 | This article needs to be updated.(December 2017) |
| R. Stevie Moore discography | |
|---|---|
 R. Stevie Moore in 2013 | |
| Studio albums | 158 |
| Compilations | 44 |
| Live albums | 67 |
This is a list of albums by R. Stevie Moore. Most are not officially released and originally only available as handmade cassettes. [1]
| Year | Title | Original label |
|---|---|---|
| 1969 | On Graycroft | self-released |
| 1972 | Homers | |
| 1973 | Invites Comparison | |
| Monotheism | ||
| Iconoclasm | ||
| 1974 | Next | |
| 1975 | Stevie Moore Often | |
| Stevie Moore Or Less | ||
| NTH: Instrumental Illness | ||
| Stevie Does The Beatles/Apologies To Mr. Gottlieb (1974) | ||
| 1976 | Stevie Moore Returns | |
| Play | ||
| Instrumentality/Aviation | ||
| The Voice/Lake Inferior | ||
| 1977 | Piano Lessons | |
| Swing And A Miss | ||
| 1978 | Sheetrock | |
| The North | ||
| Pow Wow | ||
| Delicate Tension/Moore Stuff | HP Music | |
| Games & Groceries | self-released | |
| Sample For Approval | ||
| 1979 | R | |
| Quits | ||
| Clack! | ||
| 1980 | Drumdrops | |
| Urgent/XVII | ||
| 1981 | (1952-19??) | |
| Criterions/Eek! A Mouse | ||
| Dumb Philosophy | ||
| Basic | ||
| Pop Pain | ||
| Column 88 | ||
| F N I | ||
| Logarithms | ||
| 1982 | Pioneer Paramus | |
| Pathos | ||
| Themes | ||
| We Love You Boxheads | ||
| Privacy | ||
| When | ||
| You And Your Employees | ||
| Toxic Shock Syndrome | ||
| Pleasant Tents | ||
| Boxheads 2 | ||
| No Reason | ||
| Trial And Error | ||
| How Can You Resist R. Stevie Moore? | ||
| 1983 | Subject To Change | |
| W.O.M.A.N. | ||
| Boxhead Gothics No. 3 | ||
| Repertoire | ||
| The Church Session | ||
| It's What's Happening Baby! | ||
| Serving Suggestion | ||
| Stevedore | ||
| FM FM | ||
| Curiously Enough | ||
| Hostile Territory | ||
| Crises | ||
| Musts | ||
| On Standby | ||
| As If Vinyl Didn't Exist | ||
| Amateur Hour | ||
| Solid State | ||
| 1984 | R. Stevie Moore Gets Off | |
| Closer Tha Never | ||
| 1984U. | ||
| Embarrass Paris | ||
| State Of Affairs | ||
| K7 | ||
| Kaffeeklatsch | ||
| Organ Donor | ||
| Jabberwocky | ||
| 1985 | Skeletons | |
| Barely | ||
| R. Stevie Moore's Three Blazers | ||
| Umpteenth | ||
| R. Stevie Moore Is Worth It | ||
| 1986 | The Sanctuary Sessions/Glad Music | New Rose |
| Man Of The Year Vol. 1 | self-released | |
| Man Of The Year Vol. 2 | ||
| Purpose | ||
| Man Of The Year Vol. 3 | ||
| Belief | ||
| All Well And Good | ||
| Pandemonium | ||
| 1987 | Googleplex | |
| Clips | ||
| Teenage Spectacular | New Rose | |
| 1988 | Middle Age Vernacular | self-released |
| Effluvium | ||
| 1991 | Persevere | |
| 1992 | Re-cital | |
| Voiced | ||
| 1993 | 7 Songlets | |
| Sequestered | ||
| 1994 | Ersatz | |
| Executive Turntable | ||
| Goosebumps | ||
| Who Cares? | ||
| Absinthe | ||
| A New Day Of Restoration | ||
| Herculean Rationale | ||
| May | ||
| 1995 | Fundraiser | |
| Chapter Eleven | ||
| Phlegm Soundtrack | ||
| In One Ear And Out The Other | ||
| Element | ||
| An Afternoon With R. Stevie Moore | ||
| Dull | ||
| 1996 | The Day The Earth Stood On Stilts | |
| Vague | ||
| Really? | ||
| 1997 | Plight | |
| Disturbed | ||
