Prometheus Being Chained by Vulcan

Last updated
Prometheus Being Chained by Vulcan
Prometheus door Vulcanus geketend, SK-A-1606.jpg
Artist Dirck van Baburen
Year1623 (1623)
MediumOil on canvas
Dimensions202 cm× 184 cm(80 in× 72 in)
Location Rijksmuseum, Amsterdam

Prometheus Being Chained by Vulcan is an oil painting of 1623 by Dirck van Baburen of the Utrecht School, and an example of Baroque chiaroscuro.

The painting represents a tale from Greco-Roman mythology. Mercury, the messenger of the gods, watches the club-footed blacksmith god, Vulcan, punish the bold and cunning Titan Prometheus for stealing fire from the gods and giving it to mortals. Prometheus's punishment is to be bound to a rock and to have his liver consumed daily by an eagle, which appears partially at the top left.

The painting mysteriously has two signatures: the first is a clear signature below the right-hand shoulder of Prometheus. During a restoration of the painting, a second signature was discovered at the lower left by his hand.[ citation needed ]

Prometheus is associated with the Greek creation myth where, in some versions, he creates humans from clay and the stolen fire is to bring them to life. A painting, Adam and Eve, also by Baburen, was sold at auction in 1707 together with the Prometheus Being Chained by Vulcan, and one might conjecture that the two works formed a pair, both being illustrations of creation. [1] [2]

Related Research Articles

<span class="mw-page-title-main">Prometheus</span> Titan, culture hero, and trickster figure in Greek mythology

In Greek mythology, Prometheus is one of the Titans and a god of fire. Prometheus is best known for defying the Olympian gods by stealing fire from them and giving it to humanity in the form of technology, knowledge and, more generally, civilization.

<span class="mw-page-title-main">Pandora</span> Greek mythological figure

In Greek mythology, Pandora was the first human woman created by Hephaestus on the instructions of Zeus. As Hesiod related it, each god cooperated by giving her unique gifts. Her other name—inscribed against her figure on a white-ground kylix in the British Museum—is Anesidora, "she who sends up gifts".

<span class="mw-page-title-main">Piero di Cosimo</span> Italian painter (1462–1522)

Piero di Cosimo, also known as Piero di Lorenzo, was an Italian Renaissance painter, who continued to use an essentially Early Renaissance style into the 16th century.

<span class="mw-page-title-main">Dirck van Baburen</span> Dutch painter (c.1595–1624)

Dirck Jaspersz. van Baburen was a Dutch painter and one of the Utrecht Caravaggisti.

<span class="mw-page-title-main">Caravaggisti</span> Artists who were stylistic followers of the late 16th-century Italian Baroque painter Caravaggio

The Caravaggisti were stylistic followers of the late 16th-century Italian Baroque painter Caravaggio. His influence on the new Baroque style that eventually emerged from Mannerism was profound. Caravaggio never established a workshop as most other painters did, and thus had no school to spread his techniques. Nor did he ever set out his underlying philosophical approach to art, the psychological realism which can only be deduced from his surviving work. But it can be seen directly or indirectly in the work of Rubens, Jusepe de Ribera, Bernini, and Rembrandt. Famous while he lived, Caravaggio himself was forgotten almost immediately after his death. Many of his paintings were re-ascribed to his followers, such as The Taking of Christ, which was attributed to the Dutch painter Gerrit van Honthorst until 1990.

<span class="mw-page-title-main">Utrecht Caravaggism</span> Art movement influenced by Caravaggio

Utrecht Caravaggism refers to the work of a group of artists who were from, or had studied in, the Dutch city of Utrecht, and during their stay in Rome during the early seventeenth century had become distinctly influenced by the art of Caravaggio. Upon their return to the Dutch Republic, they worked in a so-called Caravaggist style, which in turn influenced an earlier generation of local artists as well as artists in Flanders. The key figures in the movement were Hendrick ter Brugghen, Gerrit van Honthorst and Dirck van Baburen, who introduced Caravaggism into Utrecht painting around 1620. After 1630 the artists moved in other directions and the movement petered out. The Utrecht Caravaggisti painted predominantly history scenes and genre scenes executed in a realist style.

<i>The Myth of Prometheus</i> (Piero di Cosimo) Paintings by Piero di Cosimo

The Myth of Prometheus is a series of two panels painted by Piero di Cosimo, executed in 1515. It shows Prometheus standing before a life-size statue.

