Rebecca Ringquist

Last updated

Rebecca Ringquist
Born
Michigan
NationalityAmerican
Education Master of Fine Arts, The Art Institute of Chicago, Bachelor of Arts, Cornell College

Rebecca Ringquist is a Portland, Oregon-based visual artist. Ringquist creates embroidered artwork and runs her own design company, Dropcloth Samplers. Her work extends the traditional processes of Fiber art by dealing with vintage fabrics, utilizing the sewing machine, and applying hand-embroidery techniques. [1] Ringquist was a professor for seven years in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago. [2] She is also the author of Rebecca Ringquist's Embroidery Workshops: A Bend the Rules Primer.

Contents

Life and work

Rebecca Ringquist was born in Michigan. [3] Ringquist received a Bachelors of Special Studies Honors in Art and graduated cum laude from Cornell College in 2000. [4] While pursuing her undergraduate degree she became interested in feminist theory and embroidery. [5] In 2003 she earned her M.F.A. from the Art Institute of Chicago in fiber and material studies. [6] At the Art Institute of Chicago Ringquist developed an understanding of fiber arts within a historical context; she is very interested in how material could convey its own history and meaning. [7] This led to Ringquist utilizing her embroidery for political and conceptual works as well as re-creating stories about her life and relationships. [7] The imagery in her work comes from a multitude of books, dictionaries, nature guides, autograph books, valentines, and fairy tales. [1] Her techniques involve layers of color and texture while making use of vintage textiles that have previously been embroidered. In addition, she finds new uses for classic stitches such as the running stitch or French knot. [8]

The embroidered pieces Ringquist creates amalgamate multi-layered fabrics, overlapping narratives and technicolor stitches that characterize Ringquist's repertoire of work. She incorporates both standard and unconventional techniques by working with a sewing machine as well as by hand. [9] She views embroidery used in this manner as similar to painting; her stitches overlap creating many layers and textures. [10] The work makes use of decorative cloths, vintage fabrics and old hand-stitched cloths made by other embroiderers. [11] In re-using such materials, she removes them from their original context and thus alters their meanings. [11] The re-constituted cloths help create the sense of fairy tale or myth. [11] The stories as told by her stitches insinuate many narratives, but never reveal the entire story. [11]

Outside of her own atypical practice, she is known for encouraging her students and workshop attendees to break the rules. [9] She is more concerned about the students getting started than having the perfect technique. [10] Ringquist sees knots in the thread as additional way to add texture to the fabric. [10] Her workshops teach a variety of techniques such as how to transfer a design to a canvas, create three-dimensional stitches, use non-traditional threads and fabrics, intermix both machine- and hand-stitching, and draw with thread itself. [9]

In April 2015, Ringquist had her first book published. The book, entitled, Rebecca Ringquist's Embroidery Workshops is a resource for a generation of embroiderers interested in a variety of both time-tested and unique new techniques. [9] The book is based on the classes Ringquist leads throughout the county. [9] It features instructions for a multitude of projects as well as a cloth sampler that was designed specifically for the book. [9] She also sells samples and pre-printed patterns on Etsy as well as through her design company, Dropcloth.

Sources

Related Research Articles

<span class="mw-page-title-main">Embroidery</span> Art or handicraft of decorating fabric or other materials with needle and thread or yarn

Embroidery is the craft of decorating fabric or other materials using a needle to apply thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on caps, hats, coats, overlays, blankets, dress shirts, denim, dresses, stockings, scarfs, and golf shirts. Embroidery is available in a wide variety of thread or yarn colour. It is often used to personalize gifts or clothing items.

<span class="mw-page-title-main">Blackwork</span> Technique of monochrome embroidery originating in Tudor England

Blackwork, sometimes historically termed Spanish blackwork, is a form of embroidery generally worked in black thread, although other colours are also used on occasion, as in scarletwork, where the embroidery is worked in red thread. Originating in Tudor period England, blackwork typically, though not always, takes the form of a counted-thread embroidery, where the warp and weft yarns of a fabric are counted for the length of each stitch, producing uniform-length stitches and a precise pattern on an even-weave fabric. Blackwork may also take the form of free-stitch embroidery, where the yarns of a fabric are not counted while sewing.

<span class="mw-page-title-main">Crewel embroidery</span> Type of embroidery using wool

Crewel embroidery, or crewelwork, is a type of surface embroidery using wool. A wide variety of different embroidery stitches are used to follow a design outline applied to the fabric. The technique is at least a thousand years old.

Needlepoint is a type of canvas work, a form of embroidery in which yarn is stitched through a stiff open weave canvas. Traditionally needlepoint designs completely cover the canvas. Although needlepoint may be worked in a variety of stitches, many needlepoint designs use only a simple tent stitch and rely upon color changes in the yarn to construct the pattern. Needlepoint is the oldest form of canvas work.

