Punar Milan | |
---|---|
Directed by | Najam Naqvi |
Written by | Sharadindu Bandyopadhyay |
Starring | Kishore Sahu; Snehaprabha Pradhan |
Cinematography | R.D. Parineeja |
Music by | Ramchandra Pal |
Production company | Bombay Talkies |
Release date |
|
Country | British India |
Language | Hindi |
Punar Milan is a 1940 Bollywood film directed by Najam Naqvi and written by Saradindu Bandopadhyay. [1] [2] Kishore Sahu and Snehaprabha Pradhan played the lead roles in the movie.
Dr. Mohan belongs to an affluent, Brahmin family. On the day of his marriage to Shobhna, a question is raised about his caste. Upon repeated demands, Mohan admits that he does belong to a lower caste. Everyone is shocked, and the marriage is cancelled, leaving Mohan's family to wonder as to why he claims to be an untouchable person.
No. | Title | Playback | Length |
---|---|---|---|
1. | "Aaya Re Pardesi Sajnawa" | Rajkumari Dubey, Ramchandra Pal | 4:22 |
2. | "Deep Jalale Asha Ka" | Snehaprabha Pradhan | 2:25 |
3. | "Hansle Jee Bhar Kar Hansle" | Snehaprabha Pradhan | 2:31 |
4. | "Kar Le Kaam Bhaj Le Ram" | Ramchandra Pal | 1:54 |
5. | "Mera Geet Bhara Sangeet Bhara Manwa" | Snehaprabha Pradhan | 1:48 |
6. | "O Jeenewale Hanste Hanste Jeena" | Arun Kumar | 2:19 |
7. | "Suni Sejariya Saiyyan Tu Ek Beri Aaja" | Rajkumar | 3:25 |
8. | "Nacho Nacho Pyare Man Ke Mor" | Snehaprabha Pradhan, Arun Kumar | 3:06 |
9. | "Aao Banaye Ghar Pyara" | Snehaprabha Pradhan, Arun Kumar | 2:39 |
10. | "Sooni Sejariya Saiyan" | Rajkumari Dubey | 3:04 |
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Alda Sinha, better known by her stage name Mala Sinha, is a former Indian actress who has worked in Hindi, Bengali and Nepali films. Initially starting her career with regional cinema, she went on to become a top leading actress in Hindi Cinema in the late 1950s, 1960s and early 1970s. In a career spanning four decades, Mala Sinha rose to prominence with films like Guru Dutt's Pyaasa (1957) and Yash Chopra's Dhool Ka Phool (1959). Later, she starred in over hundred film productions including Phir Subah Hogi (1958), Hariyali Aur Rasta, Anpadh, Dil Tera Deewana (1962), Gumrah, Bahurani, Himalay Ki God Mein (1965), Aasra (1966), Ankhen, Do Kaliyan, Maryada (1971). She was known as the "daring diva" and "torch bearer of women's cinema" for essaying strong female centric and unconventional roles in a range of movies considered ahead of their times. Having received multiple awards and nominations, she was given the Filmfare Lifetime Achievement Award in 2018.
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