Prizzi's Glory is a satirical, semi-humorous crime novel by Richard Condon published in 1988. It is the third of four novels featuring the Prizzis, a powerful family of Mafiosi in New York City. In all four novels the main protagonist is a top member of the family named Charlie Partanna. The book's events begin in 1986 and continue through the Presidential election of 1992.
Early in 1986 Charley Partanna, now in his 40s, is the Boss of the Prizzi family, secondary in authority only to Don Corrado himself, capo di tutti capi. As is his wont, he meets and falls instantly in love with an aspiring ballerina named Clair Coolidge. Clair runs one of the Prizzi's profitable new orgy rooms that are being franchised across the United States but sexually is extremely "straight" herself. Charley's dalliance with Clair, however, is sidetracked when Maerose Prizzi, the relentlessly ambitious granddaughter of the old Don finally coerces Charley into marrying her as the single most important step in her long-term plans to eventually succeed the Don and become the first female capo of a Mafia family. Charley and other members of the family carry out their usual murderous activities while Maerose puts into place the next step of her plans: the apparent death of Charley Partanna, vindicatore of the Prizza family, and his subsequence appearance on the world economic stage a year or so later as a supremely WASPish Charles Macy Barton. Barton takes over running the family's multi-tentacled financial affairs, generating new billions through Maerose's strategies that she wheedles the now-ancient Don into implementing. By the end of the book Charley, or Charles, has put key members of the family into positions of great political power and has himself become chief of staff to the reelected President of the United States.
Condon attacked his targets, usually gangsters, financiers, and politicians, wholeheartedly and with a uniquely original style and wit that make almost any paragraph from one of his books instantly recognizable. Reviewing one of his works in the International Herald Tribune, the well-known playwright George Axelrod ( The Seven-Year Itch , Will Success Spoil Rock Hunter ), who had collaborated with Condon on the screenplay for the film adaptation of The Manchurian Candidate, wrote:
"The arrival of a new novel by Richard Condon is like an invitation to a party.... the sheer gusto of the prose, the madness of his similes, the lunacy of his metaphors, his infectious, almost child-like joy in composing complex sentences that go bang at the end in the manner of exploding cigars is both exhilarating and as exhausting as any good party ought to be."
In Prizzi's Honor, Condon's normal exuberance was somewhat curbed by choosing to narrate the events through the viewpoints of its various semi-literate gangsters, which limited the scope of his imagery. In Glory, however, he returns to being his usual omniscient narrator, giving the reader:
[While making love] Charley felt a jolt of high voltage electricity run through his body, starting deep inside and spreading out simultaneously to the roof of his head as if a horned ibex had leaped from his stomach and crashed into his skull. [1]
He showered, powdered, applied a deodorant so strong that it could also have been used as embalming fluid.... [2]
Eduardo had had several sets of various shaped denturess designed for wearing at the right place at the right time. To dominate board meetings he always wore either his Von Hindenburg dentures, which gave him heavy authority and served up the sounds from his larynx as if they had been placed on large Chincoteague oyster shells, or, if the assembly were a hostile one, his Sicilian dentures, which narrowed his face threateningly, having narrow high teeth and deadly incisors. For meetings with his father [Don Corrado], to indicate his total submission, he wore a copy of George [H.W.] Bush's teeth, made from photographs taken on the day the Iran-contra scandal had broken. [3]
All of Condon's books have, to an unknown degree, the names of real people in them as characters, generally very minor or peripheral. The most common, which appears in most of his books, is some variation of Franklin M. Heller. The real-life Heller was a television director in New York City in the 1950s, '60s, and 70s, who initially lived on Long Island and then moved to a house on Rockrimmon Road in Stamford, Connecticut. [4] In this book he plays a minor role as president of the United States.
A.H. Weiler, a film critic for The New York Times, was another friend of Condon's who in this book is Dr. Abe Weiler, a face surgeon in Switzerland.
In a number of books a character named Keifetz appears, named apparently for Norman Keifetz, a New York City author who wrote a novel about a major league baseball player called The Sensation—that novel was dedicated to Condon. In this book he makes a brief appearance towards the end as a New York city homicide detective.