| Senior Superlatives | ||
| 1998 | Comeback Special | |
| 1999 | I'll Say It's My Fault | |
| 2000 | Love Compartment | |
| 2001 | The Jinx | |
| Midi-Bran Piano Rolls | ||
| 2003 | Report Card | |
| 2004 | Conscientious Objector | |
| Far Out | ||
| Save R. Stevie | ||
| 2005 | Aesthetic | |
| Platformat | ||
| Sister Krys | ||
| Difficult Personality | ||
| 2006 | Albeit | |
| Zeitgeist | ||
| Tell Laura I Love Herbert | ||
| Disorganized Overactivity Or Tabitha Soren | ||
| Hear Lies | ||
| 2007 | Moored | |
| Downplaying My Significance | ||
| 2008 | A.W.O.L. | |
| Fukt! | ||
| 2009 | Fakebook | |
| Sentimental Ties | ||
| Coo Coo Rockin Time | ||
| 2010 | Errorism | |
| Monotheism 2010 | ||
| Text Rage | ||
| Rodan | ||
| Mind Crack | ||
| Space Bar | ||
| 2011 | Advanced | 2000 Records |
| Advanst | self-released | |
| 2012 | Please Leave | |
| LUNATIKFRINJ | ||
| Free Pussy Riot | ||
| Control Panel | ||
| 2013 | Burst Upon The Scene | |
| New World Elder | ||
| Genital Juice | ||
| Oral Roberts | ||
| Dilletante Field Trip Bully | ||
| ENNUI | ||
| May I Be Excused? | ||
| Spoiler Alert | ||
| 2014 | Price Check Moore's Code ~ Freedom Now | |
| Epiglottis Captcha Fracking | ||
| Lymph Nodes | ||
| Fifteen Tons | ||
| 2015 | Make It Be (with Jason Falkner) | Bar/None |
| Knickerbocker Thuggery Combover | self-released | |
| New Age Sewage Anticeptic Tank | ||
| ENGLITCH | ||
| Drip and Dribble (draft) | ||
| 2016 | (we could be) "Gyros" (just for 1 day) | |
| NO WORLD WE'RE FOR | ||
| What Can I Say? | ||
| Product Item Diary | ||
| Barista Parlor Golden Sound | ||
| Amnesia Insomnia Shania | ||
| Unamericana Survival Strategys | ||
| 2017 | Nobody Pays Me Much Mind (Until I'm Gone) | |
| When dja Get Back | ||
| MUSICITY | ||
| 2018 | The Embodiment of Progressive Ideals (with Alan Jenkins and the Kettering Vampires) | Cordelia |
| Oatmeal Goatmilk | self-released | |
| Emotion Picture | ||
| Cancel & Gretel | ||
| The Here..... with neon black | ||
| WORLD WAR FOUR (The Best Of) | ||
| NAP | ||
| 2019 | Afterlife | Bar/None |
| Year | Title | Original label |
|---|---|---|
| 1976 | Phonography | Vital |
| 1978 | Delicate Tension | H.P. Music |
| 1983 | This Was R. Stevie Moore: The First Ten Years | self-released |
| Ass-ault (Dollar Tape) | ||
| Rarities | ||
| Country Disguises | ||
| More Moore Versions | ||
| Lost And Found | ||
| Comp Tapes | ||
| 1984 | Greatest Hits | |
| Everything You Wanted To Know About R. Stevie Moore But Were Afraid To Ask | New Rose | |
| What's The Point?!! | Cuneiform | |
| 1985 | Verve | Hamster |
| 1987 | R. Stevie Moore (1952-19??) | Cordelia |
| 1988 | Warning | New Rose |
| 1990 | Has-Beens and Never-Weres | Heliotrope |
| Greatesttits | Fan Club | |
| 1993 | Contact Risk | Fruit of the Tune |
| 1994 | Unpopular Singer Vol. 1 | self-released |
| Unpopular Singer Vol. 2 | ||
| Unpopular Singer Vol. 3 | ||
| 1995 | Revolve | Pink Lemon |
| Unpopular Singer Vol. 4 | self-released | |
| 1999 | The Future Is Worse Than The Past | Megaphon |
| 2000 | The Essential R. Stevie Moore | self-released |
| More Essential | ||
| 2002 | Essential V.3 | |
| Hundreds of Hiding Places | Megaphon | |
