Pointillism is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.
Meindert Lubbertszoon Hobbema was a Dutch Golden Age painter of landscapes, specializing in views of woodland, although his most famous painting, The Avenue at Middelharnis, shows a different type of scene.
In visual arts and particularly cinematography, framing is the presentation of visual elements in an image, especially the placement of the subject in relation to other objects. Framing can make an image more aesthetically pleasing and keep the viewer's focus on the framed object(s). It can also be used as a repoussoir, to direct attention back into the scene. It can add depth to an image, and can add interest to the picture when the frame is thematically related to the object being framed.
An oil sketch or oil study is an artwork made primarily in oil paint in preparation for a larger, finished work. Originally these were created as preparatory studies or modelli, especially so as to gain approval for the design of a larger commissioned painting. They were also used as designs for specialists in other media, such as printmaking or tapestry, to follow. Later they were produced as independent works, often with no thought of being expanded into a full-size painting.
Paris Street; Rainy Day is a large 1877 oil painting by the French artist Gustave Caillebotte (1848–1894), and is his best known work. It shows a number of individuals walking through the Place de Dublin, then known as the Carrefour de Moscou, at an intersection to the east of the Gare Saint-Lazare in north Paris. Although Caillebotte was a friend and patron of many of the impressionist painters, and this work is part of that school, it differs in its realism and reliance on line rather than broad brush strokes.
The Palais des Beaux-Arts de Lille is a municipal museum dedicated to fine arts, modern art, and antiquities located in Lille. It is one of the largest art museums in France.
The musée des Beaux-Arts et d'Archéologie in the French city of Besançon is the oldest public museum in France. It was set up in 1694, nearly a century before the Louvre became a public museum.
Les Orangers is an oil painting by French impressionist Gustave Caillebotte. The canvas measures 155 by 117 centimetres. It was acquired by Audrey Jones Beck and was part of a collection that was on a long-term loan to the Museum of Fine Arts, Houston, before the collection was donated to the museum in 1999. The painting now hangs in the museum building named for Beck.
The Circus is an oil on canvas painting by Georges Seurat. It was his last painting, made in a Neo-Impressionist style in 1890–91, and remained unfinished at his death in March 1891. The painting is located at the Musée d'Orsay in Paris.
The Windmill of Wijk bij Duurstede is an oil-on-canvas painting by the Dutch painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Amsterdam Museum, on loan to the Rijksmuseum.
The Ray of Light, also known as Le Coup de Soleil, is an oil on canvas painting by the Dutch painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Louvre Museum.
Two Watermills and an Open Sluice near Singraven is an oil on canvas painting by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the National Gallery.
Landscape with Waterfall is an oil on canvas painting by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Amsterdam Museum, on loan to the Rijksmuseum.
A Waterfall in a Rocky Landscape is an oil painting on canvas by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the National Gallery.
A Wooded Marsh is an oil on canvas painting by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Hermitage Museum in St. Petersburg, Russia.
Winter Landscape near Haarlem is an oil on canvas painting by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Städel. This painting was documented by Hofstede de Groot in 1911, who wrote; "992. A WINTER LANDSCAPE. A snow-bound plain with trees to right and left. In the centre a road leads to the distance; away to the right is a cottage. In the centre foreground stands a solitary lamp-post. To the left of this are two travellers with a dog. Signed in full, according to the Sedelmeyer sale-catalogue, but the Frankfort catalogue does not mention a signature; canvas, 14 1/2 inches by 12 1/2 inches. Exhibited at Vienna, 1873, No. 165.
Le Chahut is a Neo-Impressionist painting by Georges Seurat, dated 1889–90. It was first exhibited at the 1890 Salon de la Société des Artistes Indépendants in Paris. Chahut became a target of art critics, and was widely discussed among Symbolist critics.
Waterfall in a Mountainous Landscape with a Ruined Castle is an oil on canvas painting by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Mount Stuart House.
View of Haarlem from the Northwest, with the Bleaching Fields in the Foreground is an oil on canvas painting by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Rijksmuseum.
Landscape with a Windmill Near a Town Moat is an oil on canvas painting by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in a private collection.
Jacob Isaaksz. van Ruisdael, The Jewish Cemetery (1655–60, oil on canvas, 141 x 182.9 cm). The tree in the right-foreground of Ruisdael's painting is an example of repoussoir that pushes the viewer's eye into the composition.
The Four Philosophers (c. 1615. Oil on panel; 167 x 143 cm, Pitti Palace, Florence). In his friendship portrait of himself, his brother Philip Rubens, Justus Lipsius and Jan van den Wouwer (left to right), the painter Rubens's self-portrait on the left is an example of a figural repoussoir that is further accentuated by the flowing red curtain.
Gustave Caillebotte. Paris Street; Rainy Day (1877, Art Institute of Chicago). The rear-facing man on the right with the tilted umbrella is an example of repoussoir figure leading the viewer's gaze into the composition.
Georges Seurat, Gray Weather, Grande Jatte (1888, 71 × 66 cm, oil on canvas, Metropolitan Museum of Art). In a similar manner to the van Ruisdael piece, the tree that takes up the entire right edge of this work is an example of repoussoir. [2]
