Radio Tanzania Dar es Salaam is a radio service in Tanzania.
In 1973, when the government of Tanzania was under the control of Julius Nyerere’s leadership, the country was primarily focused on establishing ujamaa, which means a socialistic familyhood. [1] Accordingly, in an effort to get the citizens of Tanzania to develop their own unique popular music culture, Nyerere and his government banned most foreign music on national programs in 1973. [1]
Radio Tanzania Dar Es Salaam (RTD) became critical to the cultural life of Tanzania by nurturing Tanzania’s music scene. [1] Since there was a chronic shortage of studio space and production equipment, RTD became the main advocate of Tanzanian musicians. [1]
In addition to the creation of the RTD, in 1974 the government of Tanzania created BAMAUTA, which coordinated official national music policies, controlling musical instrument imports and issuing club and discothèque licences. [1]
As a result of the RTD and BAMAUTA programs, many local Tanzanian bands became prominent and live entertainment was promoted. [1] Dar es Salaam became the location where many popular African music styles were integrated, spurring the rise of the rap and hip hop culture in Dar es Salaam. [1] President Nyerere opposed television during his time as head of Tanzanian government because he believed that it would widen the gap between the rich and poor citizens of his country. [2] Accordingly, with the rise in television use in modern times, the importance of radio programs as a means of communicating social and political messages has diminished. [2] However, although the role of the RTD and BAMAUTA may be decreasing in relation to the advent of television use, these two programs are primarily responsible for the development of hip hop and rap as a means of social communication in Tanzania that still exists today.
Dar es Salaam is the largest city and financial hub of Tanzania. It is also the capital of the Dar es Salaam Region. With a population of over nine million people, Dar es Salaam is the largest city in East Africa by population and the sixth-largest in Africa. Located on the Swahili coast, Dar es Salaam is an important economic center and one of the fastest-growing cities in the world.
As it is in other countries, the music in Tanzania is constantly undergoing changes, and varies by location, people, settings and occasion. The five music genres in Tanzania, as defined by BASATA are, ngoma, dansi, kwaya, and taarab, with bongo flava being added in 2001. Singeli has since the mid-2000s been an unofficial music of uswahilini for unplanned communities in Dar es Salaam, and is the newest mainstream genre since 2020.
Joseph Mbilinyi, known for his stage names Mr. II, Sugu and 2-proud, is a Tanzanian politician, human rights activist and rapper. He was a Mbeya Urban elected member of Parliament from 2010 to 2020.
The Tanganyika African National Union (TANU) was the principal political party in the struggle for sovereignty in the East African state of Tanganyika. The party was formed from the Tanganyika African Association by Julius Nyerere in July 1954 when he was teaching at St. Francis' College. From 1964 the party was called the Tanzania African National Union. In January 1977 the TANU merged with the ruling party in Zanzibar, the Afro-Shirazi Party (ASP), to form the current Revolutionary State Party or Chama Cha Mapinduzi (CCM). The policy of TANU was to build and maintain a socialist state aiming towards economic self-sufficiency and to eradicate corruption and exploitation, with the major means of production and exchange under the control of the peasants and workers.
Tanzanian Hip-hop, which is sometimes referred to Bongo Flava by many outside of Tanzania's hip hop community, encompasses a large variety of different sounds, but it is particularly known for heavy synth riffs and an incorporation of Tanzanian pop.
X Plastaz is a Tanzanian hip hop musical group based in Arusha and founded in 1996. They are one of the most popular acts in the Tanzanian hip hop scene. Their style mixes elements from international hip hop and traditional Maasai music, represented by Maasai singer Merege. While Merege sings in maa, the other members of the group rap in swahili and haya. Merege is also well known to perform in traditional Maasai clothing.
Kwanza Unit (KU) was an early Tanzanian hip hop group. Its name means "First Unit" and it was formed in 1993 by a merger of several groups and solo artists. They started rapping in English, but later used Swahili as well.
