The Portland Institute for Contemporary Art (PICA) is a contemporary performance and visual arts organization in Portland in the U.S. state of Oregon. PICA was founded in 1995 by Kristy Edmunds. Since 2003, it has presented the annual Time-Based Art Festival (TBA) every September in Portland, featuring contemporary and experimental visual art, dance, theatre, film/video, music, and educational and public programs from local, national, and international artists. As of November 2017, it is led by Executive Director Victoria Frey and Artistic Directors Roya Amirsoleymani, Erin Boberg Doughton, and Kristan Kennedy.
Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be live, through documentation, spontaneously or written, presented to a public in a Fine Arts context, traditionally interdisciplinary. Also known as artistic action, it has been developed through the years as a genre of its own in which art is presented live. It had an important and fundamental role in 20th century avant garde art.
The Kitchen is a non-profit, multi-disciplinary performance venue and art space located at 512 West 19th Street, between Tenth and Eleventh Avenues in the Chelsea neighborhood of Manhattan, New York City. It was founded in Greenwich Village in 1971 by Steina and Woody Vasulka, who were frustrated at the lack of an outlet for video art. The space takes its name from the original location, the kitchen of the Mercer Arts Center which was the only available place for the artists to screen their video pieces. Although first intended as a location for the exhibition of video art, The Kitchen soon expanded its mission to include other forms of art and performance. In 1974, The Kitchen relocated to a building at the corner of Wooster and Broome Streets in SoHo, and incorporated as a not-for-profit arts organization. In 1987 it moved to its current location.
El Museo del Barrio, often known simply as El Museo, is a museum at 1230 Fifth Avenue in Upper Manhattan, New York City. It is located near the northern end of Fifth Avenue's Museum Mile, immediately north of the Museum of the City of New York. Founded in 1969, El Museo specializes in Latin American and Caribbean art, with an emphasis on works from Puerto Rico and the Puerto Rican community in New York City.
Southern Exposure (SoEx) is a not-for-profit arts organization and alternative art space founded in 1974 in the Mission District of San Francisco, California. It was originally founded as a grassroots, cooperative art gallery in conjunction with Project Artaud which was a live/work artist community. By the 1980s, they converted the gallery to a community space for supporting emerging artists.
Walid Raad (Ra'ad) is a contemporary media artist. The Atlas Group is a fictional collective, the work of which is produced by Walid Raad. He lives and works in New York, where he is currently an associate professor at the School of Art at the Cooper Union School of Art.
Coco Fusco is a Cuban-American interdisciplinary artist, writer, and curator whose work has been exhibited and published internationally. Fusco's work explores gender, identity, race, and power through performance, video, interactive installations, and critical writing.
The Asian American Arts Centre (AAAC) is a non-profit organization located in Chinatown in New York City. Founded in 1974, it is one of the earliest Asian American community organizations in the United States. The Arts Centre presents the ongoing developments between contemporary Asian & Asian American art forms and Western art forms through the presentation of performance, exhibitions, and public education. AAAC's permanent collection, which it has accumulated since 1989, contains hundreds of contemporary Asian American art works and traditional/folk art pieces. The organization also has an Artists Archive which documents, preserves, and promotes the presence of Asian American visual culture in the United States since 1945. This includes the East Coast, especially the greater New York area; the West Coast; and some artists in Canada, Hawaii, and overseas. The artists include Asian Americans producing art, Asian artists who are active in the United States, and other Americans who are significantly influenced by Asia. Pan-Asian in outlook, the Arts Centre's understanding of ‘Asia’ encompasses traditions and influences with sources ranging from Afghanistan to Hawaii.
Thelma Beatrice Johnson Streat was an African-American artist, dancer, and educator. She gained prominence in the 1940s for her art, performance and work to foster intercultural understanding and appreciation.
Asia Art Archive (AAA) is a nonprofit organisation based in Hong Kong which focuses on documenting the recent history of contemporary art in Asia within an international context. AAA incorporates material that members of local art communities find relevant to the field, and provides educational and public programming. In 2016, AAA is one of the most comprehensive publicly accessible collections of research materials in the field, and has initiated about 150 public, educational, and residential programmes.
The Vera List Center for Art and Politics is a nonprofit research organization and public forum for art, culture, and politics.
