Rebecca Krohn | |
---|---|
Born | 1981/1982(age 40–41) |
Education | School of American Ballet |
Occupation |
|
Years active | 1998-2017 |
Spouse | Adam Hendrickson (m. 2011) |
Current group | New York City Ballet |
Rebecca Krohn (born 1981/1982) [1] is an American retired ballet dancer. She danced with the New York City Ballet as a principal dancer until her retirement in 2017, then became a ballet master and served as one of the interim leaders between late 2017 and early 2019.
Krohn was born and raised in Vestal, New York. [2] [3] She started ballet at age four after seeing The Nutcracker . [4] Starting from age 10, she attended summer programs at the Chautauqua Ballet, which was run by Patricia McBride and Jean-Pierre Bonnefoux. [2] In 1995, when Krohn was 14, encouraged by McBride and Bonnefoux, she entered the School of American Ballet in New York City. [2] [5]
In 1998, at age 17, Krohn became an apprentice with the New York City Ballet. Krohn joined the corps de ballet the following year, [2] [5] and appeared in the 2000 Center Stage as a background dancer. [6] She became a soloist in 2006, [5] danced in the film version of Robbins' N.Y. Export: Op. Jazz in 2010, [7] and was promoted to principal dancer in 2012. [5] She learned Balanchine repertory from ballet masters who worked with him, and had worked with choreographers such as Justin Peck and Benjamin Millepied. [2] On October 7, 2017, Krohn retired from performing after a performance of in Balanchine's Stravinsky Violin Concerto, for which she danced the Aria I role. [8]
Following her retirement, she remains in the company as a ballet master, a move inspired by her mentors, especially Karin von Aroldingen. [2] In December, following ballet master in chief Peter Martins's departure due to sexual assault allegations, Krohn was appointed to be in the four-person interim leadership team, led by ballet master Jonathan Stafford and also consists of Justin Peck and Craig Hall. [9] The team brought back other Balanchine veterans to coach the dancers, and Krohn also worked with them as she had never worked with Balanchine himself. [10] In February 2019, a permanent management with Stafford as Artistic Director and Wendy Whelan as Associate Artistic Director respectively was established. [11]
In 2011, Krohn married Adam Hendrickson, a fellow New York City Ballet dancer. [1]
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946.
Violette Verdy was a French ballerina, choreographer, teacher, and writer who worked as a dance company director with the Paris Opera Ballet in France and the Boston Ballet in the United States. From 1958 to 1977 she was a principal dancer with the New York City Ballet where she performed in the world premieres of several works created specifically for her by choreographers George Balanchine and Jerome Robbins. She was Distinguished Professor of Music (Ballet) at the Jacobs School of Music, Indiana University, in Bloomington, and the recipient of two medals from the French government.
Edward Villella is an American ballet dancer and choreographer. He is frequently cited as America's most celebrated male dancer of ballet at the time. He has won numerous awards, including the Daytime Emmy Award for Outstanding Children's Special, the Kennedy Center Honors, and the National Medal of Arts.
Wendy Whelan is an American ballet dancer. She was principal dancer with the New York City Ballet and performed with the company for 30 years, and toured in the U.S., Europe, and Asia. Whelan has also been an influential guest artist with Morphoses/The Wheeldon Company. In 2019, Whelan was named Associate Artistic Director of New York City Ballet.
Miami City Ballet is an American ballet company based in Miami Beach, Florida, led by artistic director Lourdes Lopez. MCB was founded in 1985 by Toby Lerner Ansin, a Miami philanthropist. Ansin and the founding board hired Edward Villella, former New York City Ballet principal dancer to be the founding artistic director.
Patricia McBride is a ballerina who spent nearly 30 years dancing with the New York City Ballet. McBride joined the New York City Ballet in 1959. She became a principal in 1961, becoming the company's youngest principal. She danced with the company for 30 years, including roles created for her by choreographers George Balanchine and Jerome Robbins.
Janie Taylor is an American ballet dancer, répétiteur and costume designer. She joined New York City Ballet in 1998, was promoted to principal dancer in 2005 and left in 2014. She then started designing costumes and staging works by Justin Peck and Benjamin Millepied, before performing again as a member of the L.A. Dance Project.
Tiler Kalyn Peck is an American ballet dancer who is a principal dancer with the New York City Ballet. As well as ballet, she has performed in musical theatre shows and has made cameo appearances in films including Donnie Darko and television series including Tiny Pretty Things.
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Ask la Cour Rasmussen is a Danish ballet dancer. He joined the Royal Danish Ballet in 2000, then moved to the New York City Ballet in 2002, and was promoted to principal dancer in 2013. He retired from the company in 2021.
Abi Stafford is an American ballet dancer. She joined the New York City Ballet in 2000 and was promoted to principal dancer in 2007. She retired in 2021.
Jonathan Stafford is an American ballet dancer and artistic director. He danced with the New York City Ballet (NYCB) as a principal dancer until his retirement in 2014, then he served as a ballet master. He became the artistic director of NYCB in 2019.
Craig Hall is an American ballet dancer. He danced with the New York City Ballet as a soloist until 2016 then became a repertory director, and was one of the company interim leaders between late 2017 and early 2019.
Karin Anny Hannelore Reinbold von Aroldingen was a German ballet dancer. She danced as a soloist at the Frankfurt Opera Ballet before joining the New York City Ballet in 1962 after receiving a personal invitation from George Balanchine. She was named as one of Balanchine's main beneficiaries in his will. Von Aroldingen retired from New York City Ballet in 1984, having reached the rank of principal dancer in 1972. In her later life, she worked as a répétiteur for the Balanchine Trust, for which she was also a founder, staging his ballets for various companies.
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Jean-Pierre Bonnefoux is a French ballet dancer and instructor. He is currently the artistic director at the Charlotte Ballet and the Chautauqua Institution.
Zachary Catazaro is an American ballet dancer and former principal dancer of the New York City Ballet and Bayerisches Staatsballett.
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Allegro Brillante is a ballet choreographed by George Balanchine to Tchaikovsky's Piano Concerto No. 3. The ballet is danced by a principal couple and a corps de ballet of eight. Balanchine said it "contains everything I knew about classical ballet." Allegro Brillante was made for the New York City Ballet, and premiered on March 1, 1956, at the City Center of Music and Drama, with Maria Tallchief and Nicholas Magallanes originating the two principal roles.
The Runaway is a one-act contemporary ballet choreographed by Kyle Abraham, to music by Nico Muhly, James Blake, Jay-Z and Kanye West, and costumes designed by Giles Deacon. The ballet premiered on September 27, 2018, at the David H. Koch Theater, performed by the New York City Ballet. It is Abraham's first piece for a ballet company, and made him the first black choreographer to work with the company in over a decade.