Quit Talkin' Claude... | ||||
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EP by Crimpshrine | ||||
Released | April 1989 | |||
Recorded | January 1989 | |||
Studio | Dancing Dog Studios in Emeryville, California | |||
Genre | Punk rock | |||
Length | 14:01 | |||
Label | Lookout (LK 015) | |||
Producer | Kevin Army | |||
Crimpshrine chronology | ||||
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Quit Talkin' Claude... is the final studio release by the Berkeley, California-based punk rock band Crimpshrine. It was released in April 1989, a month before the band's break-up, through Lookout Records with the catalog number LK 015. The EP showed a change in sound for the band, featuring longer songs, more personal lyrics and psychedelic influence in the guitar work. [1] Many of the musical elements on the EP would be featured in the band members' later projects, including Fifteen, Pinhead Gunpowder and Cleveland Bound Death Sentence. [1]
Berkeley is a city on the east shore of San Francisco Bay in northern Alameda County, California. It is named after the 18th-century Irish bishop and philosopher George Berkeley. It borders the cities of Oakland and Emeryville to the south and the city of Albany and the unincorporated community of Kensington to the north. Its eastern border with Contra Costa County generally follows the ridge of the Berkeley Hills. The 2010 census recorded a population of 112,580.
Punk rock is a rock music genre that emerged in the mid-1970s in the United States, United Kingdom, and Australia. Rooted in 1960s garage rock and other forms of what is now known as "proto-punk" music, punk rock bands rejected perceived excesses of mainstream 1970s rock. They typically produced short, fast-paced songs with hard-edged melodies and singing styles, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record labels and other informal channels.
Crimpshrine was an American punk rock band from Berkeley, California. The group was formed in 1982 by Aaron Cometbus, founder of the seminal punk rock zine Cometbus, and future Operation Ivy vocalist Jesse Michaels. They grew out of the East Bay scene, centered on 924 Gilman Street, and had an important influence on later East Bay bands such as Operation Ivy, Green Day and punk rock in general.
Much like Sleep, What's That? , the group's previous EP, Quit Talkin' Claude... went out of print around 1992. After being unavailable for several years, the tracks from the EP were compiled on the album The Sound of a New World Being Born in 1998, which has also gone out of print with the closure of Lookout Records. Despite not being received as well by fans as Sleep, What's That?, the EP has been regarded as a classic Lookout Records release in recent years.
Sleep, What's That? is the debut EP by the Berkeley, California-based punk rock band Crimpshrine. It was released on January 30, 1988 through Lookout Records on 7-inch vinyl with the catalog number LK 004. After the EP went out of print in 1992, all of the tracks were added to the compilation album The Sound of a New World Being Born in 1998, which is also currently not in print. It is often considered a classic Lookout Records release and as Crimpshrine's strongest recording.
In April 1988, shortly after hiring new guitarist Idon Bryant, Crimpshrine went to Dancing Dog Studios in Emeryville, California with Kevin Army to record its debut full-length. [2] However, the recordings were rejected by Lookout Records, so the group scrapped them and later embarked on its only US tour in September. The tour was contentious and due to tensions within the group, Bryant and bassist Pete Rypins left the band abruptly after a show in Texas and went home, leaving guitarist/vocalist Jeff Ott and drummer Aaron Elliot stranded. [3] The two called friends Ben Weasel and John Jughead of Screeching Weasel, who drove down from Chicago to fill in until Ott and Elliot found replacement members. [3] Elliot also played drums with Screeching Weasel (who had just fired their drummer Steve Cheese) for two shows around the same time. Deciding to eschew a second guitarist, Ott and Elliot later hired Paul Curran as their new bassist, and he and his brother Jack Curran drove out to Gainesville, Florida in a Ford Pinto to finish the tour. [4] After the tour ended in December 1988, the group released the recordings from the aforementioned session (with other unreleased songs) on the label Musical Tragedies as Lame Gig Contest . The next month, the group went back to Dancing Dog Studios with Army to record what would be their last batch of songs. The Quit Talkin' Claude... EP was released in April 1989 and, a month later, the band had decided to break up.
Emeryville is a small city located in northwest Alameda County, California, in the United States. It lies in a corridor between the cities of Berkeley and Oakland, extending to the shore of San Francisco Bay. Its proximity to San Francisco, the Bay Bridge, the University of California, Berkeley, and Silicon Valley has been a catalyst for recent economic growth.
Texas is the second largest state in the United States by both area and population. Geographically located in the South Central region of the country, Texas shares borders with the U.S. states of Louisiana to the east, Arkansas to the northeast, Oklahoma to the north, New Mexico to the west, and the Mexican states of Chihuahua, Coahuila, Nuevo León, and Tamaulipas to the southwest, while the Gulf of Mexico is to the southeast.
Jeff Ott is an activist, musician, author, and longtime member of the Berkeley punk community, best known for playing guitar and singing in the bands Crimpshrine, and Fifteen.
All music composed by Crimpshrine.