| 2003 | Hobbies Galore | self-released |
| Nevertheless Optimistic | Innova | |
| 2004 | Tra La La La Phooey | Comfort Stand |
| 2006 | Thoroughly Years (Phonography 2) | Hamster |
| 2007 | Unpopular Singer Vol. 6 | self-released |
| R. Stevie Moore Sings Ford Theatre | iTunes | |
| 2008 | Meet The R. Stevie Moore | Cherry Red |
| Myth Of Melody | self-released | |
| Special Needs | Park the Van | |
| 2009 | Me Too | Cherry Red |
| 2012 | Lo Fi Hi Fives ...A Kind Of Best Of | OGenesis Records |
| Hearing Aid | Megaphone | |
| 2013 | Personal Appeal | Care in the Community |
| Once and For All | Megaphon/Moloko | |
| In The History of Ever | Oma333 | |
| 2014 | WET PAINT | I Thought You Were a Marxist Records |
| Year | Title |
|---|---|
| 1980 | Hurrah's (NYC) |
| 1983 | R. Stevie Moore & The Rayvens 1 (Folk City NYC) |
| R. Stevie Moore & The Rayvens 2 (Maxwell's, Hoboken NJ) | |
| Boxheads 4: Broadcast (WFMU, East Orange NJ) | |
| 1984 | The Biggest Names In Show Business (WFMU) |
| Olives And More (WFMU) | |
| The Scott And Gary Show (NYC Cable TV) | |
| In Person (The Jetty, Bloomfield NJ) | |
| Folk City, NYC | |
| 120 Nuits (Live at Paris) | |
| The Bitter End, NYC | |
| Boston, The Channel | |
| The Dive, NYC | |
| 1985 | Two Evenings With R. Stevie Moore In New York (Irving Plaza/Folk City) |
| The Jetty Vol. 2 | |
| Radio Performance (WFMU) | |
| 1986 | R. Stevie Moore Sings At Speakeasy |
| Speakeasy Vol. 2 | |
| Last Live Show/Lone Star Cafe | |
| 1987 | RSM: Live On WFMU |
| 1993 | RSM On WFMU |
| Maxwell's | |
| 1997 | RSM Live '97 (Mother NYC/Tierney's NJ) |
| RSMKO Sing, Stork Club, WFMU | |
| Baggot Inn/Knitting Factory NYC | |
| 1998 | Tonic, NYC |
| Stork Club, WFMU | |
| Weird NJ At Maxwell's | |
| 1999 | WRVU, Vanderbilt, Nashville |
| Sutler, Nashville | |
| Mercury Lounge, NYC | |
| RSM And The Bees, Darress Theater NJ | |
| 2000 | Maxwell's Y2K |
| Maxwell's Again | |
| 2001 | Nova Nights |
| 2002 | Madison TN High School Gym, Taxmen Reunion |
| Maxwell's IPO | |
| 2003 | Fez NYC |
| Life On WFMU, With Kenny G | |
| Maxwell's | |
| 2004 | GKS Brooklyn |
| Dr. Demento Show, B.B. King's, NYC | |
| Acme Underground NYC, IPO w/Breetles | |
| Tonic w/Ariel Pink | |
| 2005 | Serena Bar, Chelsea Hotel, NYC |
| West End, NYC | |
| Tonic w/Ariel Pink #2 | |
| BSR FM Phone-In (Home Alone) | |
| 2006 | Tonic, NYC |
| 2007 | Knitting Factory Tap Bar, NYC |
| Maxwell's | |
| Knitting Factory | |
| 2008 | Cake Shop |
| Music Hall Of Williamsburg/Bowery Ballroom | |
| Coco66 | |
| Cake Shop #2 | |
| Cake Shop #3 | |
| Cake Shop #4 | |
| Knitting Factory | |
| Death By Audio | |
| Surreal Estate | |
| 2009 | Maxwell's |
| Sputnik | |
| Cake Shop | |
| Kenny's Castaways | |
| 2010 | Mercury Lounge |
| Bruar Falls | |
| Year | Title |
|---|---|
| 1973 | "Roger Ferguson & Ethos" (Basic Sounds Ltd.) |
| 1977 | Four From Phonography EP (H.P. Music) |
| 1978 | Stance EP (H.P. Music) |
| "Goodbye Piano"/"I Wish I Could Sing" (Flamingo) | |
| "Cannot Keep My Fingers Out Of My Mouth"/"Groceries" | |
| 1979 | "New Wave"/"Same" (Classass Music Industries) |
| 1984 | "Chantilly Lace" + "Teen Routines"/"Bloody Knuckles" (New Rose) |
