Early life and education
Rachelle Anayansi Mozman Solano is a first generation American and was born and grew up in New York City. [3] She works between New York City and Panama, her maternal family's country. [3] Her father was born in Poland and the family later moved to France. Her parents met at Hunter College at CUNY shortly after both immigrating to the U.S. and were committed to the Trotskyist movement for many years. [3] Her father was a Geologist who later became a Computer programmer and her mother worked for the New York City Department of Education. [3] Her paternal grandparents were sample maker's, and moved to New York City to work in the garment industry. [3]
Mozman Solano graduated from Fiorello H. LaGuardia High School for Music & Art and the Performing Arts in New York City. [3] She earned an MFA in Photography from Tyler School of Art at Temple University, where she studied with Coco Fusco, and a BFA from Purchase College at SUNY, where she studied with cinema and media studies historian Tom Gunning and artists Gregory Crewdson, Jo Ann Walters, Mary Lucier and Antonio Frasconi. [3]
Her artworks deeply engage in clinical psychoanalysis. Mozman Solano has 14 years of psychoanalytic training from the National Psychological Association for Psychoanalysis, New York. She worked as a clinical psychoanalyst between 2010 and 2017. [3]
She is currently teaching at School of the Museum of Fine Arts at Tufts University as a professor of the Practice in Photography since 2018. [4] [5]
Art
Mozman Solano's artistic practice explores how mythology, history, the psyche, and economics overlap and become part of the psychological and somatic experience. Mozman Solano's work addresses trauma as a consequence of racial supremacism, diaspora and subjugation, particularly in the experience of women. Her photographs and videos address narrative, and the exploration of narrative as shaped by perception. [6]
Her 2018 project Metamorphosis of Failure was inspired by a 2014 MoMA exhibition of the works of Paul Gauguin. Mozman Solano explored Gauguin's interest in racial purity against his biracial background, as well as the role of the museum in shaping cultural perceptions of him. [7] This project also engages with a feminist critique by creating images of Gauguin's muses and their poses. [8] [9] [3]
In 2020 Mozman Solano released her monograph Colonial Echo with Kris Graves Projects, [10] bringing together two related bodies of work, Casa de Mujeres and La Negra. The work draws upon her family biography and interviews. In Casa de Mujeres she addresses the experience colonialism in Panama and its impact. In La Negra she explores her family's migration to the American south, and later to New York City. [11] The name for the title La Negra, comes from the nickname given to her grandmother by her family. [12]
Mozman Solano has held residencies at institutions including The Camera Club of New York, Light Work, LMCC workspace, and Smack Mellon, as well as a Guggenheim Fellowship and a Fulbright Fellowship. [2] Mozman Solano's work has been reviewed in The New York Times, Artnexus, The Village Voice, The Wall Street Journal. [2] Her work has been published in Aperture Magazine , Exit magazine, Contact Sheet: The Light Work Annual , Presumed Innocence, Vogue Italia , and numerous other publications. [2]
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