Rebecca Fortnum (born 1963) is a British artist, writer, and academic.
Rebecca Fortnum (born 1963) is a British artist, writer, and academic.
Fortnum studied English at Corpus Christi College in Oxford before gaining an MFA at Newcastle University. In 2009, she became Reader and Pathway Leader of Fine Art (visual art) at Camberwell College of Arts, one of London's leading art-education institutions. She was Professor of Fine Art at Middlesex University, London. [1] until 2016 and was Professor of Fine Art at the Royal College of Art in London. She was Founding Editor of the Journal of Contemporary Painting published by Intellect, 2014-2024 and remains an Editor. She was Professor of Fine Art and Head of the School of Fine Art at Glasgow School of Art and from 2024 has been Professor of Fine Art and Associate Dean of Research at Central St Martins, University of the Arts, London.
Fortnum was born in London in 1963. She currently lives and works in London as well. Fortnum, who primarily creates paintings, [2] has exhibited in England and internationally, and has received grants and travel awards [3] including the Pollock-Krasner Foundation; the British Council; the Arts Council of England; the British School in Rome and the Art and Humanities Research Council.
She has also conducted academic research and written extensively about artistic practice, especially the practice of contemporary women artists. [4] Her visual art practices include painting, drawing, printmaking, and curating.
The research that Fortnum conducts falls into three different categories that include documenting artists’ processes, a visual art practice, and fine art pedagogic research. In 2008 she was appointed to be the international lead artist for Trade in Ireland and began to write about the role of ‘not knowing’ within the creative process, publishing On Not Knowing; how artists think with Elizabeth Fisher in 2013. In 2023, at the Glasgow School of Art, she convened the conference 'On Not Knowing; How Artists Teach' with Professor Magnus Quaife of UniArts Helsinki.
Her solo exhibition 'Self Contained' was at the Freud Museum London in 2013 and was accompanied by a book published by RGAP. Fortnum has a specialized interest in women artists, which resulted in publishing a book called Contemporary British Women Artists in 2007. In this she interviewed artists for BBC Radio 4’s Woman's Hour. In 2020 she co-edited A Companion to Contemporary Drawing with artist and academic Kelly Chorpening.
In 2019 she was elected Visiting Research Fellow in the Creative Arts at Merton College Oxford, developing her project 'A Mind Weighted by Unpublished Matter' published by slimvolume in 2020. In 2021 she was appointed Senior Research Fellow at the Henry Moore Institute in Leeds where she developed Les Praticiennes, an exhibition exploring the women sculptors of the Paris Belle Epoque.
Gillian Ayres was an English painter. She is best known for abstract painting and printmaking using vibrant colours, which earned her a Turner Prize nomination.
The Camberwell College of Arts is a constituent college of the University of the Arts London, a public art university in London, England. The college offers further and higher education programmes, including postgraduate and PhD awards. The college has retained single degree options within Fine Art, offering specialist Bachelor of Arts courses in painting, sculpture, photography and drawing. It also runs graduate and postgraduate courses in art conservation and fine art as well as design courses such as graphic design, illustration and 3D design. It has been ranked as the top British art school by The Times.
The Chelsea College of Arts is a constituent college of the University of the Arts London, a public art university in London, England.
Dame Sonia Dawn Boyce is a British Afro-Caribbean artist and educator, living and working in London. She is a Professor of Black Art and Design at University of the Arts London. Boyce's research interests explore art as a social practice and the critical and contextual debates that arise from this area of study. Boyce has been closely collaborating with other artists since 1990 with a focus on collaborative work, frequently involving improvisation and unplanned performative actions on the part of her collaborators. Boyce's work involves a variety of media, such as drawing, print, photography, video, and sound. Her art explores "the relationship between sound and memory, the dynamics of space, and incorporating the spectator". To date, Boyce has taught Fine Art studio practice for more than 30 years in several art colleges across the UK.
Eileen Cooper is a British artist, known primarily as a painter and printmaker.
Zoë Mendelson is a Glasgow-based British artist.
Hugh O'Donnell is an English painter, printmaker and site-specific artist.
Matthew Dalziel and Louise Scullion, known professionally as Dalziel + Scullion, are a Scottish artist duo. Dalziel and Scullion have worked in collaboration since 1993. Their studio creates artworks in photography, video, sound, and sculpture that explore new artistic languages surrounding the subject of ecology.
