The Devil in the Convent is a 1950 Italian comedy film directed by Nunzio Malasomma and starring Gilberto Govi, Carlo Ninchi and Mariella Lotti.
The Two Sisters is a 1950 Italian melodrama film directed by Mario Volpe and starring Vera Carmi, Enzo Fiermonte and Checco Durante.
The Knight Has Arrived! is a 1950 Italian comedy film directed by Mario Monicelli and Steno and starring Tino Scotti, Silvana Pampanini and Nyta Dover.
The Passaguai Family is a 1951 Italian comedy film written, starring and directed by Aldo Fabrizi. It also featured Peppino De Filippo, Ave Ninchi and Giovanna Ralli. It was followed by a sequel The Passaguai Family Gets Rich in 1952. It follows the misadventures of a lower middle-class family and their friends from Rome when they take a day's outing at the seaside.
Lieutenant Giorgio is a 1952 Italian historical melodrama film directed by Raffaello Matarazzo and starring Massimo Girotti, Milly Vitale and Paul Muller. It was shot at the Ponti-De Laurentiis Studios in Rome and on location around San Giovanni in Fiore in Calabria. The film's sets were designed by the art director Piero Filippone.
Abracadabra is a 1952 Italian comedy film directed by Max Neufeld and starring Mario Riva, Riccardo Billi and Lilia Landi. It was shot at Cinecittà Studios in Rome. The film's sets were designed by the art directors Alfredo Montori and Camillo del Signore.
Time for Loving is a 1983 Italian comedy film directed by Carlo Vanzina. It obtained a great commercial success and launched a short-living subgenre of revival-nostalgic comedy films. It also generated a sequel, Sapore di mare 2 - Un anno dopo. For her performance in this film Virna Lisi won a David di Donatello for Best Supporting Actress and a Silver Ribbon in the same category.
Brothers of Italy is a 1952 Italian biographical war film directed by Fausto Saraceni and starring Ettore Manni, Paul Muller and Olga Solbelli. It depicts real life events of Austrian-born Italian irredentist and sailor Nazario Sauro. The film's sets were designed by the art director Piero Filippone.
Camera d'albergo is a 1981 Italian comedy film written and directed by Mario Monicelli. Ida Di Benedetto won the David di Donatello for Best Supporting Actress and Ruggero Mastroianni won the David di Donatello for Best Editing.
Belle al Bar is a 1994 Italian comedy film directed, written and starred by Alessandro Benvenuti. It won the 1995 Silver Ribbon for best script.
Fracchia contro Dracula is a 1985 Italian horror comedy film directed by Neri Parenti.
Guai ai vinti is a 1954 Italian melodrama film directed by Raffaello Matarazzo. It is based on the novel Vae Victis by Annie Vivanti.
The Transporter is a 1950 Italian comedy science fiction film directed by Giorgio Simonelli and starring Peppino De Filippo, Silvana Pampanini, Lída Baarová and Aroldo Tieri. It is based on a radio program with the same name.
How to Kill 400 Duponts is a 1967 Italian comedy film directed by Steno. The main character of the film, Dorellik, is a parody of the comic series Diabolik. The character was created in the late 60s for several sketches on television.
Il Conte di Matera is a 1958 Italian adventure film directed by Luigi Capuano and starring Virna Lisi and Otello Toso.
Eva Nova (1916–1996) was an Italian actress and singer. She appeared in leading roles in several films during the late 1940s and early 1950s.
The Black Captain is a 1951 Italian historical adventure film directed by Giorgio Ansoldi and Alberto Pozzetti and starring Steve Barclay, Marina Berti and Paul Muller.
Avenger of the Seven Seas, also known as The Executioner of the Seas, is a 1962 Italian epic adventure film directed by Domenico Paolella and starring Richard Harrison and Michèle Mercier.
Milanese in Naples is a 1954 Italian comedy film directed by Enzo Di Gianni and starring Eva Nova, Ugo Tognazzi and Carlo Campanini. The film's sets were designed by the art director Oscar D'Amico.
Final Pardon is a 1952 Italian melodrama film directed by Renato Polselli and starring John Kitzmiller, Franca Marzi, Adriano Rimoldi. The film's sets were designed by the art director Vittorio Valentini.
