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Raymond Ching (born 1939), also known as Raymond Harris-Ching and Ray Ching, is a New Zealand painter. Ching is known for his contemporary bird and wildlife paintings. [1] His ornithological illustrations have appeared in books such as The Reader's Digest Book of British Birds.
Ching was born in Wellington, New Zealand. Around the age of twelve, he dropped out of high school and started an apprenticeship in advertising, eventually becoming an art director. Dissatisfied with this career path, he turned to painting. A seminal experience from his youth has been noted as influencing his interest in ornithological illustration. During a class visit to a museum, Ching became fascinated by a collection of stuffed hummingbirds, inspiring a lifelong love and fascination with birds, feathers, and flight. [2]
In the 1960s, Ching began to exhibit and sell paintings of birds. His first exhibition, 'Thirty Birds', at the John Leech Galleries in Auckland in 1966 was of highly detailed watercolours using drybrush technique, and was an immediate sell-out.[ citation needed ] He was discovered internationally by Sir William Collins of Collins publishing. A keen ornithologist, Sir William was scouring the world for bird painters to produce a prestigious series of books. Sir William came to New Zealand, attended Ching's second exhibition at the John Leech Galleries and discussed publishing a book of his work. On his return to the UK, Sir William brought some of Ching's work to his friend, Sir Peter Scott, who then telegraphed Ching, inviting him to call on him at Slimbridge.[ citation needed ]
Later, Ching moved to London, where he lived near Portobello Road. Before Collins had a chance to produce the book discussed with Sir William, Ray was introduced to The Reader's Digest who together with Collins, had been planning a major book about the birds of Britain. Almost every bird artist in the British Isles had been assessed and rejected as not having what was required to produce a breakthrough in field guides. The book, in addition to containing all the accurate information on the birds of Britain, should have the style and drama to appeal to those who have never picked up a field guide in their lives. The publishers had begun to despair of ever finding anyone with the graphic excitement they believed necessary, and the project had been almost abandoned when Ray appeared at the scene.[ citation needed ]
Deeply impressed with the originality and uniqueness of his work, the publishers quickly realised that he was the artist for The Reader's Digest Book of British Birds. They asked him how long he would need to paint the 230 full-colour portraits required. The publishers believed the project entailed as much as six years' work, and had earlier thought to spread the commission among six artists, each to take a year. Although he had arrived in England with the intention of getting on with his book, the offer struck a nerve in the young colonial wanting to make his mark. "I can do them all myself and in under a year!" he rashly declared. It was a huge effort and left him at the end of that year, ill, exhausted and penniless.[ citation needed ]
Published in 1969, The Reader's Digest Book of British Birds has become the world's most successful and biggest-selling bird book, translated into over ten European languages and many, many editions in hardback and paperback. It remains in print and has had an enormous influence over both bird lovers and artists[ citation needed ]
Before the book was published Ray had moved to Rye, East Sussex.[ citation needed ] Here he continued to paint, primarily birds and other animals. He works in oils and watercolours, usually on a gessoed masonite panel or canvas which assists with the high detail. The style of his art might be described as conservative realism, most images having an almost photographic quality, although he is often comfortable leaving out detail in the backgrounds. Ching's work is primarily of birds, but has also included other wildlife landscapes and portraits.
Raymond Ching paintings usually fetch six figures.[ citation needed ] He continues to experiment with subject matter such as birds and the human figure in a series of imaginative works. [3] He cannot be classified as a wildlife artist, which, although he admires many exponents of this genre, has never been his raison d'etre.[ citation needed ] His love of the look of birds and his desire to depict them, especially in flight, is his continuing passion. He is very interested and knowledgeable about conservation but that is not the primary driving force of his art.
He designed a British postage stamp in 1999 titled Darwin's Theory as part of a series on famous British scientists. [4]
Ching is married to author Carol Sinclair who wrote the biography, Masters of the Wild: Ray Harris-Ching.
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