Alexis Gideon is a visual artist, director, composer and performer best known for his animated video operas. In 2013, Manhattan’s New Museum of Contemporary Art paired Gideon with William Kentridge in a joint program. Gideon has performed his video operas over 400 times at various venues including Centro de Arte Contemporáneo de Málaga (2016), Institute of Contemporary Art, Boston (2015), Yerba Buena Center for the Arts (2015), Moderna Museet in Stockholm, Sweden (2014), Museum of Contemporary Art Cleveland (2014), Museum of Contemporary Art, Chicago (2013), Museum of Contemporary Art, Tucson (2013), Oklahoma City Museum of Art (2013), Portland Art Museum (2013), Wexner Center for the Arts (2012), Times Zone Festival (2010), Sudpol (2010), Centre d'Art Bastille (2010), Baltimore Museum of Art (2009). Gideon is notable for his fusion of music, visuals, literature, and mythology. Gideon's work is in the collection of the Thomas J. Watson Library at the Metropolitan Museum of Art in New York, NY, the Spencer Museum of Art in Lawrence, Kansas as well as in the Debra & Dennis Scholl Collection in Miami, Florida. Gideon has been cited as a vital and visionary artist, both in the US and internationally.
Alan W. Moore is an art historian and activist whose work addresses cultural economies and groups and the politics of collectivity. After a stint as an art critic, Moore made video art and installation art from the mid-1970s on and performed in the 1979 Public Arts International/Free Speech series. He has published several books and runs the House Magic information project on self-organized, occupied autonomous social centers. He lives in Madrid.
Xaviera Simmons is an American contemporary artist living and working in New York, NY. Her work spans photography, performance, painting, video, sound, sculpture, and installation.
The Shed is a cultural center in Hudson Yards, Manhattan, New York City. Opened on April 5, 2019, the Shed commissions, produces, and presents a wide range of activities in performing arts, visual arts, and pop culture.
X-TRA Contemporary Art Quarterly (X-TRA) is an independent visual arts journal that focuses on criticism and conversation about contemporary art. X-TRA was founded in Los Angeles in 1997 by artists Stephen Berens and Ellen Birrell and is published quarterly by the non-profit Project X Foundation for Art and Criticism. The magazine is the longest running art publication in Los Angeles.
Bronx Academy of Arts and Dance, also referred to as BAAD!, is a New York performing and visual art workshop space and performance venue located in The Bronx. The Academy is home to the Arthur Aviles Typical Theatre and The Bronx Dance Coalition.
Under the Comprehensive Employment and Training Act (CETA), during the years 1974-80, more than 10,000 artists – visual, performing, and literary – were employed nationally. This was the largest number of artists supported by Federal funding since the Works Progress Administration of the 1930s. In New York City, approximately 500 accomplished but underemployed artists were given positions in five programs, the largest of which was the Cultural Council Foundation (CCF) Artists Project. The artists were placed with hundreds of community sponsors for whom they taught classes, led workshops, developed public artworks, gave musical and theatrical performances, did community documentation. In exchange, they received a generous salary, benefits, and one day per week to work in their studio or on independent creative projects. Many of the participating artists - and project administrators - went on to successful careers in the arts after CETA funding cutbacks forced the termination of the project in 1980.
Kambui Olujimi is a New York-based visual artist working across disciplines using installation, photography, performance, tapestry, works on paper, video, large sculptures and painting. His artwork reflects on public discourse, mythology, historical narrative, social practices, exchange, mediated cultures, resilience and autonomy.
Visual Arts in Hong Kong are supported by local markets, government programs, and auction houses that have helped raise the status of Art across the region. Hong Kong is a city that combines both Western and Eastern culture. Culture and visual art are developing together here. There will be hundreds of international-level cultural and artistic activities in Hong Kong every March. From avant-garde art to comic graffiti, from film to dance, from the temple to the street, the streets of Hong Kong are filled with posters of art events, and the atmosphere of the city will be very active. The artistic heritage of Hong Kong is everywhere. The blending of Chinese and Western cultures has formed the city's unique diverse temperament and cultural landscape. Hong Kong has a fusion of art and history in Chinese restaurants, famous wax museums, and nightlife ports. This multicultural blend of Chinese and Western cultures continues to reinvigorate. Hong Kong's visual art market has finally become one of the most important art trading markets in the world with its own development and the opportunities of the times. Hong Kong is favored by the international art market because of its special historical development background and geographical advantages. Because Hong Kong is open, inclusive and diverse, Chinese and Western cultures are converging here, making it to be the center of Asian art market. The future development of Hong Kong visual art market is worthy of attention:.