<span class="mw-page-title-main">Fiber art</span> Artworks made of fiber and other textile materials, emphasizing aesthetic value over utility

Fiber art refers to fine art whose material consists of natural or synthetic fiber and other components, such as fabric or yarn. It focuses on the materials and on the manual labor on the part of the artist as part of the works' significance, and prioritizes aesthetic value over utility.

<span class="mw-page-title-main">Korean embroidery</span> Embroidery style of Korea

Korean embroidery techniques and artifacts have a long history, but there is the most evidence from the Joseon Dynasty, after the 14th century in Korea. This article talks about the history, styles, preservation, artists, and examples of screens, costumes, and domestic wares of this exacting and beautiful art form.

<span class="mw-page-title-main">Phulkari</span> Folk embroidery of the Punjab

Phulkari refers to the folk embroidery of the Punjab. Although Phulkari means floral work, the designs include not only flowers but also cover motifs and geometrical shapes. The main characteristics of Phulkari embroidery are use of darn stitch on the wrong side of coarse cotton cloth with coloured silken thread. Punjabi women create innumerable alluring and interesting designs and patterns by their skilful manipulation of the darn stitch. According to Kehal (2009), a cloth where only a few flowers are embroidered is called a Phulkari. The other types are distinct varieties. The traditional varieties of Phulkaris are large items of cloth and include Chope, Tilpatr, Neelak and Bagh. Sometimes, the Bagh is given separate categorization of its own as on other varieties of a Phulkari, parts of the cloth is visible, whereas in a Bagh, the embroidery covers the entire garment so that the base cloth is not visible. Further, in contemporary modern designs, simple and sparsely embroidered dupattas, odhinis, and shawls, made for everyday use, are referred to as phulkaris, whereas clothing items that cover the entire body, made for special and ceremonial occasions such as weddings are called baghs. The Phulkari continues to be an integral part of Punjabi weddings to the present day.

<span class="mw-page-title-main">Embroidery of India</span> Any of the various styles of embroidery indigenous to India

Embroidery in India includes dozens of embroidery styles that vary by region and clothing styles. Designs in Indian embroidery are formed on the basis of the texture and the design of the fabric and the stitch. The dot and the alternate dot, the circle, the square, the triangle, and permutations and combinations of these constitute the design.

<span class="mw-page-title-main">African textiles</span> Textiles originating in and around continental Africa or through the African Diaspora

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Goldwork is the art of embroidery using metal threads. It is particularly prized for the way light plays on it. The term "goldwork" is used even when the threads are imitation gold, silver, or copper. The metal wires used to make the threads have never been entirely gold; they have always been gold-coated silver or cheaper metals, and even then the "gold" often contains a very low percent of real gold. Most metal threads are available in silver and sometimes copper as well as gold; some are available in colors as well.

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References

  1. 1 2 "NameBright - Coming Soon".
  2. Fiber and Material Studies, School of the Art Institute of Chicago
  3. "blog :: teacher feature: rebecca ringquist". www.squamartworkshops.com. Retrieved April 27, 2016.
  4. "BRIC Contemporary Artist Registry :: BRIC". registry.bricartsmedia.org. Retrieved May 2, 2016.
  5. "ArtStyle " Q&A with Rebecca Ringquist: A Narrative Fiber Artist". www.chicagoarts-lifestyle.com. Retrieved April 27, 2016.
  6. "BRIC Contemporary Artist Registry :: BRIC". registry.bricartsmedia.org. Retrieved April 30, 2016.
  7. 1 2 "ArtStyle " Q&A with Rebecca Ringquist: A Narrative Fiber Artist". www.chicagoarts-lifestyle.com. Retrieved April 30, 2016.
  8. "Hoop-la: Embroidery's back, with some modern twists | Brooklyn Daily Eagle". www.brooklyneagle.com. February 24, 2015. Retrieved April 27, 2016.
  9. 1 2 3 4 5 6 Ringquist, Rebecca (April 14, 2015). Rebecca Ringquist's Embroidery Workshops A Bend-the-Rules Primer. ISBN   9781617691416 . Retrieved May 2, 2016.{{cite book}}: |website= ignored (help)
  10. 1 2 3 "Hoop-la: Embroidery's back, with some modern twists | Brooklyn Daily Eagle". www.brooklyneagle.com. February 24, 2015. Retrieved May 2, 2016.
  11. 1 2 3 4 "ArtStyle " Q&A with Rebecca Ringquist: A Narrative Fiber Artist". www.chicagoarts-lifestyle.com. Retrieved May 2, 2016.