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The Quintettsatz in D minor, Hess 40, is an incomplete composition for string quintet with two violas by Ludwig van Beethoven. Comprising a completed prelude and an incomplete fugue, it was composed in 1817 around the same time as the Fugue for String Quintet in D major, Op. 137. [1]
From surviving manuscripts, it appears that Beethoven first started work on the quintet around 1815, with sketches of the fugue being found amongst sketches for the Ninth Symphony. [1] [2] It is unclear at this time if Beethoven completed the work.
The composition, which takes around three minutes to perform, is structured as a single movement marked Adagio - Allegro .
Ludwig van Beethoven's Opus 1 is a set of three piano trios, first performed in 1795 in the house of Prince Lichnowsky, to whom they are dedicated. The trios were published in 1795.
A string quintet is a musical composition for five string players. As an extension to the string quartet, a string quintet includes a fifth string instrument, usually a second viola or a second cello, or occasionally a double bass.
The Missa solemnis in D major, Op. 123, is a Solemn Mass composed by Ludwig van Beethoven from 1819 to 1823. It was first performed on 7 April 1824 in Saint Petersburg, Russia, under the auspices of Beethoven's patron Prince Nikolai Galitzin; an incomplete performance was given in Vienna on 7 May 1824, when the Kyrie, Credo, and Agnus Dei were conducted by the composer. It is generally considered one of the composer's supreme achievements and, along with Bach's Mass in B minor, one of the most significant Mass settings of the common practice period.
Ludwig van Beethoven's Piano Sonata No. 29 in B♭ major, Op. 106 is a piano sonata that is widely viewed as one of the most important works of the composer's third period and among the greatest piano sonatas of all time. Completed in 1818, it is often considered to be Beethoven's most technically challenging piano composition and one of the most demanding solo works in the classical piano repertoire. The first documented public performance was in 1836 by Franz Liszt in the Salle Erard in Paris.
The String Quartet No. 14 in C♯ minor, Op. 131, was completed by Ludwig van Beethoven in 1826. It is the last-composed of a trio of string quartets, written in the order Opp. 132, 130, 131.
The String Quartet No. 13 in B♭ major, Op. 130, by Ludwig van Beethoven was completed in November 1826. The number traditionally assigned to it is based on the order of its publication; it is actually Beethoven's 14th quartet in order of composition. It was premiered in March 1826 by the Schuppanzigh Quartet and dedicated to Nikolai Galitzin on its publication in 1827.
AntonJoseph Reicha (Rejcha) was a Czech-born, Bavarian-educated, later naturalized French composer and music theorist. A contemporary and lifelong friend of Beethoven, he is now best remembered for his substantial early contributions to the wind quintet literature and his role as teacher of pupils including Franz Liszt, Hector Berlioz and César Franck. He was also an accomplished theorist, and wrote several treatises on various aspects of composition. Some of his theoretical work dealt with experimental methods of composition, which he applied in a variety of works such as fugues and études for piano and string quartet.
D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B♭, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major.
The Piano Sonata No. 31 in A♭ major, Op. 110, by Ludwig van Beethoven was composed in 1821. It is the central piano sonata in the group of three, Opp. 109–111, which he wrote between 1820 and 1822, and the thirty-first of his published piano sonatas.
The Fugue for String Quintet in D major, Op. 137, was composed by Ludwig van Beethoven. It was composed in 1817, and was the only work he completed for string quintet in his late period. After Beethoven's death in 1827, Breitkopf & Härtel published the work, hence the high opus number. The composition is scored for a string quintet with two violas.
The String Quartet No. 2 in A minor, Op. 13, was composed by Felix Mendelssohn in 1827. Written when he was 18 years old, it was, despite its official number, Mendelssohn's first mature string quartet. One of Mendelssohn's most passionate works, the A minor Quartet is one of the earliest and most significant examples of cyclic form in music.
The String Quintet in C major, Op. 29, written by Ludwig van Beethoven, was composed in 1801. This work is scored for string quartet and an extra viola. The Op. 29 is Beethoven's only full-scale, original composition in the string quintet genre; of his other quintet works, the Op. 4 is an extensively reworked arrangement of the earlier Octet for Winds, Op. 103, the String Quintet Op. 104 is an arrangement of an earlier piano trio, and the later fugue is a short work.
The String Quintet in C minor, Op. 104, written by Ludwig van Beethoven in 1817, performed on 10 December 1818, and published in 1819, is an arrangement of the early C minor Piano Trio, Op. 1 No. 3. This work is scored for a string quintet with two violas.
Anton Bruckner's String Quintet in F major, WAB 112 was composed in 1878/79 in Vienna.
The Piano Sonata, WoO 51, in C major, is an incomplete composition for piano by Ludwig van Beethoven, believed to have been composed before he left Bonn, that was discovered amongst Beethoven's papers following his death. The composition was not published until 1830 by F. P. Dunst in Frankfurt, with a dedication to Eleonore von Breuning, along with the piano trios WoO 38 and WoO 39
The String Trio in E-flat major, Op. 3 is a composition by Ludwig van Beethoven, his first for string trio.
In music, a sketch is an informal document prepared by a composer to assist in the process of composition.
The Piano Quartets, WoO 36, by Ludwig van Beethoven are a set of three piano quartets, completed in 1785 when the composer was aged 14. They are scored for piano, violin, viola and cello. He composed a quartet in C major, another in E-flat major, and a third in D major. They were first published posthumously in 1828, however numbered in a different order: Piano Quartet No. 1 in E-flat major, Piano Quartet No. 2 in D major, and Piano Quartet No. 3 in C major.
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