Rainbow Body is an orchestral composition by the American composer Christopher Theofanidis. It was commissioned by the Houston Symphony, which first performed the work in April 2000 under the conductor Robert Spano. The piece is dedicated to the Texas lawyer and philanthropist Glen Rosenbaum. [1] Rainbow Body is one of Theofanidis's most-performed compositions and won the 2003 London Masterprize competition. [2] [3]
Rainbow Body has a duration of roughly 13 minutes and is composed in a single movement. The melody of the piece is loosely based on "Ave Maria, o auctrix vite" by the 12th-century composer Hildegard of Bingen. The composition was also inspired by the Tibetan Buddhist idea of rainbow body (from which the piece takes its title), wherein the body of an enlightened being is absorbed back into the universe upon his/her death. [1] [2]
Rainbow Body has been praised by music critics. Andrew Druckenbrod of the Pittsburgh Post-Gazette opined, "Under its attractive shimmering surface, it has depth and sophistication." [2] Andrew Farach-Colton of Gramophone also lauded the piece, writing:
Christopher Theofanidis's Rainbow Body has exuberant outbursts of pure diatonic splendour that are not so far removed from Copland's 'prairie' harmonies, though Theofanidis's piece is actually based on a chant by the medieval mystic Hildegard von Bingen. Indeed, Hildegard's melody is woven so seamlessly into the score's colourful fabric that one would likely never guess its provenance – especially given the music's distinctly American accent. [4]
Bernard Holland of The New York Times gave the piece a mixed response, however, noting that it "sounded suspiciously like bait: a user-friendly feel-good piece bearing the imprimatur of modernity and beckoning to listeners skittish of the new. [...] That his music speaks a language that flourished and died nearly a century ago should not be a stigma. We are getting past the stage where originality of method in music is more important than content." He added:
And there are interesting elements here. Quasi-modal melody plays in unison across all of the upper strings and against trembling drones in the lower ones. The acoustical echo created solely by means of instruments is fascinating. Interspersed with this lyrical, exotic soul-searching are outbursts of distress that seem halfhearted at best. Mr. Theofanidis's brass-ridden, major-chord coda comes, I am sure, from the composer's heart. But it bloviates to an embarrassing degree. [5]
A recording of Rainbow Body, performed by Robert Spano and the Atlanta Symphony Orchestra, was released in 2003 through Telarc. The disk also featured Samuel Barber's Symphony in One Movement, Aaron Copland's Appalachian Spring , and Jennifer Higdon's blue cathedral . [4] [6]
Hildegard of Bingen, also known as Saint Hildegard and the Sibyl of the Rhine, was a German Benedictine abbess and polymath active as a writer, composer, philosopher, mystic, visionary, and as a medical writer and practitioner during the High Middle Ages. She is one of the best-known composers of sacred monophony, as well as the most recorded in modern history. She has been considered by scholars to be the founder of scientific natural history in Germany.
Christopher Theofanidis is an American composer whose works have been performed by leading orchestras from around the world, including the London Symphony Orchestra, the Philadelphia Orchestra, the Moscow Soloists, the National, Atlanta, Baltimore, St. Louis, Detroit, and many others. He participated in the Young American Composer-in-Residence Program with Barry Jekowsky and the California Symphony from 1994 to 1996 and, more recently, served as Composer of the Year for the Pittsburgh Symphony during their 2006–2007 Season, for which he wrote a violin concerto for Sarah Chang.
Robert Spano is an American conductor and pianist. He is currently music director of the Atlanta Symphony Orchestra (ASO), music director of the Aspen Music Festival and School, and music director-designate of the Fort Worth Symphony Orchestra.
Michael James Gandolfi is an American composer of contemporary classical music. He chairs the composition department at the New England Conservatory of Music (NEC).
Symphony No. 2, Op. 132, Mysterious Mountain is a three-movement orchestral composition by the Armenian-American composer Alan Hovhaness. The symphony was commissioned by the conductor Leopold Stokowski and the Houston Symphony, and premiered live on NBC television in October 1955 on the Houston Symphony's first program with Stokowski as conductor. The first and most popular recording of the work, released in 1958 with the Chicago Symphony Orchestra performing under Fritz Reiner, is often regarded as the foremost performance of the piece. This recording, like early performances of the work, predates the composer's decision to categorize the work "symphony". Later on, the G. Schirmer published score was titled Mysterious Mountain with "Symphony No. 2" printed as a subtitle in smaller typeface.
Symphony No. 50, Op. 360, Mount St. Helens is a three-movement orchestral composition by the American composer Alan Hovhaness. The symphony was commissioned by former Hovhaness publisher C.F. Peters and was completed January 24, 1982. It premiered March 2, 1984, and was performed by the San Jose Symphony under conductor George Cleve. The piece commemorates the volcano Mount St. Helens, culminating in the events of its 1980 eruption, which Hovhaness had witnessed from his Seattle home.
