Reifying Desire

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Reifying Desire is a six-part video series by American artist Jacolby Satterwhite, which was on view in the 2014 Biennial at the Whitney Museum of American Art. Satterwhite created 230 3D modeled versions of his body, animated figures, and his mother's drawings. Animating all of these elements, he performs in a digital "utopian and non-political space", combining his public reactions to art history, political histories, and pop culture with his mother's private drawings and inventions. [1]

Jacolby Satterwhite is an American contemporary artist who works with video, performance, 3D animation, fibers, drawing and printmaking, currently based in New York City, NY. Satterwhite's work in dance performance draws from voguing, martial arts, and choreographer William Forsythe's dance techniques.

Whitney Museum of American Art Art Museum in Lower Manhattan, New York City

The Whitney Museum of American Art, known informally as the "Whitney", is an art museum in Manhattan. It was founded in 1930 by Gertrude Vanderbilt Whitney (1875–1942), a wealthy and prominent American socialite and art patron after whom it is named.

Contents

Background and concept

Satterwhite's mother was schizophrenic and stayed home, unemployed, up until his teenage years. As a productive form of therapy, she drew pencil-on-paper drawings and diagrams that explained and envisioned potential product ideas after being inspired by late-night television infomercials. To her, the drawings would allow for a future promise of financial security if they were able to be projected out into the public before becoming products.

An infomercial is a form of television commercial, which generally includes a toll-free telephone number or website. Most often used as a form of direct response television (DRTV), long-form infomercials are typically 28:30 or 58:30 minutes in length. Infomercials are also known as paid programming. This phenomenon started in the United States, where infomercials were typically shown overnight, outside peak prime time hours for commercial broadcasters. Some television stations chose to air infomercials as an alternative to the former practice of signing off. Some channels air infomercials 24 hours. Some stations also choose to air infomercials during the daytime hours mostly on weekends to fill in for unscheduled network or syndicated programming. By 2009, most infomercial spending in the U.S. occurred during the early morning, daytime and evening hours, or in the afternoon. Stations in most countries around the world have instituted similar media structures. The infomercial industry is worth over $200 billion.

Satterwhite uses these drawings, along with the scrawled-out text accompanying them that describe the products' purposes, and turns them into three-dimensional objects for his video series. Using Autodesk Maya, a 3D-rendering program, the images are digitally traced by hand using a stylus to be then placed into a larger virtual landscape. Satterwhite pairs these drawings with other photographs, family videos, and his own pieces of dance and performance. The culmination of these elements is intended as an exploration of memory, personal history, surrealism, narrative, psychology, and reality. [2]

Autodesk Maya 3D computer graphics software

Autodesk Maya, commonly shortened to Maya, is a 3D computer graphics application that runs on Windows, macOS and Linux, originally developed by Alias Systems Corporation and currently owned and developed by Autodesk, Inc. It is used to create interactive 3D applications, including video games, animated film, TV series, or visual effects.

Surrealism international cultural movement that began in the early 1920s

Surrealism is a cultural movement that began in the early 1920s, and is best known for its visual artworks and writings. Artists painted unnerving, illogical scenes with photographic precision, created strange creatures from everyday objects, and developed painting techniques that allowed the unconscious to express itself. Its aim was to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality".

Digital avatar

Satterwhite's digital avatar performs dance movements in the films' digitally created utopian realm, combining live action with digital creation. He combines elements of choreographer William Forsythe's dance techniques with elements of martial arts and, most importantly, voguing. The body moves at impossible angles, freed from gravitational pull, intended to further emphasize the utopian dreamlike nature of the world the films are set in. His mother's images are connected with his own body, art historical references, digitally rendered bodies, and fantastical structures. The special awareness of the physical realm existing between bodies and objects are reimagined and transformed, along with the world of images, and the shifting relationships between them. [3]

William Forsythe (choreographer) artist

William Forsythe is an American dancer and choreographer resident in Frankfurt am Main in Hessen. He is known internationally for his work with the Ballet Frankfurt (1984–2004) and The Forsythe Company (2005–2015). Recognized for the integration of ballet and visual arts, which displayed both abstraction and forceful theatricality, his vision of choreography as an organizational practice has inspired him to produce numerous installations, films, and web-based knowledge creation, incorporating the spoken word {and} experimental music.

Martial arts codified systems and traditions of combat practices

Martial arts are codified systems and traditions of combat practiced for a number of reasons such as self-defense, military and law enforcement applications, competition, for physical, mental and spiritual development; as well as for entertainment or the preservation of a nation's intangible cultural heritage.

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References

  1. "Jacolby Satterwhite - Reifying Desire". Archived from the original on 2015-05-20.
  2. Guernica Magazine. "A Family Portrait". Guernica / A Magazine of Art & Politics. Archived from the original on 2015-05-17.
  3. "Jacolby Satterwhite". Archived from the original on 2015-05-07.