| Ramkinkar Baij | |
|---|---|
| Directed by | Ritwik Ghatak |
| Produced by | Ritwik Ghatak |
Ramkinkar Baij (or Ramkinkar)- is an incomplete personality study or documentary on sculptor Ramkinkar Baij created by legendary filmmaker Ritwik Ghatak. [1] He started creating the film in 1975. The film was almost complete but it still remained unfinished for the death of Ritwik Ghatak. [2]
In July 1975 Ghatak commenced shooting on the sculptor at Shantiniketan for a stretch of four days. The movie is a biographical (personality study) film where Baij has been featured as a political icon too. In the film, Ramkinkar Baij speaks about the problems that he faces in his life. He speaks about how he has shielded his dripping roof with his oil paintings. Ghatak asks him what he is going to do for the show that is coming soon. Ramkinkar answers to this question: "As the paintings are made by oil on canvas water will not do any damage to them. I can pull them out for the show. But my worry is what I will replace them with to stop the rainwater. It costs hundred rupees to buy grass for thatching. It is very expensive.’ [3]
Mani Kaul was an Indian director of Hindi films and a figure in Indian parallel cinema. He graduated from the Film and Television Institute of India (FTII) where he was a student of Ritwik Ghatak and later became a teacher. Starting his career with Uski Roti (1969), which won him the Filmfare Critics Award for Best Movie, he went on to win four of them in all. He won the National Film Award for Best Direction in 1974 for Duvidha and later the National Film Award for his documentary film Siddheshwari in 1989.
Ritwik Kumar Ghatak was an Indian film director, screenwriter, actor and playwright. Along with prominent contemporary Bengali filmmakers like Satyajit Ray, Tapan Sinha and Mrinal Sen, his cinema is primarily remembered for its meticulous depiction of social reality, partition and feminism. He won the National Film Award's Rajat Kamal Award for Best Story in 1974 for his Jukti Takko Aar Gappo and Best Director's Award from Bangladesh Cine Journalist's Association for Titash Ekti Nadir Naam. The Government of India honoured him with the Padma Shri for Arts in 1970.
Meghe Dhaka Tara is a 1960 film written and directed by Ritwik Ghatak, based on a social novel by Shaktipada Rajguru with the same title. It stars Supriya Choudhury, Anil Chatterjee, Gita Dey, Bijon Bhattacharya, Niranjan Roy, and Gyanesh Mukherjee. It was part of a trilogy consisting of Meghe Dhaka Tara (1960), Komal Gandhar (1961), and Subarnarekha (1962), all dealing with the aftermath of the Partition of Bengal during the Partition of India in 1947 and the refugees coping with it.
Parallel cinema or New Indian Cinema, is a film movement in Indian cinema that originated in the state of West Bengal in the 1950s as an alternative to the mainstream commercial Indian cinema.
Achutan Ramachandran Nair was an Indian painter. He was born in Attingal, Kerala. In 2002, he was elected a Fellow of the Lalit Kala Akademi and in 2005, he was awarded the Padma Bhushan, India's third highest civilian honour, for outstanding service to the nation. In 2013, he was conferred with an honorary doctorate by Mahatma Gandhi University, Kerala.
Ramkinkar Baij was an Indian sculptor and painter, one of the pioneers of modern Indian sculpture and a key figure of Contextual Modernism.
Titash Ekti Nadir Naam, or A River Called Titas, is a 1973 Indian-Bangladeshi film directed by Ritwik Ghatak. The film was based on the novel of the same name, by Adwaita Mallabarman. It explores the life of the fishermen on the bank of the Titas River in Brahmanbaria, Bangladesh.
Jukti Takko Aar Gappo is a 1974 Bengali film directed by auteur of Indian cinema Ritwik Ghatak. Jukti Takko Aar Gappo was Ritwik Ghatak's last film. The film was believed to have a cinematography way ahead of its time. The film won National Film Award's Rajat Kamal Award for Best Story in 1974.
Nagarik, also spelled as Nagorik, was the first feature-length film directed by legendary Indian director Ritwik Ghatak. Completed in 1952, it preceded Satyajit Ray's Pather Panchali as perhaps the first example of an art film in Bengali cinema, but is deprived of that honor, since it was released twenty-four years later, after Ghatak's death. On 20 September 1977, it finally premiered at the New Empire theatre in Kolkata, India. Ghatak directed only eight feature films, but is generally regarded as one of the auteurs of Indian cinema and virtually unsurpassed as a creator of powerful imagery and epic style by directors such as Satyajit Ray and of transcendental power and extraordinariness by critics such as Derek Malcolm.
Subarnarekha is an Indian Bengali film directed by Ritwik Ghatak. It was produced in 1962 but not released until 1965. It is a part of the trilogy that includes Meghe Dhaka Tara (1960), Komal Gandhar (1961) and Subarnarekha (1962), all dealing with the aftermath of the Partition of India in 1947 and the refugees coping with it.
Ajantrik is a 1958 Indian Bengali film written and directed by revered parallel filmmaker Ritwik Ghatak. The film is adapted from a Bengali short story of the same name written by Subodh Ghosh.
Pathiraja Navaratne Wanninayake Mudiyanselage Ranjith Dharmasena was a Sri Lankan film director and screenwriter. He has been referred to as a 'rebel with a cause', an ‘enfant terrible of the '70s', and is widely recognized as the pioneer of Sri Lankan cinema’s 'second revolution'. He is also renowned as an academic, playwright and poet.
Amar Lenin is a 1970 black and white documentary film directed by film director Ritwik Ghatak made for Government of West Bengal in the centenary year (1970) of the birth of Vladimir Lenin.
Meghe Dhaka Tara is a 2013 Indian Bengali film directed by Kamaleswar Mukherjee and made under Shree Venkatesh Films banners. The film is inspired from the life and works of Bengali film director Ritwik Ghatak. The entire film is in black and white except the last scene which has been shot in colour. In this film Saswata Chatterjee plays the character of Nilkantha Bagchi and Ananya Chatterjee plays the role of Durga, Nilkantha's wife. The film was released on 14 June 2013. Besides giving an account of Ghatak's life, the film also depicts the socio-political environment of contemporary West Bengal during the Tebhaga and Naxalite movements.
Raman Siva Kumar, known as R. Siva Kumar, is an Indian contemporary art historian, art critic, and curator. His major research has been in the area of early Indian modernism with special focus on the Santiniketan School. He has written several important books, lectured widely on modern Indian art and contributed articles to prestigious international projects such as the Art Journal, Grove Art Online or The Dictionary of Art, Oxford University Press.
Kala Bhavana is the fine arts faculty of Visva-Bharati University, in Shantiniketan, India. It is an institution of education and research in visual arts, founded in 1919, it was established by Nobel laureate Rabindranath Tagore.
Nilkantha Bagchi is an iconic Bengali cinema character that first appeared in 1977 in Ritwik Ghatak's Jukti Takko Aar Gappo. In the 2013 film Meghe Dhaka Tara, the character portrayed by Saswata Chatterjee was named Nilkantha Bagchi. Chatterjee's character was based on the personality of Ritwik Ghatak.
Santiniketan: The Making of a Contextual Modernism was an exhibition curated by R. Siva Kumar at the National Gallery of Modern Art in 1997, on the occasion of the 50th anniversary of India's Independence.
Ashish Vithal Rajadhyaksha is an Indian film scholar, art curator and cultural theorist. He was a Senior Fellow at the Bangalore-based Centre for the Study of Culture and Society.
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