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Paisley or paisley pattern is an ornamental textile design using the boteh or buta, a teardrop-shaped motif with a curved upper end. Of Persian origin, paisley designs became popular in the West in the 18th and 19th centuries, following imports of post–Mughal Empire versions of the design from India, especially in the form of Kashmir shawls, and were then replicated locally.
A scarf, plural scarves, is a piece of fabric worn around the neck or head for warmth, sun protection, cleanliness, fashion, or religious reasons or used to show the support for a sports club or team. They can be made in a variety of different materials such as wool, linen, silk or cotton. It is a common type of neckwear.
Cashmere wool, usually simply known as cashmere, is a fiber obtained from cashmere goats, pashmina goats, and some other breeds of goat. It has been used to make yarn, textiles and clothing for hundreds of years. Cashmere is closely associated with the Kashmir shawl, the word "cashmere" deriving from an anglicisation of Kashmir when the Kashmir shawl reached Europe in the 19th century from Colonial India. Common usage defines the fiber as wool, but it is finer, stronger, lighter, softer and approximately three times more insulating than sheep wool. Both the soft undercoat and the guard hairs may be used; the softer hair is reserved for textiles, while the coarse guard hair is used for brushes and other non-apparel purposes.
Clothing in India is dependent upon the different ethnicity, geography, climate, and cultural traditions of the people of each region of India. Historically, male and female clothing has evolved from simple garments like kaupina, langota, salwaar kameez, lungi, sari, gamcha, and loincloths to cover the body into elaborate costumes not only used in daily wear, but also on festive occasions, as well as rituals and dance performances. In urban areas, western clothing is common and uniformly worn by people of all social levels. India also has a great diversity in terms of weaves, fibers, colours, and material of clothing. Sometimes, color codes are followed in clothing based on the religion and ritual concerned. The clothing in India also encompasses the wide variety of Indian embroidery, prints, handwork, embellishment, styles of wearing clothes. A wide mix of Indian traditional clothing and western styles can be seen in India.
Pashmina refers to a fine variant of spun cashmere, the animal-hair fibre forming the downy undercoat of the Changthangi goat. The word pashm means "wool" in Persian, but in Kashmir, pashm referred to the raw unspun wool of domesticated Changthangi goats. In common parlance today, pashmina may refer either to the material or to the variant of the Kashmir shawl that is made from it. Both generic cashmere and pashmina come from the same goat, but generic cashmere ranges from 12 to 21 microns in diameter, whereas pashmina refers only to those fibres that range from 12 to 16 microns.
A shawl is an Indian simple item of clothing, loosely worn over the shoulders, upper body and arms, and sometimes also over the head. It is usually a rectangular or square piece of cloth, which is often folded to make a triangle, but can also be triangular in shape. Other shapes include oblong shawls.
Serbian traditional clothing, also called as Serbian national costume or Serbian dress, refers to the traditional clothing worn by Serbs living in Serbia, Croatia, Bosnia and Herzegovina, Montenegro, and the extended Serbian diaspora communities in Austra, Australia, Bulgaria, Canada, France, Germany, Greece, Hungary, North Macedonia, Romania, Russia, Slovenia, United States, etc. Like any traditional dress of a nation or culture, it has been lost to the advent of urbanization, industrialization, and the growing market of international clothing trends. The wide range of regional folk costumes show influence from historical Austrian, Hungarian, German, Italian, and Ottoman Turkish presence. Nonetheless, the costumes are still a pinnacle part of Serbian folk culture. From the 19th century and onwards, Serbs have adopted western-styled clothing. This change has started in larger settlements such as cities and towns, although it was not uncommon to see rural women in traditional working costumes all the way until the end of President Josip Broz Tito's term. Today, these national costumes are only worn by some elderly in rural areas but are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious and national holidays, weddings, tourist attractions, and by dancing groups who dance the traditional Serbian kolo, or circle dance.
The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fibre from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, which turns yarn into cloth. The machine used for weaving is the loom. For decoration, the process of colouring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.
The study of the history of clothing and textiles traces the development, use, and availability of clothing and textiles over human history. Clothing and textiles reflect the materials and technologies available in different civilizations at different times. The variety and distribution of clothing and textiles within a society reveal social customs and culture.
The dress of the Armenians, also known as Armenian traditional clothing, reflects a rich cultural tradition. Wool and fur were utilized by the Armenians along with the cotton that was grown in the fertile valleys. During the Urartian period, silk imported from China was used by royalty. Later, the Armenians cultivated silkworms and produced their own silk.
Clothing in ancient Rome generally comprised a short-sleeved or sleeveless, knee-length tunic for men and boys, and a longer, usually sleeved tunic for women and girls. On formal occasions, adult male citizens could wear a woolen toga, draped over their tunic, and married citizen women wore a woolen mantle, known as a palla, over a stola, a simple, long-sleeved, voluminous garment that hung to midstep. Clothing, footwear and accoutrements identified gender, status, rank and social class. This was especially apparent in the distinctive, privileged official dress of magistrates, priesthoods and the military.
