Related Research Articles
Louise Joséphine Bourgeois was a French-American artist. Although she is best known for her large-scale sculpture and installation art, Bourgeois was also a prolific painter and printmaker. She explored a variety of themes over the course of her long career including domesticity and the family, sexuality and the body, as well as death and the unconscious. These themes connect to events from her childhood which she considered to be a therapeutic process. Although Bourgeois exhibited with the Abstract Expressionists and her work has much in common with Surrealism and Feminist art, she was not formally affiliated with a particular artistic movement.
Sam Borenstein was a Canadian painter. During his forty-year career he painted numerous scenes of Montreal and Laurentian villages and Quebec landscapes bustling with human activity, using brilliant colours and exuberant brushwork. Borenstein was best known for his expressionistic cityscapes and rural scenes, but also produced numerous portraits and still lifes.
Mickalene Thomas is a contemporary African-American visual artist best known as a painter of complex works using rhinestones, acrylic, and enamel. Thomas's collage work is inspired from popular art histories and movements, including Impressionism, Cubism, Dada, the Harlem Renaissance, and selected works by the Afro-British painter Chris Ofili. Her work draws from Western art history, pop art, and visual culture to examine ideas around femininity, beauty, race, sexuality, and gender.
Mary Frank is an English visual artist who works as a sculptor, painter, printmaker, draftswoman, and illustrator.
Lorna Simpson is an American photographer and multimedia artist whose works have been exhibited both nationally and internationally. In 1990, she became the first African-American woman to exhibit at the Venice Biennale. She came to prominence in the 1980s and 1990s with photo-text installations such as Guarded Conditions and Square Deal that questioned the nature of identity, gender, race, history and representation. Simpson continues to explore these themes in relation to memory and history using photography, film, video, painting, drawing, audio, and sculpture.
Elizabeth Murray was an American painter, printmaker and draughtsman. Her works are in many major public collections, including those of the Solomon R. Guggenheim Museum, the Hirshhorn Museum and Sculpture Garden, the Pérez Art Museum Miami, the Museum of Modern Art, the Whitney Museum of American Art, the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Carnegie Museum of Art, and the Wadsworth Atheneum. Murray was known for her use of shaped canvases.
Susan Charna Rothenberg was an American contemporary painter, printmaker, sculptor, and draughtswoman. She became known as an artist through her iconic images of the horse, which synthesized the opposing forces of abstraction and representation.
Dorothea Rockburne DFA is an abstract painter, drawing inspiration primarily from her deep interest in mathematics and astronomy. Her work is geometric and abstract, seemingly simple but very precise to reflect the mathematical concepts she strives to concretize. "I wanted very much to see the equations I was studying, so I started making them in my studio," she has said. "I was visually solving equations." Rockburne's attraction to Mannerism has also influenced her work.
Pat Steir is an American painter and printmaker. Her early work was loosely associated with conceptual art and minimalism, however, she is best known for her abstract dripped, splashed and poured "Waterfall" paintings, which she started in the 1980s, and for her later site-specific wall drawings.
Joan Snyder is an American painter from New York. She is a MacArthur Fellow, a Guggenheim Fellow, and a National Endowment for the Arts Fellow (1974).
The Canadian Review of Music and Art was a Canadian magazine that was published between February 1942 and 1951 by Canadian Review Publishing. The magazine was based in Toronto, Ontario and covered a variety of topics on the arts, from music to painting to sculpture to dance and craft works. Each issue featured several individual Canadian artists and musicians in addition to profiling Canadian arts organizations.
Sylvia Tait is a Canadian abstract painter and printmaker.
Howardena Pindell is an American artist, curator and educator. She is known as a painter and mixed media artist, her work explores texture, color, structures, and the process of making art; it is often political, addressing the intersecting issues of racism, feminism, violence, slavery, and exploitation. She is known for the wide variety of techniques and materials used in her artwork; she has created abstract paintings, collages, "video drawings," and "process art."
Cheryl Donegan is an American conceptual artist. She is known for her video works, such as Head (1993) and Kiss My Royal Irish Ass (1992), which targeted the cliches of the female body in art and other issues of art politics.
Wynona Croft Mulcaster was a Canadian painter and teacher from Saskatchewan, best known for her prairie landscapes. She also played an important role in developing competitive riding in Saskatoon.
Audrey Capel Doray is a Canadian artist working in a variety of mediums—painting, printmaking, electronic art, murals, and films. In addition to her solo and group exhibitions, her work was exhibited at the 6th Biennial Exhibition of Canadian Painting at the National Gallery of Canada in 1965. A serigraph Diamond is held in the Tate Gallery London and the National Gallery of Canada. Her work is described in North American Women Artists of the Twentieth Century as combining "robust social criticism with her own interpretation of humanist theory" and dealing with pop art and the feminist archetype, themes of "perpetual motion and endless transition," and the interplay of sound and light.
Steffani Jemison is an American artist, writer, and educator. Her videos and multimedia projects explore the relationship between Black embodiment, sound cultures, and vernacular practices to modernism and conceptual art. Her work has been shown at the Museum of Modern Art, Brooklyn Museum, Guggenheim Museum, Whitney Museum, Stedelijk Museum Amsterdam, and other U.S. and international venues. She is based in Brooklyn, New York and is represented by Greene Naftali, New York and Annet Gelink, Amsterdam.
Marthe Rakine was a Canadian, later Swiss, painter who was born in the Russian Empire, and was one of Canada's best colourists.
Elizabeth Vander Zaag is a Canadian media artist, writer, and entrepreneur who has been working in video and computer arts since the 1970s. She is based in Vancouver, British Columbia.
Louise Robert is a Canadian painter who uses writing in her work.
References
- 1 2 "Art Metropole / Lament of the Sugar Bush Man (1987)". Art Metropole. Retrieved 9 April 2021.
- ↑ "R. D. Abrams - Paintings". 24 June 2016. Retrieved 9 April 2021.
- ↑ Lerner, Loren (1 January 1997). Canadian Film and Video. University of Toronto Press. doi:10.3138/9781442672185. ISBN 978-1-4426-7218-5.
- ↑ "Rhonda Abrams. The Lament of the Sugar Bush Man. 1987 | MoMA". The Museum of Modern Art. Retrieved 9 April 2021.
- ↑ "Collection". 11 April 2019. Archived from the original on 11 April 2019. Retrieved 9 April 2021.