| 1992 | "I Hate People"/"Everyone But Everyone" (Singles Only Label) |
| 2001 | Colliding Circles EP |
| A Clever Combo (The Breetles) EP | |
| Frank Balesteria EP | |
| 2002 | Alma Mater, The Mighty Rams EP |
| You Must Be Out Of My Mind EP | |
| Horse In Striped Pajamas | |
| 2003 | A White Shade Of Pale EP |
| Five Minutes More EP | |
| 2006 | Encyclopediac 3 EP |
| 2009 | "U.R. True"/"How Many Moore" b/w "Advertising Agency Of Fucking"/"Oh Pat" (OGenesis) |
| "Came Twice" (Spunky Monkey Music) | |
| "Pop Rock Logic" (Spunky Monkey Music) | |
| 2011 | "You Came Along Just In Time" (People In A Position To Know Records) |
| "Me Too" b/w "Nothing Is As It Was" (Slowboy Records) | |
| "Pop Music" b/w "Love Is The Way To My Heart" (OGenesis) | |
| 2012 | SteviePink Javascript (with Ariel Pink) (People In A Position To Know Records) |
| Ku Klux Glam E.P. (Slowboy Records) | |
| "Post Break-Up Sex" Split 7" w/The Vaccines (OGenesis) | |
| "Advertising Agency Of Fucking" b/w "Conflict Of Interest" (People In A Position To Know Records) | |
| "How Many Moore?" b/w "Who You Gonna Do-do On Today?" (People In A Position To Know Records) | |
| "Little Man" b/w "Dirty Woman" (People In A Position To Know Records) | |
| "E Not Laid" b/w "Inconsiderations Pt. 1" (People In A Position To Know Records) | |
| "A To The S On The A By The P" b/w "Actually I Do Must Leave" (People In A Position To Know Records) | |
| 2015 | "Boysage" Split 7" w/Boys Age (Border Series / Bleeding Gold) |
| "Coming Up" (with Supercute!) (People In A Position To Know Records) | |
| Year | Title |
|---|---|
| 1969 | Grease |
| The Sound Of Fugto | |
| Unleashed Ignorance In Bb Minor Augmented | |
| The Marlborough Sings | |
| 1971 | Jones w/Victor Lovera |
| Eenque w/Lovera | |
| 1972 | All Twenty Minutes w/Lovera |
| Goods w/Herald | |
| Prethos w/Lovera | |
| 1973 | Mere Static/Planet 81 w/Lovera |
| Ob Newschk w/Lovera | |
| 1974 | Ethos 1 & 2 w/Lovera |
| Studio Ethos w/Lovera | |
| Phoney | |
| 1975 | Stevie Does The Beatles |
| Eros Ethos w/Lovera | |
| 1976 | Smashers w/Lovera |
| 1982 | Candid Cassette |
| 1983 | Under The Covers |
| 1984 | Boota Theatre |
| Messy Merci Me | |
| Rare Radio Interviews | |
| 1986 | Dubs One/Say Man |
| Dubs Two | |
| 1997 | Objectivity w/Yukio Yung (JAR Music) |
| 1999 | Dates w/Dave Gregory |
| Watch: Gore/Moore w/Bryan Gore | |
| 1997 | FairMoore w/Jad Fair (Old Gold) |
| 2006 | Manuscription w/Lane Steinberg |
| The Yung & Moore Show w/Yukio Yung | |
| 2009 | Stop Them w/BJanoff |
| 2011 | Stalactites & Stalagmites w/Tropical Ooze |
| 2012 | Ku Klux Glam w/Ariel Pink |
| Wedding Album w/Keel Her | |
| 2014 | Round Eye w/ Round Eye |
Bob Loyce Moore was an American session musician, orchestra leader, and double bassist who was a member of the Nashville A-Team during the 1950s and 1960s. He performed on over 17,000 documented recording sessions, backing popular acts such as Elvis Presley and Roy Orbison. Bob was also the father of multi-instrumentalist R. Stevie Moore, who pioneered lo-fi/DIY music. The New York Times called him "an architect of the Nashville Sound of the 1950s and '60s" in his obituary.