Side one | |||
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No. | Title | Lyrics | Length |
1. | "Butterflies" | Aaron Elliot | 4:19 |
2. | "Situation" | Jeff Ott | 2:52 |
Side two | |||
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No. | Title | Lyrics | Length |
3. | "Easy Answers" | Elliot | 2:48 |
4. | "Inspiration" | Ott | 4:01 |
Total length: | 14:01 |
The lead vocalist in popular music is typically the member of a group or band whose voice is the most prominent in a performance where multiple voices may be heard. The lead singer either leads the vocal ensemble, or sets against the ensemble as the dominant sound. In vocal group performances, notably in soul and gospel music, and early rock and roll, the lead singer takes the main vocal part, with a chorus provided by other band members as backing vocalists.
The guitar is a fretted musical instrument that usually has six strings. It is typically played with both hands by strumming or plucking the strings with either a guitar pick or the finger(s)/fingernails of one hand, while simultaneously fretting with the fingers of the other hand. The sound of the vibrating strings is projected either acoustically, by means of the hollow chamber of the guitar, or through an electrical amplifier and a speaker.
The bass guitar is a plucked string instrument similar in appearance and construction to an electric guitar, except with a longer neck and scale length, and four to six strings or courses.
Production
A record producer or music producer oversees and manages the sound recording and production of a band or performer's music, which may range from recording one song to recording a lengthy concept album. A producer has many, varying roles during the recording process. They may gather musical ideas for the project, collaborate with the artists to select cover tunes or original songs by the artist/group, work with artists and help them to improve their songs, lyrics or arrangements.
Screeching Weasel is an American punk rock band consisting of Ben Weasel (vocals), Trevor Jackson (guitar), Mike Hunchback (guitar), Zach "Poutine" Brandner (bass) and Pierre Marche (drums). Screeching Weasel is originally from the Chicago suburb of Prospect Heights, Illinois. The band was formed in 1986 by Ben Weasel and John Jughead. Since their formation, Screeching Weasel have reformed several times with line-up changes. Ben Weasel has been the only constant member, though Jughead was present in every incarnation of the band until 2009. Other prominent members include guitarist/bassist Dan Vapid and drummer Dan Panic, who have each appeared on six of the band's studio albums, and Green Day bassist Mike Dirnt who was briefly a member of the band.
The Riverdales were an American punk rock band from Chicago, Illinois made up of Screeching Weasel members. Bassist Dan Vapid and guitarist Ben Weasel are heavily influenced by the Ramones' sound and both serve as front-men, sharing lead vocals for the band. The Riverdales' original run lasted from 1994-1997. They reformed in 2003 to record their third studio album, and then parted ways until they once again reformed in 2008 and released a fourth studio album in July, 2009. The band's fifth studio album, Tarantula, was released digitally on June 8, 2010 and on CD and vinyl on June 22, 2010. The band broke up in March 2011 after a fight that broke out during a Screeching Weasel performance.
Fifteen was a punk rock band formed by Jeff Ott and Jack Curran. According to Ott, the band's only consistent member in its 11-year history, Fifteen had a total of fifteen members by the time the group disbanded in 2000: Jack Curran, Mikey Mischief, Mark Moreno, Jean Repetto, Lucky Dog, Chris Flanagan, John Ogle, Jesse Wickman, Joe Cable, John Quintos, Scott Pierce, Jim Prior, Lisa D., Vanessa Bain and Ott himself.
Aaron Elliott, better known as Aaron Cometbus, is an American musician, songwriter, and magazine editor, best known as the creator of the punk zine Cometbus.
Boogadaboogadaboogada! is the second studio album by the Chicago-based punk rock band Screeching Weasel. The album was originally released on vinyl in December 1988 through Roadkill Records. It was the group's only album to feature Fish on bass and the last with Steve Cheese on drums, both leaving the band shortly after the album's release. Although still influenced by hardcore punk, the album also shows hints of the band's later Ramones-inspired sound.
My Brain Hurts is the third studio album by the Chicago-based punk rock band Screeching Weasel. The album was originally released on CD, vinyl and cassette in September 1991 through Lookout Records. It was the group's first album on Lookout as well as the only release with bassist Dave Naked and the first with drummer Dan Panic, the latter of which would go on to appear on several of the band's albums. The album marked a very distinct stylistic shift for the group, fully moving toward a Ramones-inspired sound and completely abandoning their previous hardcore punk influences as a condition made by vocalist Ben Weasel when reforming the band after a brief break-up.
Wiggle is the fifth studio album by the Chicago-based punk rock band Screeching Weasel. Initially planned for release in November 1992, the album was finally released on CD, vinyl and cassette on January 15, 1993 through Lookout Records. Due to a "cymbal hissing" in the original vinyl version, the album was remixed and re-released soon afterwards.
Punkhouse was the first EP by the Chicago-based punk rock band Screeching Weasel. The EP was originally released on 7-inch vinyl with a limited pressing of 500 copies on July 7, 1989 through Limited Potential Records. It was the band's only non-compilation release to feature drummer Brian Vermin and the first to feature Dan Vapid, who would be featured on many later Screeching Weasel albums. Musically, the songs on Punkhouse are in a similar vein to the band's previous album Boogadaboogadaboogada!, albeit with a rougher sound.
