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Author | James McManus |
---|---|
Language | English |
Subject | Gambling |
Genre | Memoir |
Publication date | 2003 |
Publication place | United States |
Positively Fifth Street: Murderers, Cheetahs, and Binion's World Series of Poker is a memoir published in 2003 by Chicago area author James McManus set during the 2000 World Series of Poker.
On assignment from Harper's Magazine , McManus was sent to Las Vegas to cover the trial of Rick Tabish and Sandy Murphy, who were accused of murdering Binion's Horseshoe casino executive Ted Binion. The trial coincided with the 2000 WSOP, which McManus entered. He won a satellite tournament into the Main Event, and reached the final table, placing fifth. [1] [2] The book is a two-track memoir of his coverage of the trial interspersed with and finally subsumed by the poker tournament.
The book's title was inspired by Bob Dylan's 1965 single "Positively 4th Street". [3] [4]
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Texas hold 'em is one of the most popular variants of the card game of poker. Two cards, known as hole cards, are dealt face down to each player, and then five community cards are dealt face up in three stages. The stages consist of a series of three cards, later an additional single card, and a final card. Each player seeks the best five-card poker hand from any combination of the seven cards: the five community cards and their two hole cards. Players have betting options to check, call, raise, or fold. Rounds of betting take place before the flop is dealt and after each subsequent deal. The player who has the best hand and has not folded by the end of all betting rounds wins all of the money bet for the hand, known as the pot. In certain situations, a "split pot" or "tie" can occur when two players have hands of equivalent value. This is also called "chop the pot". Texas hold 'em is also the H game featured in HORSE and HOSE.
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"Positively 4th Street" is a song written and performed by Bob Dylan, first recorded in New York City on July 29, 1965. It was released as a single by Columbia Records on September 7, 1965, reaching No. 1 on Canada's RPM chart, No. 7 on the U.S. Billboard Hot 100, and No. 8 on the UK Singles Chart. Rolling Stone magazine ranked the song as No. 203 in their 500 Greatest Songs of All Time list.
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