Publishers Weekly loved it:
The Prizzi family, the most lovable band of killers since Arsenic and Old Lace, returns in Condon's hilarious third and final entry in his thugs-to-riches saga of don Corrado Prizzi's billion-dollar Mafia clan. As the 1992 presidential elections approach, the Prizzis plot their most brazen foray yet into the American dream.... Prizzi's Glory is a classic black comedy, a send-up of national elections, nouvelle society, corporate management and celebrity worship. Condon's ear for dialogue has never been keener, and this razor-sharp satire on the American dream is the most cynical and entertaining view of U.S. politics and business since S. J. Perelman. Required reading for the November elections. [5]
Kirkus Reviews had mixed feelings about it:
While the previous two Prizzi novels (Prizzi's Honor, Prizzi's Family) emphasized character-comedy and icy black humor, this conclusion to the trilogy is Condon at his political-cartooniest: the cheerfully ruthless Mafiosi now go all the way in their pursuit of high-placed power and utter respectability... until, by 1992, they manage to buy up everything, including the Presidency.... The whimsical plotting here is too far-fetched—and too illogical even on its own fanciful terms—for sustained involvement. Neither Charley nor Maerose exerts as much charm as before. But readers with a taste for rough-edged satire will find considerable pleasure along the way—in the vitriolic swipes at US politics (""dear old coot"" Reagan above all), in the cheerfully grim mayhem, and in Condon's inventive and literally tasty prose. (""Charley entered Eduardo's apartment as bland as a Reblochon cheese."") [6]
The New York Times definitely liked it:
The plot gives Mr. Condon ample elbow room for political and social satire that is always funny....Toward the end things take an unexpectedly serious turn and a touch of tragedy leavens the humor, a feature of the Prizzi novels that works perfectly here. We close the book with a sense of loss for Charley and for ourselves. We are going to miss those Prizzis. [7]
On the Waterfront is a 1954 American crime drama film, directed by Elia Kazan and written by Budd Schulberg. It stars Marlon Brando, and features Karl Malden, Lee J. Cobb, Rod Steiger, Pat Henning and Eva Marie Saint in her film debut. The musical score was composed by Leonard Bernstein. The black-and-white film was inspired by "Crime on the Waterfront" by Malcolm Johnson, a series of articles published in November–December 1948 in the New York Sun which won the 1949 Pulitzer Prize for Local Reporting, but the screenplay by Budd Schulberg is directly based on his own original story. The film focuses on union violence and corruption among longshoremen, while detailing widespread corruption, extortion, and racketeering on the waterfronts of Hoboken, New Jersey.
Donald Richard DeLillo is an American novelist, short story writer, playwright, screenwriter, and essayist. His works have covered subjects as diverse as consumerism, nuclear war, the complexities of language, art, television, the advent of the Digital Age, mathematics, politics, economics, and sports.
Prizzi's Honor is a 1985 American black comedy crime film directed by John Huston, starring Jack Nicholson and Kathleen Turner as two highly skilled mob assassins who, after falling in love, are hired to kill each other. The screenplay co-written by Richard Condon is based on his 1982 novel of the same name. The film's supporting cast includes Anjelica Huston, Robert Loggia, John Randolph, CCH Pounder, Lawrence Tierney, and William Hickey. Stanley Tucci appears in a minor role in his film debut. It was the last of John Huston's films to be released during his lifetime.
Richard Thomas Condon was an American political novelist. Though his works were satire, they were generally transformed into thrillers or semi-thrillers in other media, such as cinema. All 26 books were written in distinctive Condon style, which combined a fast pace, outrage, and frequent humor while focusing almost obsessively on monetary greed and political corruption. Condon himself once said: "Every book I've ever written has been about abuse of power. I feel very strongly about that. I'd like people to know how deeply their politicians wrong them." Condon's books were occasionally bestsellers, and a number of his books were made into films; he is primarily remembered for his 1959 The Manchurian Candidate and, many years later, a series of four novels about a family of New York gangsters named Prizzi.
Sir John Boorman is a British film director, producer and screenwriter. He is best known for directing feature films such as Point Blank (1967), Hell in the Pacific (1968), Deliverance (1972), Zardoz (1974), Exorcist II: The Heretic (1977), Excalibur (1981), The Emerald Forest (1985), Hope and Glory (1987), The General (1998), The Tailor of Panama (2001) and Queen and Country (2014).
Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, and which often thematizes both historical and political issues. This style of experimental literature emerged strongly in the United States in the 1960s through the writings of authors such as Kurt Vonnegut, Thomas Pynchon, William Gaddis, Philip K. Dick, Kathy Acker, and John Barth. Postmodernists often challenge authorities, which has been seen as a symptom of the fact that this style of literature first emerged in the context of political tendencies in the 1960s. This inspiration is, among other things, seen through how postmodern literature is highly self-reflexive about the political issues it speaks to.
The Leopard is a novel by Italian writer Giuseppe Tomasi di Lampedusa, which chronicles the changes in Sicilian life and society during the Risorgimento. Published posthumously in 1958 by Feltrinelli, after two rejections by the leading Italian publishing houses Mondadori and Einaudi, it became the top-selling novel in Italian history and is considered one of the most important novels in modern Italian literature. In 1959, it won Italy's highest award for fiction, the Strega Prize. In 2012, The Guardian named it as one of "the 10 best historical novels". The novel was made into an award-winning 1963 film of the same name, directed by Luchino Visconti and starring Burt Lancaster, Claudia Cardinale and Alain Delon.
William Edward Hickey was an American actor. He is best known for his Academy Award-nominated role as Don Corrado Prizzi in the John Huston film Prizzi's Honor (1985), as well as Uncle Lewis in National Lampoon's Christmas Vacation (1989) and the voice of Dr. Finkelstein in Tim Burton's The Nightmare Before Christmas (1993).
