Pour la peau d'un flic | |
---|---|
English | For a Cop's Hide |
Directed by | Alain Delon |
Screenplay by | Alain Delon Christopher Frank |
Based on | Que d'os! by Jean-Patrick Manchette |
Produced by | Alain Delon |
Starring | Alain Delon Anne Parillaud |
Cinematography | Jean Tournier |
Release date |
|
Language | French |
Box office | $17.8 million [1] |
Pour la peau d'un flic (English: For a Cop's Hide) is a 1981 French crime-thriller film starring and directed by Alain Delon. It was Delon's directorial debut.
It had admissions of 2,377,084 in France. [2]
Choucas, a former police detective, is commissioned by an elderly lady to investigate the disappearance of her blind daughter, Marthe. The lady is murdered. Assisted by retired commissioner Haymann, and by secretary Charlotte, investigator Choucas attempts to unravel the thread of a fraud involving various police services and drug traffickers. During the investigation Choucas is attacked in the apartment of the victim by a certain Pradier; he kills him but his accomplice manages to escape. Back home, Choucas escapes an ambush tended by a certain commissioner Madrier and kills him, with the result of ending up in the viewfinder not only of a mysterious gang, but also of the police.
The story proceeds with a succession of events, including the kidnapping of Charlotte, saved at the last minute by her employer. Choucas will discover that he was maneuvered by the police commissioner Coccioli against his dishonest colleagues, and will risk to leave his life in an attempt to discover the truth and to strip the gang: it will be saved in extremis by policemen.
Alain Fabien Maurice Marcel Delon was a French actor, film producer, screenwriter, and singer. Acknowledged as a cultural and cinematic leading man of the 20th century, Delon emerged as one of the foremost European actors of the 1960s, 1970s, and 1980s, and became an international sex symbol. His style, looks, and roles made him an icon of cinema worldwide and earned him enduring popularity. Delon achieved critical acclaim for his roles in films such as Women Are Weak (1959), Purple Noon (1960), Rocco and His Brothers (1960), L'Eclisse (1962), The Leopard (1963), The Black Tulip (1964), The Last Adventure (1967), Le Samouraï (1967), The Girl on a Motorcycle (1968), La Piscine (1969), Le Cercle Rouge (1970), Un flic (1972), and Monsieur Klein (1976). Over the course of his career, Delon worked with many directors, including Luchino Visconti, Jean-Luc Godard, Jean-Pierre Melville, Michelangelo Antonioni, and Louis Malle.
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