The Print Connoisseur: A Quarterly Magazine for the Print Collector was a quarterly periodical published from 1920 to 1932 by Winfred Porter Truesdell of New York City. [1]
Starting with Volume 1, No. 1 (October 1920) it lasted through 46 issues to Volume 12, No. 2 (1932). Most issues contained at least one original print as the frontispiece. Original prints were done by leading American and European artists including: John Taylor Arms, Frank W. Benson, George Elmer Burr, Emil Fuchs, Arthur William Heintzelman, Norman Kent, Paul Landacre, J. J. Lankes, Frederick Reynolds, Howard Simon, Birger Sandzén, Lynd Ward, and others.
The periodical appeared in different versions:
In 2006 a complete index was published by Alan Wofsy Fine Arts. [4]
The Colophon, subtitled A Book Collectors' Quarterly or A quarterly for booklovers, was a limited edition quarterly periodical begun late in 1929 and continuing in various guises until 1950. It was the brainchild of Elmer Adler (1884–1962), founder of Pynson Printers of New York City. His idea was that various printers around the world would be willing to contribute their time and expertise to produce signatures (articles) using their own choice of papers, typography and illustration. These articles would then be bound together in boards by Pynson Printers and marketed to 2,000 subscribers.
The Harvard Classics, originally marketed as Dr. Eliot's Five-Foot Shelf of Books, is a 50-volume series of classic works of world literature, important speeches, and historical documents compiled and edited by Harvard University President Charles W. Eliot. Eliot believed that a careful reading of the series and following the eleven reading plans included in Volume 50 would offer a reader, in the comfort of the home, the benefits of a liberal education, entertainment and counsel of history's greatest creative minds. The initial success of The Harvard Classics was due, in part, to the branding offered by Eliot and Harvard University. Buyers of these sets were apparently attracted to Eliot's claims. The General Index contains upwards of 76,000 subject references.
The dust jacket of a book is the detachable outer cover, usually made of paper and printed with text and illustrations. This outer cover has folded flaps that hold it to the front and back book covers.
The bibliographical definition of an edition includes all copies of a book printed “from substantially the same setting of type,” including all minor typographical variants.
A partwork is a written publication released as a series of planned magazine-like issues over a period of time. Issues are typically released on a weekly, fortnightly or monthly basis, and often a completed set is designed to form a reference work on a particular topic.
St. Nicholas Magazine was a popular monthly American children's magazine, founded by Scribner's in 1873. The first editor was Mary Mapes Dodge, who continued her association with the magazine until her death in 1905. Dodge published work by the country's best writers, including Louisa May Alcott, Frances Hodgson Burnett, Mark Twain, Laura E. Richards and Joel Chandler Harris. Many famous writers were first published in St. Nicholas League, a department that offered awards and cash prizes to the best work submitted by its juvenile readers. Edna St. Vincent Millay, F. Scott Fitzgerald, E. B. White, and Stephen Vincent Benet were all St. Nicholas League winners.
George Frederick Kunz was an American mineralogist and mineral collector.
The Book of the Thousand Nights and a Night (1885), subtitled A Plain and Literal Translation of the Arabian Nights Entertainments, is an English language translation of One Thousand and One Nights – a collection of Middle Eastern and South Asian stories and folk tales compiled in Arabic during the Islamic Golden Age – by the British explorer and Arabist Richard Francis Burton (1821–1890). It stood as the only complete translation of the Macnaghten or Calcutta II edition of the "Arabian Nights" until the Malcolm C. and Ursula Lyons translation in 2008.
British Entomology is a classic work of entomology by John Curtis, FLS. It is subtitled Being Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland: Containing Coloured Figures from Nature of the Most Rare and Beautiful Species, and in Many Instances of the Plants Upon Which they are Found.
Print is an American design and culture website that began as Print, A Quarterly Journal of the Graphic Arts, in 1940, and continued publishing a physical edition through the end of 2017 as Print.
Scrutiny: A Quarterly Review was a literature periodical founded in 1932 by L. C. Knights and F. R. Leavis, who remained its principal editor until the final issue in 1953. Other editors included D. W. Harding and Harold Andrew Mason.
The Norrœna Society was an organization dedicated to Northern European culture, that published sets of reprints of classic 19th-century editions, mostly translations, of Old Norse literary and historical works, Northern European folklore, and medieval literature. The society was founded toward the end of the 19th century and ceased publications early in the 20th century.
William Edwin Rudge is the name of a grandfather, father and son, all of whom worked in the printing business.
The Print Collector's Quarterly, was a quarterly periodical that was begun in 1911 and continued under various publishers until 1950. The original founders were art dealer Frederick Keppel and art historian, Fitzroy Carrington.
Harmsworth's Universal Encyclopaedia is an encyclopedia edited by John Hammerton and published in London, England by The Education Book Co. Ltd., a subsidiary of Northcliffe's Amalgamated Press, in 1921/22.
"Omit Flowers" is a Nero Wolfe mystery novella by Rex Stout, first published in the November 1948 issue of The American Magazine. It first appeared in book form in the short-story collection Three Doors to Death, published by the Viking Press in 1950.
The News Letter of the LXIVmos was a near-monthly publication edited by book collector James D. Henderson that ran from 1927 to 1929. The twenty-one issues focused on miniature books, of which Henderson's collection was already considered to be "the finest ... in the world" when he displayed it at Harvard University as an undergraduate in 1933. The name comes from the book trade and is read "sixty-four-mos", meaning a sheet of paper folded 64 times to form a book with pages of three inches or smaller. Henderson regularly printed answers from his readers to the question "Why collect miniature books since they are too small to read?", with responses ranging from saving space, to pedagogy, to "Everyone should have a hobby."
Illustrators of the Alice books, Alice's Adventures in Wonderland (1865) and Through the Looking-Glass (1871), number more than 100. The focus here is on English-language editions. Many other artists have created illustrations for non-English language editions. The illustrator for the original editions was John Tenniel, whose illustrations for Alice and Looking Glass are perhaps the best known illustrations ever published. This article is an ongoing attempt to list all major illustrators of the Alice books from 1899 to the present day.
Keith Henderson was a Scottish painter who worked in both oils and watercolours, and who is known for his book illustrations and his poster work for London Transport and the Empire Marketing Board. He had a long professional career that included periods as a war artist in both the First World War, in which he served in the trenches, and in the Second World War.
Poems, Chiefly in the Scottish Dialect is commonly known as the first Edinburgh Edition and the partial second setting has become known as the Stinking Edition. It is a collection of poetry and songs by Robert Burns, first Printed for the Author by William Smellie in Edinburgh and published or Sold by William Creech of Edinburgh on the 17 April, an announcement being made in the Edinburgh Advertiser on that date, although the date 21 April 1786 is given by a few authors. The Kilmarnock Edition made Robert Burns Caledonia's Bard whilst the 'Edinburgh Edition' elevated him into a position amongst the world's greatest poets.