| Portrait of the Doge Giovanni Mocenigo | |
|---|---|
 | |
| Artist | Gentile Bellini |
| Year | c. 1478-1485 |
| Medium | Tempera on wood |
| Dimensions | 62 cm× 45.5 cm(24 in× 17.9 in) |
| Location | Museo Correr, Venice |
The Portrait of the Doge Giovanni Mocenigo is a tempera on wood painting attributed to Italian artist Gentile Bellini, datable between 1478 and 1485. It is held at the Museo Correr, in Venice. [1]
The portrait depicts the doge Giovanni Mocenigo, wearing the official clothes of his office: the doge's Corno ducale and the gold cloth embroidered in relief. The doge is represented in profile and stands out against a gold background, which has a strong symbolic value that underlines the customs and iconographic tangencies between Venice and the Byzantine artistic world of Constantinople. The portrait, which still appears linked to more "traditional" models of representation, seems distant from the solutions adopted by Gentile's brother and fellow painter, Giovanni Bellini for the famous Portrait of Doge Leonardo Loredan , stands out for his great quality and realism. The portrait appears to have been made directly "from life", and depicts Giovanni Mocenigo as a private man, while also celebrating his public role as the doge of Venice. [2] [3] [4]
Little is known about the origin of the work. It was most likely painted during the years when Giovanni Mocenigo was doge (1478-1485). The painting arrived to the public collections of the city of Venice in 1830, with the legate Correr. The exact circumstances of when or where Teodoro Correr bought the painting are not known.
The Doge's Palace is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy. The palace was the residence of the Doge of Venice, the supreme authority of the former Republic of Venice. It was built in 1340 and extended and modified in the following centuries. It became a museum in 1923 and is one of the 11 museums run by the Fondazione Musei Civici di Venezia.
Giovanni Bellini was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned. An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna.
Gentile Bellini was an Italian painter of the school of Venice. He came from Venice's leading family of painters, and at least in the early part of his career was more highly regarded than his younger brother Giovanni Bellini, the reverse of the case today. From 1474 he was the official portrait artist for the Doges of Venice, and as well as his portraits he painted a number of very large subjects with multitudes of figures, especially for the Scuole Grandi of Venice, wealthy confraternities that were very important in Venetian patrician social life.
The Basilica dei Santi Giovanni e Paolo, known in Venetian as San Zanipolo, is a church in the Castello sestiere of Venice, Italy.
Vittore Carpaccio (UK: /kɑːrˈpætʃ oʊ/, US: /-ˈpɑːtʃ-/, Italian: [vitˈtoːre karˈpattʃo]; was an Italian painter of the Venetian school who studied under Gentile Bellini. Carpaccio was largely influenced by the style of the early Italian Renaissance painter Antonello da Messina, as well as Early Netherlandish painting. Although often compared to his mentor Gentile Bellini, Vittore Carpaccio's command of perspective, precise attention to architectural detail, themes of death, and use of bold color differentiated him from other Italian Renaissance artists. Many of his works display the religious themes and cross-cultural elements of art at the time; his portrayal of St. Augustine in His Study from 1502, reflects the popularity of collecting "exotic" and highly desired objects from different cultures.
Leonardo Loredan was a Venetian nobleman and statesman who reigned as the 75th Doge of Venice from 1501 until his death in 1521. A wartime ruler, his dogeship was one of the most important in the history of Venice. In the dramatic events of the early 16th century, Loredan's Machiavellian plots and cunning political manoeuvres against the League of Cambrai, the Ottomans, the Mamluks, the Pope, the Republic of Genoa, the Holy Roman Empire, the French, the Egyptians and the Portuguese saved Venice from downfall.
A doge was an elected lord and head of state in several Italian city-states, notably Venice and Genoa, during the medieval and Renaissance periods. Such states are referred to as "crowned republics".
The Museo Correr is a museum in Venice, northern Italy. Located in St. Mark's Square, Venice, it is one of the 11 civic museums run by the Fondazione Musei Civici di Venezia. The museum extends along the southside of the square on the upper floors of the Procuratorie Nuove. With its rich and varied collections, the Museo Correr covers both the art and history of Venice.
Giovanni di Mocenigo was doge of Venice from 1478 to 1485. He fought at sea against the Ottoman Sultan Mehmed II and on land against Ercole I d'Este, duke of Ferrara, from whom he recaptured Rovigo and the Polesine. He was interred in the Basilica di Santi Giovanni e Paolo, a traditional burial place of the doges. His dogaressa was Taddea Michiel, who was to be the last dogaressa to be crowned in Venice until Zilia Dandolo in 1557, almost a century later. His brother, Pietro Mocenigo, served as Doge before him, in 1474–1476.
