Hercules is the Roman equivalent of the Greek divine hero Heracles, son of Jupiter and the mortal Alcmena. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures.
Laocoön, is a figure in Greek and Roman mythology and the Epic Cycle. Laocoon was a Trojan priest. He and his two young sons were attacked by giant serpents, sent by the gods. The story of Laocoön has been the subject of numerous artists, both in ancient and in more contemporary times.
Greek euro coins feature a unique design for each of the eight coins. They were all designed by Georgios Stamatopoulos with the minor coins depicting Greek ships, the middle ones portraying famous Greeks and the two large denominations showing images of Greek history and mythology. All designs feature the 12 stars of the EU, the year of imprint and a tiny symbol of the Bank of Greece. Uniquely, the value of the coins is expressed on the national side in the Greek alphabet, as well as being on the common side in the Roman alphabet. The euro cent is known as the lepto in Greek.
In ancient Greek religion and mythology, the Muses are the inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture.
In Greek mythology, Terpsichore is one of the nine Muses and goddess of dance and chorus. She lends her name to the word "terpsichorean", which means "of or relating to dance".
In Greek mythology, the satyr Marsyas is a central figure in two stories involving music: in one, he picked up the double oboe (aulos) that had been abandoned by Athena and played it; in the other, he challenged Apollo to a contest of music and lost his hide and life. In antiquity, literary sources often emphasize the hubris of Marsyas and the justice of his punishment.
Roman currency for most of Roman history consisted of gold, silver, bronze, orichalcum and copper coinage. From its introduction to the Republic, during the third century BC, well into Imperial times, Roman currency saw many changes in form, denomination, and composition. A persistent feature was the inflationary debasement and replacement of coins over the centuries. Notable examples of this followed the reforms of Diocletian. This trend continued into Byzantine times.
Obverse and its opposite, reverse, refer to the two flat faces of coins and some other two-sided objects, including paper money, flags, seals, medals, drawings, old master prints and other works of art, and printed fabrics. In this usage, obverse means the front face of the object and reverse means the back face. The obverse of a coin is commonly called heads, because it often depicts the head of a prominent person, and the reverse tails.
The Farnese Hercules is an ancient statue of Hercules, probably an enlarged copy made in the early third century AD and signed by Glykon, who is otherwise unknown; the name is Greek but he may have worked in Rome. Like many other Ancient Roman sculptures it is a copy or version of a much older Greek original that was well known, in this case a bronze by Lysippos that would have been made in the fourth century BC. This original survived for over 1500 years until it was melted down by Crusaders in 1205 during the Sack of Constantinople. The enlarged copy was made for the Baths of Caracalla in Rome, where the statue was recovered in 1546, and is now in the Museo Archeologico Nazionale in Naples. The heroically-scaled Hercules is one of the most famous sculptures of antiquity, and has fixed the image of the mythic hero in the European imagination.
Roman Republican currency refers to the coinage struck by the various magistrates of the Roman Republic, to be used as legal tender. In modern times, the abbreviation RRC, "Roman Republican Coinage" originally the name of a reference work on the topic by Michael H. Crawford, has come to be used as an identifying tag for coins assigned a number in that work, such as RRC 367.
Titus Pomponius Atticus was a Roman editor, banker, and patron of letters, best known for his correspondence and close friendship with prominent Roman statesman Marcus Tullius Cicero. Atticus was from a wealthy Roman family of the equestrian class and from the Pomponia gens.
Pomponia is the female name for the Pomponia gens of Ancient Rome. This family was one of the oldest families in Rome. Various women bearing this name lived during the Middle and Late Roman Republic and the Roman Empire. The oldest known Pomponia was mother of a famous Roman general; the second and third were related to each other. The relationship between these women, if any, is not known. They descended from Pomponius, the first son of Numa Pompilius, the second King of Rome.
Marcus Fulvius Nobilior was a Roman general.
Faustus Cornelius Sulla was a politician of the Roman Republic. He was the son of the dictator Lucius Cornelius Sulla. He started his career in the shadow of Pompey, whom he followed during the Civil War against Julius Caesar. He was killed soon after the battle of Thapsus in 46 BC.
The triumvir monetalis was a moneyer during the Roman Republic and the Empire, who oversaw the minting of coins. In that role, he would be responsible for the "ordinary coinage" during the republican period. Roman moneyers almost always acted together as a board of three, hence their title triumvir.
Charles Meynier was a French painter of historical subjects in the late 18th and early 19th century. He was a contemporary of Antoine-Jean Gros and Jacques-Louis David.
Ancient Rome is a name given to each of three almost identical paintings by Italian artist Giovanni Paolo Panini, produced as pendant paintings to Modern Rome for his patron, the comte de Stainville, in the 1750s.
The gens Pomponia was a plebeian family at ancient Rome. Its members appear throughout the history of the Roman Republic, and into imperial times. The first of the gens to achieve prominence was Marcus Pomponius, tribune of the plebs in 449 BC; the first who obtained the consulship was Manius Pomponius Matho in 233 BC.
In ancient Roman religion and myth, Hercules was venerated as a divinized hero and incorporated into the legends of Rome's founding. The Romans adapted Greek myths and the iconography of Heracles into their own literature and art, but the hero developed distinctly Roman characteristics. Some Greek sources as early as the 6th and 5th century BC gave Heracles Roman connections during his famous labors.
Several non-native societies had an influence on Ancient Pompeian culture. Historians’ interpretation of artefacts, preserved by the Eruption of Mount Vesuvius in 79, identify that such foreign influences came largely from Greek and Hellenistic cultures of the Eastern Mediterranean, including Egypt. Greek influences were transmitted to Pompeii via the Greek colonies in Magna Graecia, which were formed in the 8th century BC. Hellenistic influences originated from Roman commerce, and later conquest of Egypt from the 2nd century BC.
