"Rein-back" is a dressage term to indicate the two-beat movement in which a horse is asked to back up. The horse picks up and sets down its feet almost in diagonal pairs, and moves straight backwards with the line of his forelegs following those of his hind. The horse should remain on the aids during the rein-back.
The rein-back should be practiced sparingly, as it can easily over-stress the horse's back and joints. This is especially true if the rider tries to force the horse into the movement.
Asking for the rein-back
The reinback, clearly helping to engage the horse's hind end.
To perform the rein-back, the rider applies both leg aids and a resisting hand. The leg asks the horse to move, but the hand prevents the horse from going forward, so it instead releases that energy in a step back. As soon as the horse begins to step back, the aids are released. The rein-back should be performed in a straight line, with the rider's legs used softly behind the girth to keep the hindquarters straight.
The upper body of the rider stays upright, leaning neither forward nor back. Leaning back is especially bad, as it drives the seat bones of the rider into the horse, causing the animal to hollow its back.
It is sometimes useful to transfer the weight of the seat onto the thighs when asking for the rein back, so that the horse may easily round up through its back and engage its hind end.
When the rider wishes the horse to stop moving back, the rider sits deeper into his seat, adds more leg, and lightens his contact with the horse's mouth.
Common faults
One of the most common faults in the rein-back is resistance by the horse. Instead of remaining on the aids, the animal tenses up and throws his head up or does not soften to the bit. This is usually the case if the rider tries to pull the horse backwards rather than asking with the legs aids or if the rider sits too heavily on his mount's back.
Other faults may include crookedness, laziness (horse is inactive and drags his feet), or rushing.
Uses
The rein-back is occasionally asked for in equitation classes, in dressage tests (Grand Prix, eventing, and combined driving), reining competition, and is also invaluable on the trail, as it can be used to maneuver out of a tight situation.
The rein-back is also an excellent training tool. The movement requires the horse to engage and move his weight to his hindquarters.
Related Research Articles
Dressage is a form of horse riding performed in exhibition and competition, as well as an art sometimes pursued solely for the sake of mastery. As an equestrian sport defined by the International Equestrian Federation, dressage is described as "the highest expression of horse training" where "horse and rider are expected to perform from memory a series of predetermined movements.".
Reining is a western riding competition for horses where the riders guide the horses through a precise pattern of circles, spins, and stops. All work is done at the lope, or the gallop. Originating from working cattle, reining is often described as a Western form of dressage riding, as it requires the horse to be responsive and in tune with its rider, whose aids should not be easily seen, and judges the horse on its ability to perform a set pattern of movements. The horse should be willingly guided or controlled with little or no apparent resistance and dictated to completely. A horse that pins his ears, conveying a threat to his rider, refuses to go forward, runs sideways, bounces his rear, wrings his tail in irritation or displays an overall poor attitude is not being guided willingly, and is judged accordingly.
The piaffe is a dressage movement where the horse is in a highly collected and cadenced trot, in place or nearly in place. The center of gravity of the horse should be more towards the hind end, with the hindquarters slightly lowered and great bending of the joints in the hind legs. The front end of the horse is highly mobile, free, and light, with great flexion in the joints of the front legs, and the horse remains light in the hand. The horse should retain a clear and even rhythm, show great impulsion, and ideally should have a moment of suspension between the foot falls. As in all dressage, the horse should perform in a calm manner and remain on the bit with a round back.
The trot is a two-beat diagonal horse gait where the diagonal pairs of legs move forward at the same time with a moment of suspension between each beat. It has a wide variation in possible speeds, but averages about 13 kilometres per hour (8.1 mph). A very slow trot is sometimes referred to as a jog. An extremely fast trot has no special name, but in harness racing, the trot of a Standardbred is faster than the gallop of the average non-racehorse, and has been clocked at over 30 miles per hour (48 km/h).
The canter and gallop are variations on the fastest gait that can be performed by a horse or other equine. The canter is a controlled three-beat gait, while the gallop is a faster, four-beat variation of the same gait. It is a natural gait possessed by all horses, faster than most horses' trot, or ambling gaits. The gallop is the fastest gait of the horse, averaging about 40 to 48 kilometres per hour. The speed of the canter varies between 16 and 27 kilometres per hour depending on the length of the horse's stride. A variation of the canter, seen in western riding, is called a lope, and is generally quite slow, no more than 13–19 kilometres per hour (8–12 mph).