The House of Vendramin was a rich merchant family of Venice, Italy, who were among the case nuove or "new houses" who joined the patrician class when the Libro d'Oro was opened after the battle of Chioggia. Andrea Vendramin served as the sole Vendramin Doge from 1476–78, at the height of Venetian power, though in 1477 an Antonio Feleto was imprisoned, then banished, for remarking in public that the Council of the Forty-One must have been hard-pressed to elect a cheesemonger Doge. In his youth, Andrea and his brother Luca, in joint ventures, used to ship from Alexandria enough goods to fill a galley or a galley and a half, Malipiero recorded in retrospect: even his factors grew rich managing his affairs. At this period, mentions of Vendramins in various fields of business occur; Luca Vendramin (d.1527) founded a successful bank on the still-wooden Rialto Bridge with three Capelli brothers in 1507, but in his will of 1524 forbade his sons from continuing in banking. An early text on accounting mentions that the Vendramins' soap is so reliably good that you can buy it without inspecting it. Later they owned an important theatre.
Andrea Vendramin served as Doge of Venice, 1476–78, at the height of Venetian power, the only member of the Vendramin family to do so. His mother, Maria Michiel, and his wife Regina Gradenigo, both came from Dogal families. He had served as Venetian Procurator in Rome, and his brief reign was largely concerned with the end of the Second Turkish–Venetian War. He probably died of plague.
Marco Marziale was a Venetian painter from, known to have been active from 1492/93 to 1507. He was a pupil of Giovanni Bellini, as stated in some of his inscriptions signing works, and was also influenced by Giovanni's brother Gentile, with possibly some elements of the style of Perugino also. From January 1493, when he must have at least completed his training, he was employed by the Republic of Venice as an assistant to Giovanni Bellini on the Great Council Chamber in the Doge's Palace at a fairly modest salary. These paintings were all lost in the great fire of 1574. In 1493 he joined the confraternity of the Scuola di San Marco.
The Scuola Grande di San Giovanni Evangelista is a confraternity building located in the San Polo sestiere of the Italian city of Venice. Founded in the 13th century by a group of flagellants it was later to become one of the five Scuole Grandi of Venice. These organisations provided a variety of charitable functions in the city as well as becoming patrons of the arts. The Scuola Grande di San Giovanni Evangelista is notable for housing a relic of the true cross and for the series of paintings it commissioned from a number of famous Venetian artists depicting Miracles of the Holy Cross. No longer in the school, these came into public ownership during the Napoleonic era and are now housed in the Gallerie dell'Accademia. The scuola is open to visitors on a limited number of days, detailed on the official website.
The Museo di Palazzo Mocenigo is a palazzo near the Church of San Stae, south of the Grand Canal in the sestiere of Santa Croce in Venice, Italy. It is now a museum of fabrics and costumes, run by the Fondazione Musei Civici di Venezia.
St. Mark Preaching in Alexandria is an oil painting by Gentile and Giovanni Bellini, dated to 1504-1507, and held in the Pinacoteca di Brera, in Milan.
The Barbarigo Altarpiece or Enthroned Madonna and Child with Angel Musicians and Saint Mark, Saint Augustine and Doge Agostino Barbarigo is a 1488 oil painting on panel by Giovanni Bellini, now in the church of San Pietro Martire in Murano.
Teodoro Francesco Maria Gasparo Correr was a Venetian abbot and art collector, most notable as the founder of the Museo Correr.
The House of Loredan-Santo Stefano was a cadet branch of the House of Loredan that existed from the 14th century until 1767. The branch was mainly settled in the Palazzo Loredan in Campo Santo Stefano, which they acquired in 1536 from the Mocenigo family. The progenitor of the branch is considered to be Gerolamo Loredan "dal Barbaro" di S. Vitale (d.~1474), father of Doge Leonardo Loredan and Dogaressa Caterina Loredan. Besides Leonardo, the branch also gave Doge Francesco Loredan.
The Portrait of Doge Leonardo Loredan is a painting by the Italian Renaissance master Vittore Carpaccio, a painter of the Venetian School and student of Gentile Bellini. The latter also painted a portrait of Doge Leonardo Loredan. It was most likely painted around 1501/02, at the beginning of Loredan's reign. The painting was restored in 2003 with funding from Mara and Chuck Robinson in honour of Prof. W. R. Rearick, and it is now displayed in the Museo Correr in Venice.