Longing in Their Hearts is the twelfth album by Bonnie Raitt, released in 1994. The album contained the mainstream pop hit, "Love Sneakin' Up On You," which reached #19 on the Billboard singles chart, and "You", which remains to date her only UK Top 40 hit, peaking at No. 31.
Dark Chords on a Big Guitar was a 2003 album by Joan Baez. The sound was more "rockish" than her prior releases, and it was composed of work by mostly Generation X songwriters, including Natalie Merchant, Ryan Adams and Steve Earle. The title was taken from a line in Greg Brown's song "Rexroth's Daughter". Critics and listeners were surprised that Baez's voice had lost little of its original power and beauty, given that she was sixty-two when she made the album.
East Autumn Grin is Matthew Ryan's second album. It was released on August 15, 2000 on A&M Records.
Transcendental Blues is the ninth studio album by Steve Earle, released in 2000. It features Sharon Shannon on the track "The Galway Girl". The album was nominated for a Grammy in the Best Contemporary Folk Album category.
Gravity is the third studio album by American saxophonist Kenny G. It was released in May 1985, and reached number 13 on the Billboard Jazz Albums chart, number 37 on the R&B/Hip-Hop Albums chart and number 97 on the Billboard 200.
The Dust Bowl Symphony is an album released by Nanci Griffith in 1999. It consists of songs Griffith had previously released on other albums, but re-recorded with an orchestral backing. The album was recorded at Abbey Road Studios with the London Symphony Orchestra. Darius Rucker duets with Griffith on "Love at The Five and Dime", and the album also has contributions from Sonny Curtis and Glen Hardin, Beth Nielsen Chapman and Griffith's own band, The Blue Moon Orchestra. The song "Waiting for Love", written by Griffiths, from Blue Roses from the Moons was picked out by Griffiths as giving the singer a "brief moment of being Edith Piaf".
Voices in the Wind is an album by American country music singer Suzy Bogguss. It was released on October 6, 1992 via Liberty Records. It earned her a second straight gold record and her highest-charting single ever, the No. 2 cover of John Hiatt's "Drive South."
Stray's Don't Sleep is an album by Strays Don't Sleep, released in 2006 by One Little Indian.
Emotion is the sixth studio album from Martina McBride released by RCA Records in 1999. The song "I Love You" became McBride's biggest hit single to date after it reached #1 on the country charts and peaked at #24 on the Billboard Hot 100. The album ends with two covers, "Goodbye" by Patty Griffin and Gretchen Peters' "This Uncivil War" from Peters' 1996 debut album The Secret of Life. In the U.S. the album was certified Gold on 10/20/1999 and Platinum on 9/15/2000 by the R.I.A.A.
Electric Digger Dandy is the third solo studio album by Australian singer/songwriter James Reyne released in June 1991. The album was released in America as Any Day Above Ground. The album peaked at number 3 on the ARIA Charts, which remains Reyne's highest charting album.
Matthew Ryan vs. The Silver State is an album by Matthew Ryan, released in 2008 on 00:02:59 and One Little Indian. Following the release of the album, Ryan toured the US to support its release with a full band.
Lovescape is the nineteenth studio album by the American singer Neil Diamond. Released in 1991, it peaked at number 44 on the Billboard 200. "Hooked on the Memory of You" was a duet with Kim Carnes, while "Don't Turn Around" was co-written by Diane Warren. It is the last album, till 12 Songs, to credit him with playing guitar, but he may have possibly contributed some uncredited guitar work on previous or subsequent albums.
Across from Midnight is the sixteenth studio album by Joe Cocker, released in 1997.
The Boy in Me is the fifty-third album by American singer/guitarist Glen Campbell, released in 1994.
Dirty Jeans and Mudslide Hymns is an album by John Hiatt, released in August 2011 on the New West label. It was produced by Kevin Shirley.
Honkey Kong is a 2011 solo album by Eagles of Death Metal front man Jesse Hughes, under the pseudonym Boots Electric on Dangerbird Records. The album was released on September 2011, with the band playing their first live show one month prior. "Oh Girl", "Complexity" and "I Love You All the Thyme" were later reworked and released on Eagles of Death Metal's 2015 album Zipper Down.
You Can't Make Old Friends is the twenty-seventh studio album from American country music artist Kenny Rogers. Released on October 8, 2013 via Warner Bros. Nashville, it is Rogers' first album of original material since 2006's Water & Bridges. Its title track, a duet with Dolly Parton, peaked at number 57 on the Billboard Country Airplay chart in December 2013, becoming Rogers' first single released in six years. "You Can't Make Old Friends" was later included on Parton's 2014 album, Blue Smoke.
Wide Open is the tenth studio album by American musician Michael McDonald, released on September 15, 2017 by Chonin Records and BMG. Shannon Forrest and McDonald produced the album. Wide Open is McDonald's first album of original material in 17 years since Blue Obsession (2000).
10x10 is an album of music by Ronnie Montrose. Ronnie had been touring with bassist Ricky Phillips and Eric Singer (Kiss) in the early 2000s. Over three days in 2003 at Doug Messenger's studio in North Hollywood, the sessions produced 10 strong tracks of rhythm guitar, bass and drums with the intention to get a singer to for the vocals. Eventually Ronnie decided on the 10x10 concept, 10 tracks and 10 different singers. Early on, he was able to secure contributions from close friends and collaborators like Sammy Hagar, Edgar Winter and Davey Pattison. In the intervening years Ronnie battled prostate cancer and, at one point, hadn't touched a guitar for 2 years. Conflicts in scheduling led to the record remaining unfinished for years up until Montrose's passing in 2012. Along with completion of the vocals, the songs also needed lead guitar as well. Rickey Phillips, with the blessing of Ronnie's wife Leighsa and assistance of Eric Singer, picked up the reigns and completed the album. "After he passed, I had to carry on with what Ronnie wanted, because he was such a purist. The songs were cut to 2-inch tape and then transferred to digital, but I really needed it to be a cohesive record. I've done enough records to know how easily the levels of 10 different singers can sound disjointed if you don't stay on top of the production." As per Singer, "I have to give a lot of credit to Ricky Phillips. Ricky really wanted to see this thing through. It was more for Ronnie than just for himself, or for ourselves. We really believed what we had originally captured had a certain vibe and a certain magic to the people in that room when it was created. We felt like, 'Hey, this thing needs to get done. We need to see this thing through, for every good reason.'"
