the Antique and Italian painting and, except for a few short trips to locations elsewhere in the Low Countries, he resided in Antwerp his entire life. He also remained largely indifferent to Rubens and van Dyck's intellectual and courtly aspirations. This attitude was expressed in his art through a lack of idealistic treatment which contrasted with that of these contemporaries.
The Caravaggisti were stylistic followers of the late 16th-century Italian Baroque painter Caravaggio. His influence on the new Baroque style that eventually emerged from Mannerism was profound. Caravaggio never established a workshop as most other painters did, and thus had no school to spread his techniques. Nor did he ever set out his underlying philosophical approach to art, the psychological realism which can only be deduced from his surviving work. But it can be seen directly or indirectly in the work of Rubens, Jusepe de Ribera, Bernini, and Rembrandt. Famous while he lived, Caravaggio himself was forgotten almost immediately after his death. Many of his paintings were re-ascribed to his followers, such as The Taking of Christ, which was attributed to the Dutch painter Gerrit van Honthorst until 1990.
Simon Vouet was a French painter who studied and rose to prominence in Italy before being summoned by Louis XIII to serve as Premier peintre du Roi in France. He and his studio of artists created religious and mythological paintings, portraits, frescoes, tapestries, and massive decorative schemes for the king and for wealthy patrons, including Richelieu. During this time, "Vouet was indisputably the leading artist in Paris," and was immensely influential in introducing the Italian Baroque style of painting to France. He was also according to Pierre Rosenberg, "without doubt one of the outstanding seventeenth-century draughtsmen, equal to Annibale Carracci and Lanfranco."
David Teniers the Younger or David Teniers II was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output. He was an innovator in a wide range of genres such as history painting, genre painting, landscape painting, portrait and still life. He is now best remembered as the leading Flemish genre painter of his day. Teniers is particularly known for developing the peasant genre, the tavern scene, pictures of collections and scenes with alchemists and physicians.
Cornelis de Vos was a Flemish painter, draughtsman and art dealer. He was one of the leading portrait painters in Antwerp and is best known for his sensitive portraits, in particular of children and families. He was also successful in other genres including history, religious and genre painting. He was a regular collaborator with Rubens.
Jan Cossiers was a Flemish painter and draughtsman. Cossiers' earliest works were Caravaggesque genre works depicting low life scenes. Later in his career he painted mostly history and religious subjects as well as portraits. Cossiers was one of the leading painters in Antwerp after Rubens' death in 1640 and one of the most original colorists in 17th-century Flanders.
Albert Eckhout (c.1610–1665) was a Dutch portrait and still life painter. Eckhout, the son of Albert Eckhourt and Marryen Roeleffs, was born in Groningen, but his training as an artist and early career are unknown. A majority of the works attributed to him are unsigned. He was among the first European artists to paint scenes from the New World. He was in the entourage of the Dutch governor-general of Brazil, Johan Maurits, Prince of Nassau-Siegen, who took him and fellow painter Frans Post to Dutch Brazil to have them record the country's landscape, inhabitants, flora and fauna. Eckhout is also famous for his still-life paintings of Brazilian fruits and vegetables. His paintings were intended for decoration in a domestic context.
Charles Sedelmeyer was an Austrian and French art dealer, collector, and publisher active in Paris from 1866, with premises at 6 rue de la Rochefoucauld.
Sir Peter Paul Rubens was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands. He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp.
Abraham de Vries was a Dutch painter who was one of the leading portraitists of his age. As he led a peripatetic lifestyle and worked in France, Antwerp and the Dutch Republic his stylistic qualities are difficult to pin down.
Isabella Brant, a portrait drawing, was executed in Antwerp around 1621, by Flemish artist and diplomat, Peter Paul Rubens (1577–1640). Brant (1591–1626) was Rubens' first wife and modelled for some of his portraits until her untimely death in 1626. The portrait is drawn in black and red chalk with white heightening on brown wash paper.
Charles Emmanuel Biset or Karel Emmanuel Biset was a Flemish painter who had a peripatetic career working in various cities and countries including his hometown Mechelen, Paris, Annonay, Brussels, Antwerp and Breda. He worked in many genres including genre scenes of interiors with merry companies and gallery paintings, history painting, still life and portraiture.
Antoon Sallaert or Anthonis Sallaert (1594–1650) was a Flemish Baroque painter, draughtsman and printmaker who was active in Brussels. Sallaert produced many devotional paintings for the Brussels court of Archdukes Albert and Isabella as well as for the local churches. Sallaert was an innovative printmaker and is credited with the invention of the monotype technique. He was an important tapestry designer for the local weaving workshops.
Carstian Luyckx, also known as the Monogrammist KL, was a Flemish painter and draughtsman who specialized in still lifes in various subgenres including flower still lifes, fruit still lifes, fish still lifes, pronkstillevens, vanitas still lifes, hunting pieces and garland paintings. He also painted animals and a few genre scenes. After starting his career in Antwerp he is believed to have worked later in France.
The Rape of Ganymede is a painting by the Flemish Baroque painter Peter Paul Rubens produced between 1636 and 1638 painting for the Spanish king Philip IV of Spain's hunting lodge. The painting is based on a story recounted in classical poet Ovid's Metamorphoses. It depicts the moment when the Roman supreme god Jupiter disguised as an eagle catches the young shepherd Ganymede and lifts him into the air. It is in the collection of the Museo del Prado in Madrid. The dramatic scene gave Rubens ample opportunity to show his skill in depicting a lively scene and the nude.
Portrait of Dom Miguel de Castro, Emissary of Congo is a 1643 painting by the Dutch Golden Age painter Jasper or Jeronimus Becx. It was earlier attributed to Albert Eckhout.
Jan Kooi was a Dutch KNIL military officer from Ghana.
Portrait of a Wounded KNIL Soldier is an Amsterdam impressionist portrait painting by Isaac Israëls, signed and dated to 1882. It has been in the Rijksmuseum since 2000.
Black Woman with Child is a circa 1650 full-length portrait painting by Albert Eckhout. It is in the collection of the National Museum of Denmark, in Copenhagen.
The Sibyl Agrippina is a circa 1630s oil painting of a Black woman in the guise of the Sibyl Agrippina. The painting is one of a series of Sybils by Jan van den Hoecke, only recently being re-attributed after being known as an early portrait of an African woman by Abraham Janssens. It is held in the Museum Kunstpalast in Düsseldorf.
His servant holding a box of beads
His servant holding an elephant tusk
