Punch and the Judy is a comic ballet about marital discord choreographed by Martha Graham to music by Robert McBride. Arch Lauterer designed the set, Charlotte Trowbridge, the costumes. Edward Gordon Craig provided text for the narrated portions. The piece premiered on August 10, 1941, at the Bennington College Theatre in Bennington, Vermont. [1]
The roles include Punch, The Judy and their child; the winged horse Pegasus; Punch's mistress Pretty Polly; The Three Heroes: the Soldier, the Scout and the Highwayman; and three Fates. The original cast members were: [2]
The ballet's title is derived from the traditional, usually violent, Punch and Judy puppet theater. According to the original program notes, "'Punch and the Judy' concerns man and woman. The text is squabble and scuffle. The Three Fates are any three women who direct the lives of others. The Three Heroes are the Idealists. Pegasus is that force which enables us to imagine or escape." [2]
The ballet unfolds in seven sections:
The action revolves around the Judy, the discontented wife of boastful, unfaithful Punch. To escape her unhappiness, she turns to Pegasus, who carries her to a blissful dreamworld. In search of a new mate, she flirts with each of the Three Heroes, but is ultimately unsatisfied with them. In the ballet's finale, a game of blind man's bluff, she grasps a promising manly figure. But, when her blindfold is removed, she discovers Punch in her arms. [3] The last spoken words, "Shall we begin again?," highlights the utter futility of their redundant domestic life. [4]
New York Times critic John Martin described the performance as "exemplary", writing "Miss Graham is as adept a comedian and as great a master of timing as you are likely to find anywhere around, and the movement she has created for herself is convulsingly eloquent." [5] Another critic described her comedic sense as "almost Chaplinesque" [6]
The polka-mazurka is a dance, musically similar to the mazurka, but danced much like the polka. Many polka-mazurkas were composed by Johann Strauss II and his family. Johann Strauss I did not compose any of this type of music; the first polka-mazurka example written by the Strauss family was in the year 1854 by Johann Strauss II, entitled La Viennoise op. 144.The polka-mazurka was not credited to the Strauss family alone, as many Viennese composers in the 1850s era also wrote many examples. This variant of the polka was seen as cross-cultural, as many of its influences can be seen in the French-polka with its feminine and deliberate steps as well as the exciting schnell-polka, where Eduard Strauss composed many famous pieces of this type.
Martha Hill was an American dance instructor with wide influence. She founded innovative programs at Bennington College and Connecticut College, and was the first Director of Dance at the Juilliard School, a position she held for almost 35 years.
The Enemy is a 1927 American silent drama film directed by Fred Niblo and starring Lillian Gish, Ralph Forbes and Ralph Emerson. Actor Joel McCrea made an early appearance as an extra.
Zoltán Bonta is a Hungarian filmmaker and videographer. From 1985 to 1987, he was member of Directory in Béla Balázs Studio (BBS). Since 1979 assistant to Gábor Bódy among other filmdirectors, az Ferenc András, Ferenc Kardos, Sándor Simó, Lajos Koltay, Pál Sándor, János Dömölky, Tamás Sas, Fabio Carpi, Gary Jones, Rakesh Mehra. Collaborating since 2004 with Professor Géza Bethlenfalvy tibetologist, indologist on promoting in books and films the Indian-Hungarian historical and cultural relations. Founder of the Oriental Film Association.
Charles “Cookie” Cook was a tap dancer who performed in the heyday of tap through the 1980s, and was a founding member of the Copasetics. He was the dance partner of Ernest “Brownie” Brown, with whom he performed from the days of vaudeville into the 1960s. They performed in film, such as Dorothy Dandridge 1942 “soundie” Cow Cow Boogie, on Broadway in the 1948 musical Kiss Me, Kate, twice at the Newport Jazz Festival, as well in other acts, including “Garbage and His Two Cans” in which they played the garbage cans. He headlined venues including New York's Palace, the Apollo, Radio City Music Hall, Cotton Club, and London Palladium. Quoted as saying “if you can walk, you can dance,” Cook was one of the most influential tap masters and crucial in passing on the tap tradition to future generations.
Bluebeard's 8th Wife is a 1923 American silent romantic comedy film produced by Famous Players–Lasky and distributed by Paramount Pictures. It was directed by Sam Wood and stars Gloria Swanson. The film is based on the French play La huitième femme de Barbe-Bleue by Alfred Savoir which is based on the Bluebeard tales of the 15th century. The play ran on Broadway in 1921 starring Ina Claire in the Swanson role.
Cave of the Heart is a one-act ballet choreographed by Martha Graham to music by Samuel Barber. It was first performed on May 10, 1946, with the title Serpent Heart, at the second annual Festival of Contemporary American Music in the McMillin Theater of Columbia University. Serpent Heart was commissioned by the festival sponsor, The Alice M. Ditson Fund.
Chorale is a modern dance work choreographed by Martha Graham to music by César Franck. The piece premiered on April 18, 1926, at New York's 48 Street Theater in the first independent concert presented by Graham. Members of the newly formed Martha Graham Concert Group, Thelma Biracree, Evelyn Sabin and Betty Macdonald, also appeared in the piece. A critic for The Democrat-Chronicle reported the dance was "subtle" with a "dark, emotional mood."
