Presentation at the Temple is an oil on canvas painting by Tintoretto, from 1554-1556. It was originally painted for the church of [[Santa Maria dei Crociferi, Venice, and is now held in the Gallerie dell'Accademia, also in Venice. [1] It was commissioned by the Scuola dei Bottari, which is referenced by a small barrel or botte on the steps below the altar. [2]
Jacopo Robusti, best known as Tintoretto, was an Italian Renaissance painter of the Venetian school. His contemporaries both admired and criticized the speed with which he painted, and the unprecedented boldness of his brushwork. For his phenomenal energy in painting he was termed il Furioso. His work is characterised by his muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style.
The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the vaporetto water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili.
Bonifazio Veronese, born Bonifazio de' Pitati, was a Venetian Renaissance painter who was active in the Venetian Republic. His work had an important influence on the younger generation of painters in Venice, particularly Andrea Schiavone and Jacopo Tintoretto.
Antonio Vassilacchi, also called L'Aliense, was a Greek painter, who was active mostly in Venice and the Veneto.
Iacopo Negretti, best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane, was an Italian painter from Venice and a notable exponent of the Venetian school.
San Giorgio Maggiore is a 16th-century Benedictine church on the island of the same name in Venice, northern Italy, designed by Andrea Palladio, and built between 1566 and 1610. The church is a basilica in the classical Renaissance style and its brilliant white marble gleams above the blue water of the lagoon opposite the Piazzetta di San Marco and forms the focal point of the view from every part of the Riva degli Schiavoni.
Odoardo Fialetti was an Italian painter and printmaker who began his training during the late Renaissance, and showed distinct mannerist sensibilities in his mid-career, adopting a much looser and more dynamic style in his later life.
Michael Damaskenos or Michail Damaskenos was a leading post-Byzantine Cretan painter. He is a major representative of the Cretan School of painting that flourished in the 16th and 17th centuries. Painters Georgios Klontzas and Damaskenos were major contributors to the Cretan School during the same period. Damaskinos traveled all over the Venetian Empire painting. He remained loyal to his Greek roots stylistically but incorporated some Italian elements in his work. He was strongly influenced by the Venetian school. He painted parts of the Cathedral of San Giorgio dei Greci. Damaskenos has 100 known works. He influenced the works of Theodore Poulakis.
The Chiesa dei Santi Apostoli di Cristo, commonly called San Apostoli, is a 7th-century Roman Catholic church located in the Cannaregio sestiere of the Italian city of Venice. It is one of the oldest churches in the city and has undergone numerous changes since its foundation. The present building is the result of a major reconstruction project which was undertaken in 1575. The church is notable particularly for the Cornaro Chapel, an important example of Early Renaissance architecture, added by Mauro Codussi during the 1490s. The chapel is the burial place of several members of the powerful Cornaro family, including Catherine Cornaro, Queen of Cyprus and Armenia. The church houses several works of art including pieces by Giambattista Tiepolo and Paolo Veronese.
Palazzo dei Camerlenghi is a Renaissance palazzo in Venice, northern Italy, located in the sestiere (quarter) of San Polo. It faces the Canal Grande, adjacent to the Rialto Bridge.
San Lazzaro dei Mendicanti is an ancient church in the sestiere of Castello, Venice, northern Italy, with a facade facing a Rio of the same name. It now serves as the chapel of the Civic Hospital of Venice.
Pauwels Franck, known in Italy as Paolo Fiammingo and Paolo Franceschi, was a Flemish painter, who, after training in Antwerp, was active in Venice for most of his life. He is mainly known for his landscapes with mythological, allegorical and religious scenes. He worked in a Mannerist style showing the influence of Tintoretto, Veronese, and Bassano.
Save Venice Inc. is a U.S. non-profit organization dedicated to the conservation of art and architecture and the preservation of cultural heritage sites in Venice, Italy. Headquartered in New York City, it has an office in Venice, a chapter in Boston, and supporters across the United States and Europe.
Visitation or Visitation with Saint Joseph and Saint Zacharias is a c.1550 painting by Tintoretto, now in the Pinacoteca Nazionale di Bologna. Originally an altarpiece in the church of San Pietro Martire in Bologna, where it was first recorded in the seventeenth century, it was transferred to the Pinacoteca in Napoleonic times.
Joseph and Potiphar's Wife is a c. 1555 oil on canvas painting by Jacopo Tintoretto, now in the Museo del Prado, in Madrid. The story of Joseph and Potiphar's wife is from the Old Testament.
Two Children Teasing a Cat is a 1587-1588 oil on canvas painting by Annibale Carracci, now in the Metropolitan Museum of Art in New York, which acquired it in 1994.
Presentation of the Virgin is an oil on canvas painting of the Presentation of Mary by Tintoretto, created c. 1551-1556, in the church of Madonna dell'Orto in Venice. Its diagonals aim to provide a stark contrast to Titian's 1534-1538 work of the same subject. Vasari's Lives of the Artists calls it "A finished work, and the best-made and most felicitous painting in that place".
Baptism of Christ is a c. 1580 oil on canvas painting by Tintoretto, one of several treatments of the same subject by that artist. One of his most notable works, it hangs as an altarpiece in the church of San Silvestro, Venice. The background landscape is dominated by water, which has major symbolic significance in such a scene.
The Fasti of the Gonzagas or Gonzaga Cycle is a 1578-1580 cycle of oil on canvas paintings commissioned from Tintoretto and his workshop by Guglielmo Gonzaga to hang in two of the new rooms he had added to the Palazzo Ducale in Mantua. They celebrate the history of the Gonzaga family, particularly its military triumphs in the 15th and 16th centuries, and remained in the city until being taken to Venice in the early 18th century by the tenth and final Gonzaga duke Ferdinando Carlo Gonzaga. There they were bought in 1708 by Maximilian II Emanuel, Elector of Bavaria for his collection in Munich, where they still hang in the Alte Pinakothek.
Portrait of Procurator Jacopo Soranzo is an oil on canvas by Tintoretto, from 1550. It is held in the Gallerie dell'Accademia, in Venice. A larger portrait of Soranzo with his family also survives, now divided into three parts, all held at the Pinacoteca del Castello Sforzesco, in Milan.
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