<span class="mw-page-title-main">Angelo Caroselli</span> Italian painter (1585–1652)

Angelo Caroselli or Carosèlli was an Italian painter of the Baroque period, active mainly in his native Rome. He created religious works, allegories, portraits as well as genre scenes in the vein of the Caravaggisti. He also returned regularly to scenes of witchcraft and sorcery. His style is eclectic style and shows influences principally from Caravaggio and the painters of 'low-life' scenes active in Rome called the Bamboccianti. His work is characterised by its search for originality. This is demonstrated in the potent naturalism and chiaroscuro that characterise his compositions and his preference for depicting colorful characters of contemporary Rome and scenes of witchcraft and musicians. The work of Caroselli was influential on other Caravaggisti such as the Lucchese painter Pietro Paolini and the Dutch painter Dirck van Baburen.

Events from the year 1623 in art.

<span class="mw-page-title-main">Vulcan (mythology)</span> Ancient Roman god of fire, volcanoes, and metalworking

Vulcan is the god of fire including the fire of volcanoes, deserts, metalworking and the forge in ancient Roman religion and myth. He is often depicted with a blacksmith's hammer. The Vulcanalia was the annual festival held August 23 in his honor. His Greek counterpart is Hephaestus, the god of fire and smithery. In Etruscan religion, he is identified with Sethlans.

<i>Trombone Trouble</i> 1944 Donald Duck cartoon

Trombone Trouble is a Walt Disney cartoon that was released on February 18, 1944. It is the only Donald Duck cartoon where Roman/Greek gods play a role.

Hephaestus makes many appearances in popular culture.

<span class="mw-page-title-main">Prometheus in popular culture</span> Appearances of mythological figure in cultural works

The figure and name of Prometheus from classical mythology has appeared in various art and literature.

<i>The Lute Player</i> (Hals) Painting by Frans Hals

The Lute Player is an oil-on-canvas painting from 1623 or 1624 now in the Louvre by the Haarlem painter Frans Hals, showing a smiling actor wearing a jester's costume and playing a lute.

<i>Prometheus Bound</i> (Rubens) Painting by Peter Paul Rubens

Prometheus Bound is an oil painting by Peter Paul Rubens, a Flemish Baroque artist from Antwerp. Influenced by the Greek play, Prometheus: The Friend of Man, Peter Paul Rubens completed this painting in his studio with collaboration from Frans Snyders, who rendered the eagle. It remained in his possession from 1612 to 1618, when it was traded in a group of paintings completed by Rubens, to Englishman Sir Dudley Carleton in exchange for his collection of classical statues. This work is currently in the collection of the Philadelphia Museum of Art.

<i>Saint Sebastian Tended by Saint Irene</i> (Hendrick ter Brugghen) Painting by Hendrick ter Brugghen

Saint Sebastian Tended by Irene is an oil-on-canvas painting by Hendrick ter Brugghen dated to 1625. Now in the Allen Memorial Art Museum of Oberlin, Ohio, the piece depicts the Roman Catholic subject of Saint Sebastian Tended by Saint Irene, after Irene of Rome and her maid rescued him following his attempted martyrdom by the Roman authorities. An exemplary piece of the Italianate Baroque tendency in Dutch Golden Age painting, the painting employs dramatic uses of light and skillful chiaroscuro to depict its religious subject, evidence of influence from Caravaggio and Ter Brugghen's fellow Utrecht Caravaggisti.

<i>Aurora</i> (Reni) Painting by Guido Reni

L'Aurora (Aurora) is a large Baroque ceiling fresco painted in 1614 by Guido Reni for the Casino, or garden house, adjacent to the Palazzo Pallavicini-Rospigliosi, in Rome. The work is considered Reni's fresco masterpiece.

<i>Torture of Prometheus</i> (Salvator Rosa) Painting by Salvator Rosa

Torture of Prometheus is an oil painting by Salvator Rosa, an Italian Baroque painter active in Naples and Rome, executed c. 1646-1648.

<i>Vulcan Chaining Prometheus</i> Painting by Jean-Charles Frontier

Vulcan Chaining Prometheus is a 1744 oil on canvas painting by Jean-Charles Frontier, produced as his reception piece for the Académie Royale de peinture. It shows Jupiter ordering the eternal punishment of Prometheus, which Vulcan begins.

References

  1. "'Prometheus Being Chained by Vulcan' on the Rijksmuseum site" . Retrieved 21 April 2011.
  2. Lilian H. Zirpolo, Historical Dictionary of Baroque Art and Architecture, London, Rowman & Littlefield, 2nd edition, 2018, p. 90