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Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries.
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Avant-garde art and American pop culture have had an intriguing relationship from the time of the art form's inception in America to the current day. The art form, which began in the early half of the nineteenth century in Europe, started to rise slowly in America under the guise of Dadaism in 1915. While originally formed under a group of artists in New York City who wanted to counter pop culture with their art, music, and literature the art form began to grow into prominence with American pop culture due to a variety of factors between the 1940s to the 1970s. However, from many factors that arose in the late 1970s, avant-garde began to both lessen in prominence and began to blend with the pop culture to the point in which most art critics considered the art form extinct.
Ukrainian avant-garde is the avant-garde movement in Ukrainian art from the end of 1890s to the middle of the 1930s along with associated artists in sculpture, painting, literature, cinema, theater, stage design, graphics, music, architecture. Some well-known Ukrainian avant-garde artists include: Kazimir Malevich, Alexander Archipenko, Vladimir Tatlin, Sonia Delaunay, Vasyl Yermylov, Alexander Bogomazov, Aleksandra Ekster, David Burliuk, Vadym Meller, and Anatol Petrytsky. All were closely connected to the Ukrainian cities of Kyiv, Kharkiv, Lviv, and Odesa by either birth, education, language, national traditions or identity. Since it originated when Ukaine was part of the Russian Empire, Ukrainian avant-garde has been commonly lumped by critics into the Russian avant-garde movement.
A monstration is a public performance similar to a demonstration but intended as creative performance art, often parodying a serious demonstration. The term was coined by Russian artist Ivan Dyrkin in 2004, and the phenomenon has been most popular in Russia.
The first known reference to an Art Strike appears in an Alain Jouffroy essay: "What's To Be Done About Art?".
Redas Diržys is the director of the Art School of Alytus, in Alytus, Lithuania. Apart from this role, he is also known internationally for social art interventions, performance art and socially engaged artistic practices.
References
- ↑ Diržys, Redas. "WE ARE THE LABOUR UNION OF DATA MINERS AND PSYCHIC WORKERS". www.4.alytusbiennial.com.
- ↑ http://www.patogupirkti.lt/Redas-Dirzys-Kestutis-Sapoka-knygos/%7C "Alytus avant-gardeism: from street art to psychic workers strike by Redas Diržys and Kestutis Šapoka"
- ↑ "Tribute to Comrade Gustav Metzger – IWW 000 Dead and Destructive Reproductive Psychic Workers Union – (hyper/meta/psychogeo/situo)graphy". www.psychogeography.org.
- ↑ "Asger Jorn and Critique of Eurocentrism - Echo Gone Wrong". 27 August 2015.
- ↑ Snake-Beings, Emit (May 2013). "The Construction of Karen Karnak: The Multi-Author Function". Media International Australia incorporating Culture and Policy. 147: 104. Retrieved 15 December 2021.
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