Landon Mackenzie is a Canadian artist based in Vancouver, British Columbia. She is nationally known for her large-format paintings and her contribution as a professor at the Emily Carr University of Art and Design.
Emilia Telese is an Italian artist whose practice includes performance, visual, site-specific and video art, interactive and body-responsive technology, installation, literature and public art. She lives and works between Brighton, UK, Foggia, Italy, and Reykjavik, Iceland. Telese graduated in 1996 with a BA (Honours) in painting from the Fine Arts Academy, Florence, focusing on 14th-century techniques, Arte Povera and political performance. In 1997 she studied acid-based printmaking techniques at the University of Brighton, where she continues to lecture. In addition she lectures at other institutions in the UK and internationally, specialising in the relationship between art, economics and professional practice. Her work Life Begins at Land's End (2013) was part of Rebirth Day, a concept organised by Michelangelo Pistoletto. Pistoletto named her a Third Paradise Ambassador, which is a small group of people chosen by him to embody the spirit of his Third Paradise concept. Her videos, along with works by other artists, were shown at the Musee du Louvre in Paris. In 2015 her exhibition Modern Women was featured at Airspace Gallery in Stoke-on-Trent, with artist Binita Walia.
Mary Webb is a British abstract artist.
Judith Tucker was a British artist and academic. She completed a BA in Fine Arts at the Ruskin School of Art, St Anne's College, Oxford, (1978–81) an MA in Fine Arts (1997–98) and a PhD in Fine Arts at the University of Leeds (1999–2002). Tucker is co-convenor of LAND2, a research network of artists associated with higher education who are concerned with radical approaches to landscape with a particular focus on memory, place and identity. She exhibits regularly in the UK and Europe. Between 2003 and 2006, Tucker was an Arts and Humanities Research Council (AHRC) Research Fellow in the Creative and Performing Arts.
Contemporary British Painting is an artists' collective of over 60 members, founded in 2013 by Robert Priseman with the assistance of Simon Carter. It is a platform for contemporary painting in the UK "seeking to explore and promote critical context and dialogue in current painting practice through a series of solo and group exhibitions; talks, publications and an art prize". ‘Contemporary British Painting’ also facilitates the donation of paintings to art collections, galleries and museums in the UK and around the world.
Vanessa Jackson is a British painter, notable for her wall installation paintings. She was elected to the Royal Academy of Arts in 2015.
Hilary Robinson is a British academic and art theorist. She was granted the 2024 annual Award for Distinction in Femininst Art History by the College Art Association. She is Professor of Feminism, Art, and Theory at Loughborough University's School of Social Sciences and Humanities. She was Dean of the School of Art and Design and a professor at Middlesex University, and previously served as Dean of the College of Fine Arts at Carnegie Mellon University. Her research focuses on the history, theory, and practice of feminist art.
Deanna Petherbridge was a South African and British artist, writer and curator. Petherbridge's practice was drawing-based, although she also produced large-scale murals and designed for the theatre. Her publications in the area of art and architecture were concerned with contemporary as well as historical matters, and in latter years she concentrated on writing about drawing. The Primacy of Drawing: Histories and Theories of Practice was published June 2010 and curated exhibitions included The Quick and the Dead: Artists and Anatomy, 1997, Witches and Wicked Bodies, 2013. She celebrated a retrospective exhibition of her drawings at Whitworth Art Gallery, University of Manchester accompanied by the monograph Deanna Petherbridge: Drawing and Dialogue, Circa Press, 2016.
Elpseth Lamb, RSA is a Scottish artist who mainly specialises in lithographic printmaking, as well as lecturing and publishing on the subject. She is known for using lithographic limestone which had fallen out of favour with other artists. She has had various residencies and taught all over the world, though mostly based in Scotland. Her style uses bold colours and often covers traditional stories and themes.
Agathe Sorel is a London-based artist of Hungarian descent, specializing in painting, sculpture, printmaking and livres d’artiste. She is a Member of the Royal Watercolour Society and the Royal Society of Painter-Printmakers, as well as a founding member of the Printmakers Council and was its Chairman in 1981-1983. She was one of the first artists who experimented with making objects and sculptures using print techniques.
Rosa Lee (1957–2009) was a Hong Kong-born British painter, teacher and writer. She was known for her layered and textured paintings created using oil and wax and constructed using lace-like stencils and spray through paper doilies. “Lee’s paintings demand a shifting of critical categories towards a re-evaluation of the ‘merely’ decorative in painting.”
Daniel Sturgis is a British painter living and working in London, England.
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