Randy Lee Cutler | |
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Born | Quebec, Canada |
Known for | Writer, Artist, Educator |
Awards | Ian Wallace Teaching Award, ECU 2011 |
Website | http://randyleecutler.com |
Randy Lee Cutler (born 1964) [1] is a writer, academic, educator and artist working in Vancouver, British Columbia. She has a PhD in Cultural History from the Royal College of Art. She currently works as a Professor at Emily Carr University of Art and Design in the Faculty of Art.
Her contribution:Vancouver Singular Plural: Art in an Age of Post-Medium Practice to the seminal Vancouver Anthology; Vancouver Art & Economies edited by Melanie O'Brian and published by Arsenal Pulp Press and Artspeak was reviewed as critiquing the terms of new media by offering an alternative vantage point on artists who embrace plurality, rather than medium specificity, through 'post-medium practices. [2]
Her Essay O My friends…: On Friendship and Artistic Practice was commissioned by artists Marina Roy and Abbas Akhavan for a catalogue on their work published by Malaspina Printmakers Society, Vancouver, BC in 2014. In the essay, Cutler explains; "Beyond its primary role in our emotional lives, there is a particular kind of friendship, a type of intimate relation that resides in what can be described as artistic friendship, edifying and feeding creative endeavors." [3] The essay uses theories of friendship through history, philosophers and cultural thinkers, and evolves its understanding towards its relationship to sensory connections within artistic acts.
Randy Lee Cutler works in various media from collage to performance, textual practices, digital e-books and posters. Her alias, Hedda Cabbage made an appearance at Fuse at the Vancouver Art Gallery co-presented by Live Biennale.
Led alongside Ingrid Koenig, this SSHRC funded, four-year project ran from 2016 to 2020, and was designed to bridge the gap between art and science through interdisciplinary collaboration. [10] It brought together faculty and students from Emily Carr University, visiting artists, and physicists from TRIUMF at the University of British Columbia, in an aim to explore and understand the nature of reality using the combined perspectives of various disciplines. Through several phases of collaboration, exhibition, and analysis, the project culminated a publication [11] with essays authored by Cutler, and showcases interdisciplinary work by artists such as Marina Roy, Mimi Gellman, and its broader implications for knowledge and communication.
Saltwalks:Three Movements in conjunction with Access Gallery, was a work that consisted of performative "interactions with the public initiated through taste tests of different kinds of edible salt". [12] As a work of social practice, [13] the walks began with a salt tasting and led into an understanding salt's influence in social and cultural development. The three walks were each navigated within a theme. The first theme of herbal medicine featured Chinese herbal remedies with herbalist Albert Fok The second on food preservation exposed participants to the influence salt and salt extraction had on food, the geography, and harvests and featured local artist Howie Tsui. The final walk focused on the crystal structures of salt towards a vibrational healing energy power and featured a visit with local Chinatown crystal shop owner, Edward Gutierrez.
In 2014 she released Open Wide: An Abecedarium for the Great Digestive System, an ebook on digestion as a metaphor for experience. The book mimics the digestive system, and its chronology is run by the alphabet. It features illustrations, media and sound by Abbas Akhavan, Myron Campbell, Gaye Chan, John Cussans, Geoffrey Farmer, Kristina Fiedrich, Monique Fouquet, Allison Hrabluik, Elvira Hufschmid, Ingrid Koenig, Germaine Koh, Elizabeth MacKenzie, Liz Magor, Graham Meisner, Cindy Mochizuki, Damian Moppett, Ranu Mukherjee, Ryan Peter, Marina Roy, Margit Schild, and Holly Schmidt.
Lisa Robertson is a Canadian poet, essayist and translator. She lives in France.
Western Front is an artist-run centre located in Vancouver, British Columbia, Canada. It was founded in 1973 by eight artists who wanted to create a space for the exploration and creation of new art forms. After they purchased the former Knights of Pythias lodge hall located in Mount Pleasant, Vancouver, it quickly became a centre for poets, dancers, musicians and visual artists interested in exploration and interdisciplinary practices. Many of the Western Front's early works reflect this interdisciplinary ethos with early influences of Duchampian and Fluxus-based investigations into mail art, telecommunications art, live electronic music, video and performance art. Western Front also supported a number of political and activist projects- in one of their most famous performance pieces, founding member Vincent Trasov adopted the personality of Mr. Peanut, gave a number of performances and in 1974 ran for mayor of Vancouver. Mr. Peanut was so highly regarded that he was picked by The Vancouver Sun as one of the province's 100 most influential people as the end of the millennium approached in 1999. As a focal point of experimental art practice through the 1970s and 1980s, the Western Front, in connection with other centres like it, played a major role in the development of electronic and networked art forms in a national and international context.
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Karin Bubaš is a contemporary Canadian artist known for her work in various media including photography, painting, and drawing.
Marina Roy is a visual artist, educator and writer based in Vancouver, British Columbia.
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Abbas Akhavan is a Montreal-based visual artist. His recent work consists of site-specific installations, sculpture, video, and performance, consistently in response to the environment in which the work is created. Akhavan was born in Tehran, Iran in 1977. He received his Bachelor of Fine Arts from Concordia University in 2004 and his Master of Fine Arts from the University of British Columbia in 2006. Akhavan's family immigrated to Canada from Iran during the Iran-Iraq war. His work has gained international acclaim, exhibiting in museums, galleries and biennales all over North America, Europe and the Middle East. He is the recipient of the Kunstpreis Berlin (2012), the Abraaj Group Art Prize (2014), and the Sobey Art Award (2015).
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Kathleen Ritter is an artist, curator, and writer based in Vancouver and Paris who focuses on contemporary art. In her works she is focused on exploring themes of "visibility, especially in relation to systems of power, language and technology,".
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Andrea Fatona is a Canadian independent curator and scholar. She is an associate professor at OCAD University, where her areas of expertise includes black, contemporary art and curatorial studies.
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Denise Ryner is a Canadian curator and writer. She was director and curator at Or Gallery, Vancouver (2017-2022). Ryner has worked as an independent curator, writer and educator at several galleries, artist-run centres and institutions, in Toronto, Vancouver and Berlin. Ryner has contributed to publications like FUSE magazine and Canadian Art magazine.
Mimi Gellman is an Ashkenazi/Anishinaabe Métis interdisciplinary visual artist, designer, scholar and educator. Holding a PhD from Queen's University, her research focuses on the metaphysics of Indigenous mapping. She delves into the intersection of phenomenology and intuitive technologies, utilizing embodied practices like walking and mapping, as well as installations that highlight the animate nature of objects. Gellman exhibits and participates in residencies and is an Associate professor, faculty in Culture & Community at Emily Carr University of Art and Design.