Rewind is a science fiction novel written in 1999 by William Sleator. It explores maturity and self-confidence.
The main character is Peter, an 11-year-old boy. The stage is first set at his funeral, where he recalls that he was killed by his neighbor's car. Then he hears a mysterious voice. It tells Peter that he has a chance to go back to any moment before his death and alter the events, therefore preventing the catastrophe.
He attempts to save himself by putting sugar in the car that was destined to kill him. However, a different car hits him instead. Luckily, he is given another chance. He tries again by trying to impress his parents, preventing the quarrel that drove him out. Unfortunately, he dies yet again by a truck.
Against all odds he is given one last chance. This time, he changes his strategy. With his knowledge of the future, he manages to save himself. He goes back 4 weeks and starts to be nice to his parents. Eventually they start to like him. He always dies after doing his puppet show so when he does it this time the family likes it. He ends up living and the story lives happily ever after.
Rewind received mixed reviews. Critic Don D'Ammassa called the book "entertaining but less original than Sleator's other novels." [1] The novel was panned by Kirkus Reviews, which also called the premise unoriginal and wrote that the story's "internal logic seems more convenient than consistent." [2]
Novelist Victoria Strauss praised the book's plot, characters, and "appealing message about maturity" for SFSite. [3]
Alison Waller noted that the novel, though it is linear prose, is structured like a video game or work of hypertext with multiple endings, suggesting the many options adolescents are faced with when coming of age. [4]
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William Warner Sleator III, known as William Sleator, was an American science fiction author who wrote primarily young adult novels but also wrote for younger readers. His books typically deal with adolescents coming across a peculiar phenomenon related to an element of theoretical science, then trying to deal with the situation. The theme of family relationships, especially between siblings, is frequently intertwined with the science fiction plotline.
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