Ujamaa was a socialist ideology that formed the basis of Julius Nyerere's social and economic development policies in Tanzania after it gained independence from Britain in 1961.
Bisso Na Bisso is a music collective originating from the Republic of the Congo. The group was formed in 1999 and consists of rappers and singers, including Ben-J, a member of Les Neg'Marrons; the duo Lino and Calbo from Ärsenik; Doc and G Kill, renowned members of 2Bal; Mystik; and the only female rapper, M'Passi. The group was put together by the French rapper Passi.
Dully Sykes is a Tanzanian Bongo Flava musician, songwriter, record producer and composer.
Baraza la Muziki la Taifa was a national council created in 1974 by the government of the newly independent Tanzania. Its purpose was to regulate the music business in the country, in the context of a wider programme intended to create a solidified national identity. This, in turn, was a crucial element in Ujamaa, President Julius Nyerere's version of african socialism. Similar institutions were founded to rule over other aspects of the nation's culture, including the nationwide adoption of Swahili language and the development of Tanzanian art (BASATA). The overall idea was to build a new popular culture for the workers and peasants of the country, free from the heritage of colonialism and bourgeoisie culture.
Zavara Mponjika or simply MC Rhymson is a rapper from Tanzania who founded the Villain Gangsters is a founding member of the Kwanza Unit.
Dataz is a Tanzanian rap artist and she is among few earliest female hip hop musicians in the country.
Balozi Dola,a.k.a.Balozi or Dolasoul, is a self-proclaimed “socially conscious” hip hop artist from Tanzania.
Saleh J, prominent Tanzanian hip hop pioneer, was born in Dar es Salaam as Saleh Jaber.
The annual Yo Rap Bonanza, created in the early 1990s in Tanzania, was a rap talent show organized by Kim and the Boys with Ibony Moalim and was sponsored by local Indian merchants. The first show was made in 1993 and the second and last was in 1995. Kim and Ibony were key figure on this event. It is generally recognized as the first major hip-hop competition in Tanzania. The talent show attracted large crowds with its diverse and unique delivery of rhymes from different artists.
Ramazani "Remmy" Mtoro Ongala was a Tanzanian guitarist and singer. Ongala was born in Kindu, in what was the Belgian Congo at the time, and now is the Democratic Republic of the Congo.
The first hip hop summit in NZ was organised by the late Philip Fuemana in 1996 & 1997 that honors the hip hop scene in New Zealand. In August 2000, a new group of hiphoppers started it back up under Aotearoa hip hop summit which took place at the Lumiere Theatre in Christchurch. The second summit, in September 2001, took place in Auckland.
Rough Opinion, formerly known as The Mau, is a Samoan Hip hop group comprising MC’s Kosmo, “Khas the Fieldstyle Orator,” and DJ Rockit V. Created in 1990, in Wellington, New Zealand, the group first named themselves The Mau, as they took their name from the Samoan organization that agitated the country’s independence under both German and New Zealand colonial governments. The decision of the group members to invoke Samoan colonial history, even though the group name was Samoa-specific, demonstrates the clear influence of the United States on Samoan hip hop, in that “there was a movement of Black consciousness in America at the time, and this became fuel for through for Kosmo’s crew whose motto became that of the Mau movement in Samoa-Samoa Mo Samoa, Samoa for Samoans.”
Samoan hip hop includes hip-hop music, artists and culture in Samoa. At the root of hip hop culture in Samoa is a focus on dancing, stemming from the importance of dance in traditional Samoan culture. According to Katerina Teaiwa from the University of Hawaii at Manoa, hip hop culture is important for Samoan youth and the arts are transforming Samoans, including those outside of Samoa. This is especially visible among Samoan youth in California, Hawaii, and other communities in the Samoan diaspora. In Los Angeles, Samoan youth often engage in a style of hip hop dancing called popping-and-locking.