The airs above the ground or school jumps are a series of higher-level, Haute ecole, classical dressage movements in which the horse leaves the ground. They include the capriole, the courbette, the mezair, the croupade and the levade. None are typically seen in modern competitive dressage. They are performed by horses of various riding academies such as the Spanish Riding School in Vienna and the Cadre Noir in Saumur, and may be seen in other dressage performances. The levade and courbette are a particular feature of the Doma Menorquina, the riding tradition of the island of Menorca. Horses such as the Andalusian, Lusitano, Lipizzan and Menorquín are the breeds most often trained to perform the airs today, in part due to their powerfully conformed hindquarters, which allow them the strength to perform these difficult movements. There were originally seven airs, many of which were used to build into the movements performed today.
Equine conformation evaluates a horse's bone structure, musculature, and its body proportions in relation to each other. Undesirable conformation can limit the ability to perform a specific task. Although there are several faults with universal disadvantages, a horse's conformation is usually judged by what its intended use may be. Thus "form to function" is one of the first set of traits considered in judging conformation. A horse with poor form for a Grand Prix show jumper could have excellent conformation for a World Champion cutting horse, or to be a champion draft horse. Every horse has good and bad points of its conformation and many horses excel even with conformation faults.
The half-pass is a lateral movement seen in dressage, in which the horse moves forward and sideways at the same time. Unlike the easier leg-yield, the horse is bent in the direction of travel, slightly around the rider's inside leg. The outside hind and forelegs should cross over the inside legs, with the horse's body parallel to the arena wall and his forehand leading. The horse should remain forward, balanced, and bent, moving with cadence. The inside hind leg remains engaged throughout the half-pass, and the horse should not lose its rhythm.
A Pirouette is a French word for the Ballet reference, "to whirl about."
Turn on the forehand is a lateral movement in equestrian schooling that involves moving the horse's hindquarters around his front legs. Although a basic movement, it is an important training tool for both horse and rider.
Rearing occurs when a horse or other equine "stands up" on its hind legs with the forelegs off the ground. Rearing may be linked to fright, aggression, excitement, disobedience, non experienced rider, or pain. It is not uncommon to see stallions rearing in the wild when they fight, while striking at their opponent with their front legs. Mares are generally more likely to kick when acting in aggression, but may rear if they need to strike at a threat in front of them.
A "baucher" is also a type of bit, named after the man.
Riding figures are prescribed paths a horse is ridden on in a riding arena, usually for training purposes. Figures may also be performed out in a field or other open area, but a riding arena provides markers that can help indicate the correctness in the size or shape of a figure.
Riding aids are the cues a rider gives to a horse to communicate what they want the animal to do. Riding aids are broken into the natural aids and the artificial aids.
Lateral movements or lateral flexions within equestrianism, have a specific meaning, used to refer to movements made by a horse where the animal is moving in a direction other than straight forward. They are used both in training and in competition, vary in difficulty, and are used in a progressive manner, according to the training and physical limitations of the animal.
The turn of the haunches is a lateral movement performed at the halt and walk, used in horse training. It requires the horse, while bent in the direction of the turn, to move his forehand around his hindquarters so that he makes a very small circle with the inside foreleg. The horse should pivot around a hind-leg, as seen in the spin. Additionally, the horse should continue to display basic requirements of dressage, such as an even and regular rhythm, relaxation, acceptance of the aids, balance, and freedom of movement.
Haunches-in, also called travers or tête au mur, is a lateral movement used in the dressage discipline of horse training. It has a close cousin, haunches-out, renvers, or croupe au mur, that is slightly more difficult. Both movements are four-track, meaning they produce four lines of hoof prints in the sand, as opposed to the usual two seen if the horse is straight and to the three-track shoulder-in.
The shoulder-in is a lateral movement in dressage used to supple and balance the horse and encourage use of its hindquarters. It is performed on three tracks, where the horse is bent around the rider's inside leg so that the horse's inside hind leg and outside foreleg travel on the same line. For some authors it is a "key lesson" of dressage, performed on a daily basis.
The half-halt is a specific riding aid given by an equestrian to his horse, in which the driving aids and restraining aids are applied in quick succession. It is sometimes thought of as an "almost halt," asking the horse to prepare to halt in balance, before pushing it onward to continue in its gait.
Lead refers to which set of legs, left or right, leads or advances forward to a greater extent when a quadruped animal is cantering, galloping, or leaping. The feet on the leading side touch the ground forward of its partner. On the "left lead", the animal's left legs lead. The choice of lead is of special interest in horse riding.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
