It was first published in Meanjin, vol. 18 no. 4 December 1959, and was subsequently reprinted in the author's collections and other poetry anthologies.[1]
The poem forms part of the author's "Professor Eisenbart" series of poems. This professor "has been interpreted as a 'mask' though which the poet expresses certain anarchic or anti-Establishment views and as a persona which allows her to reflect ironically on the human condition."[2]
Synopsis
The poem is set at a prize-giving ceremony at a prestigious girls' school. A number of dignitaries have been invited to present the awards and make speeches; Professor Eisenbart among them.
Critical reception
In his book Reading Australian Poetry Andrew Taylor noted that this poem, like others in the Eisenbart sequence, is largely, a poem of "reversal". Here the "'honoured guest' who has come 'to lend distinction' to a school prizegiving recognizes himself in the poem's final stanza as 'a sage fool'. Age, scholarly excellence, science, maleness — all qualities in Eisenbart's world and, it appears, in the girls' school too, are held to be preeminient – are subverted by youth, intuitive brilliance, art, that is, music, femaleness."[3]
Publication history
After the poem's initial publication in Meanjin[1] it was reprinted as follows:
Verse in Australia Vol 3, edited by Robert Clark, Geoffrey Dutton and Max Harris, 1960[1]
Australian Poetry 1960 edited by A. D. Hope, Angus and Robertson, 1960[4]
Poems by Gwen Harwood, Angus and Robertson, 1963[5]
Australian Writing Today edited by Charles Higham, Penguin, 1968[7]
A Book of Australian Verse edited by Judith Wright, Oxford University Press, 1968[8]
Australian Voices: A Collection of Poetry and Pictures edited by Edward Kynaston, Penguin, 1974[9]
Selected Poems by Gwen Harwood, Angus and Robertson, 1975[10]
The Collins Book of Australian Poetry edited by Rodney Hall, Collins, 1981[11]
The Faber Book of Modern Australian Verse edited by Vincent Buckley, Faber, 1991[12]
The Sting in the Wattle: Australian Satirical Verse edited by Philip Neilsen, University of Queensland Press, 1993[13]
Bridgings: Readings in Australian Women's Poetry edited by Rose Lucas and Lyn McCredden, Oxford University Press, 1996[14]
50 Years of Queensland Poetry: 1940s to 1990s edited by Philip Neilsen and Helen Horton, Central Queensland University Press, 1998[15]
Selected Poems: A New Edition by Gwen Harwood, Angus and Robertson, 2001[16]
Mappings of the Plane: New Selected Poems by Gwen Harwood, edited by Gregory Kratzmann and Chris Wallace-Crabbe, Fyfield Books, 2009[17]
Notes
You can read the full text of the poem in Bridgings: Readings in Australian Women's Poetry edited by Rose Lucas and Lyn McCredden, Oxford University Press, 1996, on the Internet Archive[18]
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