Anthem for a New Tomorrow is the sixth studio album by the American punk rock band Screeching Weasel. It was released in 1993 through Lookout! Records. It is often considered one of the band's best albums.
How to Make Enemies and Irritate People is the seventh studio album by the Chicago-based punk rock band Screeching Weasel. Planned as the group's final album, it was released in August 1994 on CD, vinyl and cassette through Lookout Records. Shortly before recording the album, bassist/backing vocalist Dan Vapid left the band and, as a result, Green Day bassist Mike Dirnt was recruited to play on the album.
Screeching Weasel is the self-titled debut studio album by the Chicago-based punk rock band Screeching Weasel. It was originally released on vinyl with a limited pressing of 1,000 copies in September 1987 through local independent label Underdog Records and was the band's only album with bassist Vinnie Bovine, who was fired the next year. Screeching Weasel documents the group's early years as a hardcore punk band, with the music being heavily influenced by bands such as Adrenalin O.D., Angry Samoans, Circle Jerks and Black Flag.
Lame Gig Contest is the only full-length studio album by the Berkeley, California-based punk rock band Crimpshrine. After previously being rejected by the band's label Lookout Records, it was finally released in January 1989 in Germany on Musical Tragedies. The first 1,000 copies of the album featured a yellow cover, while a later pressing of 500 was released with blue. Although the majority of the songs were recorded specifically for the album, Lame Gig Contest also contained tracks from previous sessions. The songs "Rearranged" and "Another Day" were originally featured on the Maximumrocknroll compilation Turn It Around! in 1987, while "Concrete Lawns", "MSFMB" and "2nd Generation Junkies" were unreleased recordings from the sessions of their Sleep, What's That? EP.
Love Songs for the Retarded is the second studio album by the American punk rock band the Queers, released in 1993 by Lookout! Records. It was the first of five studio albums the band would record for Lookout!, and their first by the lineup of singer and guitarist "Joe Queer" King, bassist Chris "B-Face" Barnard, and drummer Hugh O'Neill. It was also their first collaboration with Screeching Weasel frontman Ben Weasel, who produced the album and co-wrote two of its songs, and the first of three Queers albums recorded at Sonic Iguana Studio in Lafayette, Indiana with audio engineer Mass Giorgini, who would continue to work with the band on and off for the next 14 years as a producer and engineer. Love Songs for the Retarded became the Queers' highest-selling album, with sales surpassing 100,000 copies.
Beat Off is the fourth studio album by the American punk rock band the Queers, released in 1994 by Lookout! Records. Recorded during a time when the Queers' usual drummer, Hugh O'Neill, was on a forced leave of absence from the band to deal with heroin addiction, it featured Screeching Weasel drummer Dan Panic and guitarist Dan Vapid added to the lineup. It was the third and final Queers album produced by Screeching Weasel singer Ben Weasel, who insisted on a no-frills punk sound for the album and removed Vapid's tracks from the final mix without his knowledge.
Surf Goddess is an EP by the American punk rock band the Queers, released in February 1995 by Lookout! Records. It marked the return of longtime drummer Hugh O'Neill to the band, after a forced leave of absence to deal with heroin addiction. Former Screeching Weasel member Dan Vapid, who had been a member of the Queers in 1994, played on the EP as a guest guitarist. Surf Goddess was the result of band leader Joe King and Lookout! head Larry Livermore being dissatisfied with the production techniques on the band's prior album, 1994's Beat Off, which producer Ben Weasel had insisted on keeping basic. King and Livermore wanted to incorporate overdubbing and other effects which Livermore felt were essential to the Queers' sound. In addition to the title track, which was co-written by Weasel, and the Queers original "Quit Talkin'", the EP includes cover versions of Tommy James and the Shondells's "Mirage" and the Undertones' "Get Over You".
Riverdales is the eponymously-titled debut studio album by the Chicago-based punk rock band the Riverdales. Formed after the break-up of Screeching Weasel, the band sought to write more Ramones-inspired music and the album was released on June 7, 1995 through Lookout Records with the catalog number LK 120. The group supported the album by opening for Green Day on the initial US leg of the tour for their album Insomniac. Riverdales experienced substantial success on the tour, and the album became the group's best-selling release to date.
Between 1993 and 2000, a series of Ramones covers albums were released by Selfless Records, an independent record label based in Garland, Texas specializing in punk rock, on which bands influenced by seminal punk group the Ramones performed cover versions of entire Ramones albums. Under the Selfless label, Screeching Weasel, the Queers, and the Vindictives respectively covered the first three Ramones albums: Ramones (1976), Rocket to Russia (1977), and Leave Home (1977). Selfless then became Clearview Records and continued the series, with Boris the Sprinkler, the Parasites, the Mr. T Experience, the Beatnik Termites, and the McRackins respectively covering End of the Century (1980), It's Alive (1979), Road to Ruin (1978), Pleasant Dreams (1981), and Too Tough to Die (1984).