Raimbaut is a given name. Notable people with the name include:
Raimbaut of Orange or, in his native Old Occitan, Raimbaut d'Aurenga, was the lord of Orange and Aumelas. His properties included the towns of Frontignan and Mireval. He was the only son of William of Aumelas and of Tiburge, Countess of Orange, daughter of Raimbaut, count of Orange. After the early death of Raimbaut's father, his guardians were his uncle William VII of Montpellier and his elder sister Tibors.
Giraut de Bornelh, whose first name is also spelled Guiraut and whose toponym is de Borneil or de Borneyll, was a troubadour connected to the castle of the viscount of Limoges. He is credited with the formalisation, if not the invention, of the "light" style, or trobar leu.
Azalais de Porcairagues or Alasais de Porcaragues was a trobairitz, composing in Occitan in the late 12th century.
Dalfi d'Alvernha was the Count of Clermont and Montferrand, a troubadour and a patron of troubadours. He was born around 1150 and died in 1234 or 1235. He is sometimes called Robert IV, but there is no solid evidence for the name Robert, and the name can cause confusion, since his first cousin once removed was Robert IV, Count of Auvergne, who died in 1194.
Raimbaut de Vaqueiras or Vaqueyras was a Provençal troubadour and, later in his life, knight. His life was spent mainly in Italian courts until 1203, when he joined the Fourth Crusade. His writings, particularly the so-called Epic Letter, form an important commentary on the politics of the Latin Empire in its earliest years. Vaqueiras's works include a multilingual poem, Eras quan vey verdeyar where he used French, Italian, Galician-Portuguese and Gascon, together with his own Provençal.
William of Aumelas was the second son of William V of Montpellier and of Ermessende, daughter of count Peter of Melgueil. The lordship of Aumelas was detached from the territories of Montpellier to create a property for him.
Raimbaut II, Count of Orange was the elder son of Bertrand Raimbaut and of his first wife Gilberte.
Guilhem de Saint-Leidier, also spelled Guilhem de Saint Deslier, Guillem de Saint Deidier and Guilhèm de Sant Leidier was a troubadour of the 12th century, composing in Occitan. He was lord of Saint Didier-en-Velay, was born at some date before 1150, and died between 1195 and 1200. He was said to have loved Belissende, sister of Dalfi d'Alvernha and wife of Eracle III of Polignac, Guilhem's feudal overlord.
The Comtessa de Dia, possibly named Beatritz or Isoarda, was a trobairitz.
Tibors de Sarenom is the earliest attestable trobairitz, active during the classical period of medieval Occitan literature at the height of the popularity of the troubadours.
Peire Rogier was a twelfth-century Auvergnat troubadour and cathedral canon from Clermont. He left his cathedral to become a travelling minstrel before settling down for a time in Narbonne at the court of the Viscountess Ermengard. His life and career are known because his late thirteenth-century vida survives, as well as some of his works. The reliability of his vida, upon which all the details of his goings and comings are known, however, is not complete. According to it, he left the religious life to become a jongleur.
Peire d'Alvernhe or d'Alvernha was an Auvergnat troubadour with twenty-one or twenty-four surviving works. He composed in an "esoteric" and "formally complex" style known as the trobar clus. He stands out as the earliest troubadour mentioned by name in Dante's Divine Comedy.
Perdigon or Perdigo was a troubadour from Lespéron in the Gévaudan. Fourteen of his works survive, including three cansos with melodies. He was respected and admired by contemporaries, judging by the widespread inclusion of his work in chansonniers and in citations by other troubadours.
Albert Malaspina (1160/1165–1206/1212), called Alberto Moro and lo marches putanier, was a member of the illustrious Malaspina family. He was a noted troubadour and patron of troubadours. Albert disputes with Peire de la Caravana the position of earliest native Italian troubadour.
William I of Baux was the Prince of Orange from 1182 until his death. He was an important Provençal nobleman.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Duran Sartor de Paernas or Duran Sartre de Carpentras was a Provençal troubadour from Pernes near Carpentras. The nickname sartor means "tailor". Two sirventes have been attributed to him, both reflect opposition to the royal crusade in Occitania: "Vil sirventes leugier e venassal" was written towards 1210, certainly before 1220, and "En talent ai qu'un sirventes encoc," which was written in 1242, during the Saintonge War. Although Duran criticises the crusade against alleged heretics, he encourages further efforts at crusading against Muslims.
The devinalh, was a genre of Old Occitan lyric poetry practiced by some troubadours. It takes the form of a riddle, or series of riddles or cryptograms and is, if read literally, mostly nonsensical. Known practitioners include Guilhen de Peiteu, Raimbaut of Orange, Giraut de Bornelh, Guilhem Ademar, Guilhem de Berguedan and Raimbaut de Vaqueiras.
Tiburge of Orange, was a suo jure ruling countess regnant of Orange from 1115 to 1150.