Carnatic music, known as Karnāṭaka saṃgīta or Karnāṭaka saṅgītam in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and Telangana. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda. The other subgenre is Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in gāyaki (singing) style.
Srinivasa Nayaka, also known as Purandara Dasa was a composer, singer and a Haridasa philosopher from present-day Karnataka, India. He was a follower of Madhvacharya's Dvaita philosophy. He was one of the chief founding proponents of Carnatic music. In honor of his contributions to Carnatic music, he is referred to as the Pitamaha of Carnatic music. According to a legend, he is considered as an incarnation of Narada.
Lalgudi Gopala Jayaraman was an Indian Carnatic violinist, vocalist and composer. He is commonly grouped with M.S. Gopalakrishnan and T.N.Krishnan as part of the violin trinity of Carnatic music. He was awarded the Padma Bhushan by the Government of India in 2001.
Narasimhan Ravikiran is an Indian slide instrumentalist, vocalist, composer, and orator, who created the concept of melharmony. He is the son of gottuvadhyam player Chitravina Narasimhan and the grandson of Narayan Iyengar, who was also a Carnatic musician.
Sudha Ragunathan is an Indian Carnatic vocalist, singer and composer. She was conferred the Kalaimamani award by the Government of Tamil Nadu in 1994, Padma Shri (2004) and Padma Bhushan (2015) by the Government of India, and Sangeetha Kalanidhi by Madras Music Academy in 2013.
Ragam Tanam Pallavi (RTP) is a form of singing in Carnatic music which allows the musicians to improvise to a great extent. It is one of the most complete aspects of Indian classical music, demonstrating the entire gamut of talents and the depth of knowledge of the musician. It incorporates raga alapana, tanam, niraval, and kalpanaswara. In more elaborate ragam tanam pallavis, a tani avartanam may follow.
Abhanga is a form of devotional poetry sung in praise of the Hindu god Vitthal, also known as Vithoba. The word "abhang" comes from a for "non-" and bhanga for "ending" or "interrupting", in other words, a flawless, continuous process, in this case referring to a poem. By contrast, the devotional songs known as Bhajans focus on the inward journey. Abhangs are more exuberant expressions of the communitarian experience. Abhanga is considered a form of the ovi. Abhangs are sung during pilgrimage to the temples of Pandharpur, by the devotees.
A kacheri is an assembly of musicians and audience in the context of Carnatic music. It is presented in the concert format. The music fraternity of connoisseurs and common people assemble at the katcheri venues to listen to classical music concerts of vidwans. Etymologically the word "katcheri" is derived from Urdu language and in Hindi to mean a court of law.
Nedunuri Krishnamurthy was an Indian Carnatic vocalist. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1991.
Mahamahopadhyaya Dr. Nookala Chinna Satyanarayana was a Carnatic musician, a classical vocalist, musicologist, author and teacher, a great administrator and motivator. He was a performer on All India Radio and Doordarshan who participated in Sangeeta Sammelans, outdoor broadcasts and national programmes innumerable times. His radio lessons and Bhakti Ranjanis were very popular. He was awarded Padma Bhushan award by the Government of India in 2010.
Dharmavati is a rāgam in Carnatic music. It is the 59th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Dhaamavati in Muthuswami Dikshitar school of Carnatic music. Madhuvanti is the nearest Hindustani music scale to Dharmavati. Raga Dharmavati was introduced in Hindustani music in vocal style for the first time by late Pandit Samaresh Chawdhury
Kāpi is a popular rāga in Carnatic music, the classical music of South India. Kāpi is a janya rāgam of Kharaharapriya with a meandering vakra scale. Typically performed at slow and medium speeds, it is capable of inducing moods of devotion, pathos and sadness in the listeners. Kāpi is different from the Hindustani raag and thaat Kafi. The equivalent raag in Hindustani is Pilu.
Gayathri “Kalaimamani” Girish is a Carnatic vocalist. She undertook an archival project titled “Azhwargalum Amudha Tamizhum” to render the Azhwar Pasurams on DD Podhigai television every week for 8 consecutive years. She serves on the artist panel for the ICCR which is an autonomous organisation of the Government of India, involved in India's external cultural relations, through cultural exchange with other countries and their peoples.
Charulatha Mani is a celebrated Indian-born Australian Carnatic and playback singer. She has been performing Carnatic concerts since 1999. She has also sung chartbusters for Tamil, Telugu and Hindi movies. Charulatha has appeared in numerous TV shows and radio programmes, in India, and overseas. She has recorded many, CD and DVD albums. Her Isai Payanam TV show, aired on Jaya TV, deals with Ragas in Carnatic and film music and has completed more than 80 episodes. She recently received her PhD from the prestigious Queensland Conservatorium Griffith University, Brisbane, Australia, on Hybridising carnatic Music and Early Opera. Charu's music is known for its impeccable adherence to the Karnatik principles. It is also known for being courageous and highly creative. It is this ongoing interplay, of newness and the vintage, that has become the hallmark of her unique performance philosophy and signature style. This interesting interweave derives from her strong belief that Karnatik music must embrace innovation, inclusivity and diversity in contemporary society.
Dr.M.Narmadha born 11 April is a celebrated popular third generation heritage violinist who performs solo violin concerts in both Carnatic and Hindustani classical systems of Indian Music.
Vijayalakshmy Subramaniam is a Carnatic music vocalist. As a student and performer of classical music for over three decades, she has performed in India and abroad since the age of twelve. She has conducted workshops and lecture demonstrations on the various aspects of Carnatic music. She has presented papers at international conferences in many countries over the last decade. In June 2007, she brought out a book "Apoorva Kriti Manjari" – a collection of twenty rare compositions of the Trinity of Carnatic Music. The book has notations in English and Tamil by musicologist S. Balachander and the audio has been rendered by Vijayalakshmy. Vijayalakshmy was awarded the Fulbright Visiting Lecturer Fellowship in 2010. As part of the programme, she taught the subject 'An Introduction to Indian Music' at Duke University, North Carolina, USA, as a visiting Fulbright fellow.
Mysore V. Srikanth is an Indian Carnatic violinist and the sibling of Carnatic flautist Raman Kalyan, who has also accompanied him on various concerts.
Jyotsna Srikanth is an Indian-British violinist and composer, performing Carnatic music and Western classical music.
Ramakrishnan Murthy is a Carnatic Music vocalist from India. He regularly performs in the annual Madras Music Season besides being featured in music festivals world over that focus on Indian Classical music. He is an A-grade artist of the All India Radio and Doordarshan, Chennai.