Robert Steven Moore is an American multi-instrumentalist, singer, and songwriter who pioneered lo-fi music. Often called the "godfather of home recording", he is one of the most recognized artists of the cassette underground, and his influence is particularly felt in the bedroom and hypnagogic pop artists of the post-millennium. Since 1968, he has self-released approximately 400 albums, while about three dozen "official" albums have been issued on various labels.
Lo-fi is a music or production quality in which elements usually regarded as imperfections in the context of a recording or performance are present, sometimes as a deliberate choice. The standards of sound quality (fidelity) and music production have evolved over the decades, meaning that some older examples of lo-fi may not have been originally recognized as such. Lo-fi began to be recognized as a style of popular music in the 1990s, when it became alternately referred to as DIY music. Some subsets of lo-fi music have become popular for their perceived nostalgic and/or relaxing qualities, which originate from the imperfections that define the genre.
Jadwin B. Fair is an American singer, guitarist, graphic artist, and founding member of lo-fi alternative rock group Half Japanese.
Murray Wachs, better known as Bingo Gazingo, was a poet from New York City, who was a postal worker for most of his career. Two versions, each also titled Bingo Gazingo, were released of the only single-artist album ever released by WFMU—the first on cassette, the second on CD. Bingo's parents were big fans of the game of Bingo, which resulted in him getting his notable name.
Scared Famous and Fast Forward are the third and fourth albums by American recording artist Ariel Pink. They were originally released on cassette as a double album by Ariel in 2001. A compilation album of the material from both albums was subsequently released by Human Ear Music in 2007. It consisted of only 17 tracks selected from the original cassettes.
Terence Ashley Burrows is an English author, multi-instrumental musician and producer based in London. Best known as a cult performer under the alias Yukio Yung, Burrows is also a prolific author of books relating to music history, theory, and tuition, technology, business, popular psychology and modern history. His works include The Art of Sound, Mute: A Visual Document, Guitars Illustrated (Billboard), 1001 Guitars... (Cassell), KISS Guide to Playing Guitar, Total Guitar Tutor, and ITV Visual History of the 20th Century (Carlton). His books—now numbering close to one hundred titles—have been published in sixteen different countries and translated into a dozen different languages. As a writer, his pseudonyms include Terence Ashley, Harrison Franklin, Hans-Joachim Vollmer and Yukio Yung. He has also written for numerous periodicals in the UK, US, and Germany.
John Roger Ferguson is an American musician. He is currently a member of The Apples in Stereo, and he was a founding member of Big Fresh. His father, Roger Ferguson, was an associate of underground DIY figure R. Stevie Moore, and John appeared on Moore's recordings and radio shows by age three. During his freshman year of college, Ferguson teamed up with Ben Fulton and Bryan Gore to form Big Fresh in 1998. The band – with various lineup changes – recorded three albums. In 2002, Ferguson met Robert Schneider of The Apples in Stereo, and they formed Ulysses. Their first release, 010, appeared in 2004 on the Eenie Meenie Records label, and received positive reviews. In 2006, Schneider invited him to become a member of the Apples In Stereo, and Ferguson performed on the band's 2007 album, New Magnetic Wonder. Ferguson is also a member of the synth-folk band Deek hoi, continues to collaborate with R. Stevie Moore and perform with Big Fresh. He and Robert Schneider in 2015 Have created a new band called Spaceflyte which is an experimental pop band.