The Kashmir shawl, the predecessor of the contemporary cashmere shawl, is a type of shawl identified by its distinctive Kashmiri weave, and for being made of fine shahtoosh or pashmina wool. Contemporary variants include the pashmina and shahtoosh shawls. In the late 20th century, they evolved to middle-class popularity through generic cashmere products, and raffal, shawls woven in the Kashmiri style, but using thicker Merino wool. Originally designed as a covering for men in India, it has evolved in the popular cultures of India, Europe, and the United States as indicators of nobility and rank, heirlooms giving on a girl's coming-of-age and marriage, and subsequently, as artistic elements in interior design.
The Welsh traditional costume was worn by rural women in Wales. It was identified as being different from that worn by the rural women of England by many of the English visitors who toured Wales during the late 18th and early 19th centuries. It is very likely that what they wore was a survival of a pan-European costume worn by working rural women. This included a version of the gown, originally worn by the gentry in the 17th and 18th centuries, an item of clothing that survived in Wales for longer than elsewhere in Britain. The unique Welsh hat, which first made its appearance in the 1830s, was used as an icon of Wales from the 1840s.
Kazakh clothing, worn by the Kazakh people, is often made of materials suited to the region's extreme climate and the people's nomadic lifestyle. It is commonly decorated with elaborate ornaments made from bird beaks, animal horns, hooves and feet. Although contemporary Kazakhs usually wear Western dress, the Turkic people wear more traditional clothing for holidays and special occasions.
In the ancient Punjab region, people wore cotton clothing. The tops lied till knees for both the genders. A scarf was worn over the tops which would be draped over the left shoulder and under the right. A large sheet would be further draped over one shoulder which would hang loose towards the knees. Both sexes wore a dhoti around the waist. Modern Punjabi dress has retained this outfit but over its long history has added other forms of dress.
Mughal clothing refers to clothing developed by the Mughals in the 16th, 17th and 18th centuries throughout the extent of their empire in the Indian subcontinent. It was characterized by luxurious styles and was made with muslin, silk, velvet and brocade. Elaborate patterns including dots, checks, and waves were used with colors from various dyes including cochineal, sulfate of iron, sulfate of copper and sulfate of antimony were used.
Kasidakari is an embroidery art associated with Kashmir, Bihar, Punjaband Himachal.
Kashmiri handicrafts is a traditional art of Kashmiri people and artisans who make, craft, and decorate objects by hand. Srinagar, Ganderbal, and Budgam are the main districts in central Kashmir which are making handicrafts products since ages. The rest of its districts, including Srinagar, Ganderbal, and Budgam are best known for its cultural heritage which extends handicraft industry in the state of Jammu and Kashmir, India.
Piece goods were the textile materials sold in cut pieces as per the buyer's specification. The piece goods were either cut from a fabric roll or produced with a certain length, also called yard goods. Various textiles such as cotton, wool, silk, etc., were traded in terms of piece goods. The prices were determined as per the fabric quality.
Mughal karkhanas were the manufacturing houses and workshops for craftsmen, established by the Mughals in their empire. Karkhana is a Hindustani language word that means factory. These karkhanas were small manufacturing units for various art and crafts as well as for the emperor's household and military needs. karkhanas were named and categorized according to the nature of the job. For example, 'Rangkhana' and 'Chhapakhana' were for textile dyeing and printing work. 'Tushak-khana' was used to describe workshops involved in shawl manufacturing and embellishment with embroidery or needlework. Imperial or Royal karkhanas were for luxury goods and weapons. The karkhanas were the place for various production activities and also for the exploration of new techniques and innovations. Some operations such as weaving, embroidery work, and brocade work were often done under one roof, resembling an integrated assembly line.
References
- ↑ COLA, P. R. (1867). How to Develope Productive Industry in India and the East. Mills and factories ... With estimates and plans ... Edited by P. R. Cola ... Illustrated, etc. Virtue&Company. p. 329.
- ↑ Watson, John Forbes (1867). The Textile Manufactures and the Costumes of the People of India. Allen. pp. 135, 136.
- ↑ Hervey, Mrs (1853). The Adventures of a Lady in Tartary, Thibet, China, & Kashmir. With an Account of the Journey from the Punjab to Bombay Overland. Hope and Company. p. 264.
- ↑ Report on the Trade and Resources of the Countries on the North-western Boundary of British India. Printed at the Government Press. 1862. pp. CCCVI.
- ↑ Doughty, Marion (1901). Afoot Through the Kashmir Valleys. Sands. pp. 30, 124, XII.
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