American Document is a modern dance work choreographed by Martha Graham in response to rising Fascism in 1930s Europe. The piece premiered on August 6, 1938 at the Vermont State Armory in Bennington, Vermont. The ballet features spoken word excerpts from the Declaration of Independence and Emancipation Proclamation, among other texts. The set was created by Arch Lauterer; the costumes were designed by Edythe Gilfond. The original music was written by Ray Green. Graham extensively reworked the choreography in 1989. John Corigliano's Oboe Concerto replaced Green's music for the revised version.
Stuart Hodes was an American dancer, choreographer, dance teacher, dance administrator and author. He was Martha Graham's partner, danced on Broadway, in TV, film, in recitals, and with his own troupe. His choreography has appeared on the Boston Ballet, Dallas Ballet, Harkness Ballet, Joffrey Ballet, San Francisco Ballet and other troupes. He taught at the Martha Graham School, Neighborhood Playhouse, NYC High School of Performing Arts, headed dance at NYU School of the Arts and Borough of Manhattan Community College. He was Dance Associate for the NY State Council on the Arts, dance panelist for the National Endowment for the Arts, president of the National Association of Schools of Dance, and a member of the First American Dance Study Team to China in 1980, returning in 1992 to teach the Guangzhou modern dance troupe.
Imagined Wing is a ballet choreographed by Martha Graham to Jeux de Printemps by composer Darius Milhaud. The piece was first presented on October 30, 1944, in the Elizabeth Sprague Coolidge Auditorium at the Library of Congress, Washington, D.C. Costumes were designed by Edythe Gilfond; the set was created by Isamu Noguchi. Elizabeth Sprague Coolidge commissioned the work, along with two other Graham dances, and musical scores for all three dances. Also on the program were Mirror Before Me set to music by Paul Hindemith and Appalachian Spring performed to music by Aaron Copland. Imagined Wing's initial showing was also its last. Following tepid reviews, the piece was never performed again.
Land Be Bright is a modern dance work choreographed by Martha Graham to music by Arthur Kreutz with a set and costumes by Charlotte Trowbridge. The unabashedly patriotic piece premiered on March 14, 1942, at Chicago's Civic Opera House. The original cast included Graham and members of the Martha Graham Dance Company.
Lamentation is a modern dance solo choreographed by Martha Graham to Zoltán Kodály's 1910 Piano Piece, Op. 3, No. 2. One of Graham's signature works, it premiered on January 8, 1930 at Maxine Elliott's Theatre in New York City. The performance was part of a concert staged by the Dance Repertory Theatre, a group that included dancer/choreographers Doris Humphrey, Charles Weidman and Helen Tamiris. Their stated goal was "to give annually a season of continuous dance programs which will be representative of the art of dance in America and will give native artists an outlet for their creative work."
Dolorosa is a modern dance solo choreographed by Martha Graham to music by Heitor Villa-Lobos. The work premiered on February 2, 1931, at New York's Craig Theatre. Dolorosa sometimes appeared in program notes with the subtitle from Primitive Cycle or from Primitive Cycle-Dance of Sorrow II.
Columbiad is a solo modern dance choreographed by Martha Graham to music by Louis Horst. Edythe Gilfond designed the costume; Philip Stapp created the set. The ballet premiered on December 27, 1939, at the St. James Theatre in New York City. Columbiad's debut was part of an event called the Holiday Dance Festival, which included four additional works by Graham and pieces by the American Ballet Caravan, Carmalita Maracci and Dance Group, and Korean modern dancer Sai Shoki.
The Woman Under Cover is a lost 1919 American silent drama film directed by George Siegmann and starring Fritzi Brunette. It was based on a play by Sada Cowan and produced and distributed by the Universal Film Manufacturing Company.
Eddie Rector was an American tap dance artist and master of ceremonies. His career spanned the 1920s-40s as he danced in Harlem, across the US, and in Europe. He is known as a "soft shoe expert", and he invented the Slap Step. Rector was the protégé of John Leubrie Hill and later danced as a team with Ralph Cooper. He danced in notable revues, including Darktown Follies (1914), Tan Town Topics (1926), Blackbirds of 1928, Hot Rhythm (1930), Rhapsody in Black (1931), Blackberries of 1932, and Yeah Man (1932).
Battle of Waterloo is a piece for piano written by G. Anderson in the 1860s and dedicated to the Duke of Wellington. It was published by National Music Co. The sheet music can be found at the Pritzker Military Museum & Library, as well as the Library of Congress and the University of Maine.
Virginia C. Claudon Allen is an American former radio personality who was a civilian employee for Army Intelligence and an American Red Cross volunteer stationed in India during World War II. She hosted a nightly radio program to counter-act the broadcasts of Tokyo Rose. Like Martha Wilkerson's GI Jive show, U.S. military and civilian officials viewed broadcasts such as Allen's for the Armed Forces Radio Service as an essential support for troop morale.
The Game of Chinese Chess or The Game of Chinese Checkers is a drawing by the French artist François Boucher, showing an orientalised image of two people playing Xiangqi. Although actual Xiangqi pieces are all round, the shapes of the pieces in the drawing are more varied.