What's the Point?!! is the fourth studio album by DIY home recording pioneer and one-man band R. Stevie Moore. It was the first album released by Steve Feigenbaum's Cuneiform Records label in Silver Spring MD. The vinyl record was pressed in the Netherlands. Never officially reissued on compact disc, the expanded & remastered CD-R version is available by mail from the artist.
Verve is the fifth 12" vinyl record album by DIY home recording pioneer and one-man band R. Stevie Moore. It was released by Terry Burrows' Hamster label in the UK late 1985. Never officially reissued on compact disc, the CD-R version is available by mail from the artist.
(1952–19??) is the seventh 12" vinyl record album by DIY home recording pioneer and one-man band R. Stevie Moore. It was released on Alan Jenkins' Cordelia Records label in the UK.
Teenage Spectacular is a 12" vinyl record album by DIY home recording pioneer and one-man band R. Stevie Moore, released in 1987. It was the third of four RSM albums released by New Rose Records in Paris, France. Like 1986's Glad Music, Teenage Spectacular differed from most Moore record albums by being almost exclusively recorded in a professional 8 & 16 track studio. Never officially reissued on compact disc, the expanded CD-R version is available by mail from the artist.
...warning: r. stevie moore... is the ninth 12" vinyl record album by DIY home recording pioneer and one-man band R. Stevie Moore. It was the last of four RSM albums released by New Rose Records in Paris, France. Most of the disc's material resulted from studio sessions for the previous album, Teenage Spectacular. Never officially reissued on compact disc, the expanded CD-R version is available by mail from the artist.
Greatesttits is the eleventh album released by DIY home recording pioneer and one-man band R. Stevie Moore. It was the first official compact disc issued by Moore. The album is a compilation of previously released tracks from Moore's four vinyl issues on New Rose Records, Paris.
Disturbed may refer to:
"Why Should I Love You?" is a song written by American singer-songwriter R. Stevie Moore, released as the ninth track of his album Glad Music (1986). It was announced in May 2012 that the track would also appear on Lo Fi Hi Fives ...A Kind Of Best Of, a hits collection from Moore; scheduled for a release on August 5, 2012.
Gnar Tapes is an independent record label based in Los Angeles, California, United States. Gnar Tapes began releasing solely audio cassette tapes from many Portland-based artists, though it has branched out to releasing artists from around the world via cassette, vinyl, digital, and compact disc. The label was founded in 2008 by Erik Gage, who was 18 years old at the time, in his hometown of Portland, Oregon.
The Michael Jackson Mix is a compilation album by American singer and recording artist Michael Jackson, released in 1987. Available as a double LP, double cassette and double CD, the album contains 40 songs from Jackson's Motown career – solo and with The Jackson 5 – edited together in four separate megamixes: "Love Mix 1" and "Love Mix 2" on the first LP, cassette and CD, and "Dance Mix 1" and "Dance Mix 2" on the second LP, cassette and CD.
Ariel Pink's Picks Vol. 1 is a compilation album of American recording artist R. Stevie Moore. Originally compiled by Ariel Pink in 2006, the album was officially released on cassette by Laughable Recordings in 2011. A double-vinyl release on Light in the Attic followed in 2015. Release and liner notes curated by Nick Noto.
Ku Klux Glam is the first collaborative album by American musicians Ariel Pink and R. Stevie Moore, self-released on Bandcamp on February 12, 2012. Some of it was recorded with Jason Falkner, who engineered and performed on several tracks. On April 30, the album was officially issued by Stroll On Records as a limited edition cassette that condensed its original 60-track running order to 20. In June 2016, the album was given its first vinyl pressing.