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Remo Camerota | |
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Occupation(s) | film director, visual artist, designer, photographer |
Remo Camerota (born on 17 April in Coventry, England), is an English-Australian visual artist and film director. [1] He has been exhibiting in the arts since 1992, when he also started a fine art degree at Swinburne University, Melbourne.
In1992 and 1993, he won the VEVA award for animation and the St Kilda Film Festival facility award (See awards below for more details). He also completed his bachelor's degree in film and television at Victorian College of the Arts - 1995.
From 1996 to 1998, Camerota worked as a director and editor of Foxtel/Sportsworld - on the TV show Extreme Sports. Camerota's style of editing and directing became popular in youth culture TV shows, using techniques such as fast cutting, SFX and juxtaposition of sound with image.
From 1994 to 2000, Camerota continued to exhibit video, painting and photography installations including "Trade", at the world trade centre Melbourne, titled "Loophole" consisting of a wall of television sets creating a visual and sound loop through the use of feedback, Neo Ethnic at MYU Gallery Tokyo comprising stencil paintings, video-photography installations at Experimenta and collaborating with artist "Stelarc" in his short film Scar. From 2000 to 2003, Camerota edited feature film Narcosys and video directed, photographed and edited "Speaking in Tongues" DVD, Gene Simmons. In 2003, Camerota started a production company - Whitewall Studios
2003 Camerota directed the Kiss Symphony tour DVD extras and B roll. Also Camerota's photographs became published first in magazines and also included in Kiss Alive 4 package, Kiss and Make up Book and Speaking in Tongues DVD.
Camerota co0founds Raven with Kumicho and is currently creating the Manga graphic novel for the Horror feature film SCAR and Sci Fi feature Origami Moon.
2008–2010 Camerota authored two books featuring Japanese pop culture, titled Graffiti Japan [2] and Drainspotting http://drainspottingbook.blogspot.com, both are published by Mark Batty Publisher New York .
Remo has book signing tours throughout USA and Tokyo in 2008–2011.
2005–2011 urban painting and photography exhibited at galleries in New York, london, Bristol, Tokyo, Sydney and murals painted at Bristol in collaboration with Kid zoom and Rory Doona, Cargo Club London UK, Bondi Beach facade Sydney, Shibuya Tokyo, Revolt Club Melbourne.
2010–2011 - Camerota is creating iPad/iPhone apps in conjunction with his authored books. Titles so far are Drainspotting Extras, Graffiti Japan Extras, Graffiti New York, Graphic Novel - Scar Vol 1 and 2. 2011 - Camerota teamed up with Kiyoshi Kohatsu and created Kit Robot - LoveBots iPad/iPhone app, an avatar maker of robots. www.kit-robot.com
Kiss is an American rock band formed in New York City in 1973 by Paul Stanley, Gene Simmons, Ace Frehley, and Peter Criss. Known for their face paint and stage outfits, the group rose to prominence in the mid-1970s with shock rock-style live performances which featured fire-breathing, blood-spitting, smoking guitars, shooting rockets, levitating drum kits, and pyrotechnics. The band has gone through several lineup changes, with Stanley and Simmons remaining the only consistent members. The current lineup consists of Stanley, Simmons, guitarist Tommy Thayer and drummer Eric Singer.
Gene Simmons is an Israeli-American musician. Also known by his stage persona the Demon, he is the bassist and co-lead singer of Kiss, the hard rock band he co-founded with Paul Stanley, Ace Frehley and Peter Criss in the early 1970s. Simmons was inducted into the Rock and Roll Hall of Fame in 2014 as a member of Kiss.
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Kal Spelletich is an American contemporary artist. A pioneer of San Francisco's machine art scene, he hand builds complex machines and robots. Current work, in 2018, includes building functional artificial robotic organs as a residence of the Stochastic Labs in Berkeley California. Through a collaboration with audience members who volunteer to control or operate his sculptures, Spelletich's work explores the interface of robots and humans. Early work frequently incorporated fire and "extremely dangerous" situations, to examine the boundaries of fear, control and exhilaration. By the late 1990s Spelletich started incorporating sensors in his sculptures to engage with questions about technology, spirituality, and play.
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