The Manchurian Candidate is a novel by Richard Condon, first published in 1959. It is a political thriller about the son of a prominent U.S. political family who is brainwashed into being an unwitting assassin for a Communist conspiracy. The novel has twice been adapted into a feature film with the same title: the first was released in 1962 and the second in 2004.
Charley Bates is a supporting character in the Charles Dickens's 1838 novel Oliver Twist. He is a young boy and a member of Fagin's gang of pickpockets. Bates serves as a sidekick to the Artful Dodger, whose skills he admires unreservedly. Bill Sikes's murder of Nancy shocks him so much that at the end of the novel he leaves London to become an agricultural labourer.
Joseph Heller was an American author of novels, short stories, plays, and screenplays. His best-known work is the 1961 novel Catch-22, a satire on war and bureaucracy, whose title has become a synonym for an absurd or contradictory choice. He was nominated in 1972 for the Nobel Prize in Literature.
Winter Kills is a 1979 satirical black comedy thriller film written and directed by William Richert, based on the eponymous novel of 1974 by Richard Condon. A fiction inspired by the assassination conspiracy theories about President John F. Kennedy, its all-star cast includes Jeff Bridges, John Huston, Anthony Perkins, Eli Wallach, Richard Boone, Toshirō Mifune, Sterling Hayden, Dorothy Malone, Belinda Bauer, Ralph Meeker, Elizabeth Taylor, Berry Berenson and Susan Walden.
The Oldest Confession is a 1958 novel, the first of twenty-five by the American political novelist and satirist Richard Condon. It was published by Appleton-Century-Crofts. The novel is a tragicomedy about the attempted theft of a masterpiece from a museum in Spain. It can be classified as a caper story or caper novel, a subset of crime novels. The book deals with issues of money, greed, ethics and morality. It was adapted into a film retitled The Happy Thieves.
Mile High was the eighth book by the American satirist and political novelist Richard Condon, first published by Dial Press in 1969. Internationally famous at the time of its publication, primarily because of his 1959 Manchurian Candidate, Condon had begun to lose the respect of critics with the publication of his last few books and the one-time, so-called Condon Cult was mostly a thing of the past. Like his fifth book, An Infinity of Mirrors, Mile High is a consciously ambitious work, primarily concerned with the establishment of Prohibition in the United States, and Condon researched it thoroughly. The first two-thirds of the book, in fact, reads as much like a lively history of New York City gangsterism from the mid-18th century through 1930 as it does a novel.
Some Angry Angel: A Mid-Century Faerie Tale was Richard Condon's third novel and gave impetus to the growing, though relatively short-lived "Condon cult" of that era. Published in 1960, it is written with all the panache, stylistic tricks, and mannerisms that characterize Condon's works. It was not, however, one of his more typical political thrillers, such as its immediate predecessor, the far better-known The Manchurian Candidate. While Condon is remembered today for a number of more action-oriented books such as Candidate, Winter Kills, and the Prizzi series, Some Angry Angel is largely forgotten.
And Then We Moved to Rossenarra: or, The Art of Emigrating is a memoir by American political novelist Richard Condon, published by Dial Press in 1973. A native of New York City whose early career had mostly been that of a press agent for various Hollywood studios, Condon took up writing relatively late in life but then became both prolific and famous; today, he is most remembered for his 1959 political thriller The Manchurian Candidate and for his four later novels about a family of New York gangsters named Prizzi.
Prizzi's Honor is a satirical crime novel by Richard Condon published in 1982. It is the first of four novels featuring the Prizzis, a powerful family of Mafiosi in New York City. In all four novels the protagonist is a top member of the family named Charlie Partanna. It was adapted into a successful film of the same name. Prizzi's Honor was followed in 1986 by Prizzi's Family, which is a prequel story. Chronologically, the events in Prizzi's Honor are followed by the story of Prizzi's Money, which was the fourth and final Prizzi novel published, and also Condon's last work.
Prizzi's Family is a satirical, semi-humorous crime novel by Richard Condon published in 1986. It is the second of four novels featuring the Prizzis, a powerful family of Mafiosi in New York City. In all four novels the main protagonist is a top member of the family named Charley Partanna. It is a prequel to the very successful Prizzi's Honor of 1982, which was also adapted into an award-winning film.
Prizzi's Money is a satirical, semi-humorous crime novel by Richard Condon published in 1994. It is the last of four novels featuring the Prizzis, a powerful family of Mafiosi in New York City. It was also the last of 28 books that Condon wrote over a 36-year career. In all four Prizzi novels the main protagonist is a top member of the family named Charley Partanna. In this book, however, which takes place about six or seven years after the events of the first novel, Prizzi's Honor, and at least a decade before those of the third book, Prizzi's Glory, Charley's role is less important than in the three others; although he makes brief appearances in the first half of the book, it is not until the second half that he becomes one of the primary characters.
Harriette Zephine Humphrey Fahnestock, usually writing as Zephine Humphrey, was an American writer based in Vermont.