Rapture is an orchestral composition in one movement by the American composer Christopher Rouse. The work was commissioned by the Pittsburgh Symphony Orchestra and was completed January 9, 2000. It is dedicated to then Pittsburgh Symphony Orchestra music director Mariss Jansons and premiered in May 2000.
The Symphony No. 22, Op. 236, City of Light is a four-movement symphony for orchestra by the American composer Alan Hovhaness. The work was commissioned by the Birmingham Symphony Orchestra for the centennial of Birmingham, Alabama and was completed in 1970. The work has been recorded multiple times and remains one of Hovhaness's more popular compositions.
The Symphony No. 66, Op. 428, Hymn to Glacier Peak is an orchestral composition in three movements and the penultimate symphony by the American composer Alan Hovhaness. The work was commissioned by the Seattle Youth Symphony Orchestra and was completed in 1992, shortly before its premiere by the Seattle Youth Symphony, conducted by Ruben Gurevich, at the Seattle Opera House on May 10, 1992. The title of the work comes from the stratovolcano Glacier Peak in the Cascade Range, visible from Hovhaness's home in Seattle, Washington.
The Concerto for Orchestra is an orchestral composition in five movements by the American composer Jennifer Higdon. The work was commissioned by the Philadelphia Orchestra with contributions from the National Endowment for the Arts, the Philadelphia Music Project, and Peter Benoliel. It was premiered at the Kimmel Center for the Performing Arts in Philadelphia June 12, 2002, with conductor Wolfgang Sawallisch leading the Philadelphia Orchestra.
Lousadzak, Op. 48, is a 1944 concerto for piano and string orchestra by the American-Armenian composer Alan Hovhaness. The work is known for its use of aleatory that is said to have impressed fellow composers Lou Harrison and John Cage, and anticipated "many soon-to-be-hip" aleatory techniques.
Loco is an orchestral composition in one movement by the American composer Jennifer Higdon. The work was commissioned by the Ravinia Festival of Highland Park, Illinois to commemorate the Ravinia train as part of the Train Commission Project. It was first performed on July 31, 2004, at the Ravinia Festival by the Chicago Symphony Orchestra.
blue cathedral is an orchestral composition by the American composer Jennifer Higdon. The work was commissioned by the Curtis Institute of Music in 1999 to commemorate the conservatory's 75th anniversary. It was first performed in 2000 by the Curtis Institute of Music Symphony Orchestra. The piece is dedicated to the memory of Higdon's brother and is one of the composer's most performed works.
The Symphony is an orchestral composition in four movements by the American composer Christopher Theofanidis. It was commissioned by the Atlanta Symphony Orchestra, which premiered the work under the conductor Robert Spano in April 2009. The piece is dedicated to Robert Spano "in admiration and friendship."
Creation/Creator is an oratorio for soprano, mezzo-soprano, tenor, baritone, bass, chorus, and orchestra by the American composer Christopher Theofanidis. The work was commissioned by the Atlanta Symphony Orchestra and was first performed on April 23, 2015 by the soprano Jessica Rivera, mezzo-soprano Kelley O'Connor, tenor Thomas Cooley, baritone Nmon Ford, bass Evan Boyer, the actors Steven Cole and Shannon Eubanks, and the Atlanta Symphony Chorus and Orchestra under the conductor Robert Spano.
The Concerto for Viola and Orchestra is a viola concerto by the American composer John Harbison. The work was commissioned by the Saint Paul Chamber Orchestra, the Los Angeles Chamber Orchestra, and the New Jersey Symphony Orchestra with contributions from Meet The Composer and Reader's Digest. It was first performed by Jaime Laredo and the New Jersey Symphony Orchestra under the direction of Hugh Wolff on May 18, 1990.
The Symphony No. 3 is a composition for orchestra by the American composer Ned Rorem. The work was first performed by the New York Philharmonic under the direction of Leonard Bernstein at Carnegie Hall on April 16, 1959.
The Concerto for Viola and Orchestra is a musical composition for viola and orchestra by the American composer Walter Piston. The work was written in 1957 for the violist Joseph de Pasquale, who first performed the piece with the Boston Symphony Orchestra on March 7, 1958.
The Symphony No. 5 is the fifth symphony by the American composer George Rochberg. It was commissioned by the Chicago Symphony Orchestra, which first performed the piece under the direction of Georg Solti on March 13, 1986. The symphony has a duration of approximately 28 minutes and is cast a single continuous movement. It was a finalist for the 1986 Pulitzer Prize for Music.
Masterprize International Composing Competition, informally known as Masterprize, was an international composing competition founded in April 1996 by author, investment banker and former diplomat, John McLaren. The brief for the inaugural competition was "to find new and original works for symphony orchestra with artistic integrity with the potential for broad and lasting appeal". Additional specifications were that the compositional entry should be of a duration of 8 to 12 minutes and that composers could be of any age or nationality. For the 2001 competition, the submitted works had to have been scored for orchestral forces of between 50 and 90 players and have a duration of between 6 and 15 minutes. Composers who were awarded first place received a monetary prize of either £25,000 for the 1998 competition, or £30,000 for the 2001 and 2003 competitions, respectively.