James Weldon Johnson was an American writer and civil rights activist. He was married to civil rights activist Grace Nail Johnson. Johnson was a leader of the National Association for the Advancement of Colored People (NAACP), where he started working in 1917. In 1920, he was chosen as executive secretary of the organization, effectively the operating officer. He served in that position from 1920 to 1930. Johnson established his reputation as a writer, and was known during the Harlem Renaissance for his poems, novel, and anthologies collecting both poems and spirituals of black culture. He wrote the lyrics for "Lift Every Voice and Sing", which later became known as the Negro National Anthem, the music being written by his younger brother, composer J. Rosamond Johnson.
Cecily Louise "Cicely" Tyson was an American actress known for her portrayal of strong African-American women. Tyson received various awards including three Emmy Awards, a Screen Actors Guild Award, a Tony Award, an Honorary Academy Award, and a Peabody Award.
The Apollo Theater is a music hall at 253 West 125th Street between Adam Clayton Powell Jr. Boulevard and Frederick Douglass Boulevard in the Harlem neighborhood of Upper Manhattan in New York City. It is a noted venue for African-American performers, and is the home of Showtime at the Apollo, a nationally syndicated television variety show that showcased new talent, from 1987 to 2008, encompassing 1,093 episodes; the show was rebooted in 2018.
The Crisis is the official magazine of the National Association for the Advancement of Colored People (NAACP). It was founded in 1910 by W. E. B. Du Bois (editor), Oswald Garrison Villard, J. Max Barber, Charles Edward Russell, Kelly Miller, William Stanley Braithwaite, and Mary Dunlop Maclean. The Crisis has been in continuous print since 1910, and it is the oldest Black-oriented magazine in the world. Today, The Crisis is "a quarterly journal of civil rights, history, politics and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color."
John Rosamond Johnson was an American composer and singer during the Harlem Renaissance. Born in Jacksonville, Florida, he had much of his career in New York City. Johnson is noted as the composer of the tune for the hymn "Lift Every Voice and Sing”. It was first performed live by 500 Black American students from the segregated Florida Baptist Academy, Jacksonville, Florida, in 1900. The song was published by Joseph W. Stern & Co., Manhattan, New York.
Theatre Owners Booking Association, or T.O.B.A., was the vaudeville circuit for African American performers in the 1920s. The theaters mostly had white owners, though there were exceptions, including the recently restored Morton Theater in Athens, Georgia, originally operated by "Pinky" Monroe Morton, and Douglass Theatre in Macon, Georgia owned and operated by Charles Henry Douglass. Theater owners booked jazz and blues musicians and singers, comedians, and other performers, including the classically trained, such as operatic soprano Sissieretta Jones, known as "The Black Patti", for black audiences.
John William Sublett, known by his stage name John W. Bubbles, was an American tap dancer, vaudevillian, movie actor, and television performer. He performed in the duo "Buck and Bubbles", who were the first black artists to appear on television. He is known as the father of "rhythm tap."
Shuffle Along is a musical composed by Eubie Blake, with lyrics by Noble Sissle and a book written by the comedy duo Flournoy Miller and Aubrey Lyles. One of the most notable all-Black hit Broadway shows, it was a landmark in African-American musical theater, credited with inspiring the Harlem Renaissance of the 1920s and '30s.
Regina M. Anderson was an American playwright and librarian. She was of Native American, Jewish, East Indian, Swedish, and other European ancestry ; one of her grandparents was of African descent, born in Madagascar. Despite her own identification of her race as "American," she was perceived to be African-American by others. Influenced by Ida B. Wells and the lack of Black history teachings in school, Anderson became a key member of the Harlem Renaissance.
Nelson George is an American author, columnist, music and culture critic, journalist, and filmmaker. He has been nominated twice for the National Book Critics Circle Award.
Satan and Adam was an American blues duo consisting of Sterling Magee, known by his stage name "Mister Satan", and Adam Gussow, who were a fixture on Harlem's sidewalks in the late 1980s and early 1990s.
The Lafayette Theatre(1912–1951), known locally as "the House Beautiful", was one of the most famous theaters in Harlem. It was an entertainment venue located at 132nd Street and 7th Avenue in Harlem, New York. The structure was demolished in 2013.
Kadir Nelson is a Los Angeles–based painter, illustrator, and author who is best known for his paintings often featured on the covers of The New Yorker magazine, and album covers for Michael Jackson and Drake. His work is focused on African-American culture and history. The New York Times describes his work as: "sumptuous, deeply affecting work. Nelson’s paintings are drenched in ambience, and often overt symbolism. He has twice been a Caldecott honor recipient and won the 2020 Caldecott Medal for his book The Undefeated.
The Ethiopian Art Theatre — originally called the Chicago Folk Theatre, later the Colored Folk Theatre, also referred to as The Ethiopian Art Players — was an African American theatre company based out of Chicago, Illinois. The company was an influential albeit short-lived (1922/1923–1925) group founded during the Harlem Renaissance. There are differing views over the precise year that the company was founded, 1922 or 1923. The founder was Raymond O'Neil, a white theatre director, and its principal sponsor was Mrs. Sherwood Anderson, also white; though all its performers were African American. The organization was unique and controversial during its era, primarily for being one of the few African American Theatre Companies to perform European theatrical works, but also, among other things, for producing theatrical works of African American playwrights for both African American and Non-African American audiences.
Leonard Harper was a producer, stager, and choreographer in New York City during the Harlem Renaissance in the 1920s and 1930s.
Fannie Emma Pennington was an American activist, organizer, and fundraising coordinator for U.S. Congressional Representative (Harlem) Adam Clayton Powell Jr.'s Isaac Democratic Club and the Abyssinian Baptist Church A.C.P. Overseas Club. She was also a member of the New York City Board of Elections and the Frederick E. Samuel Community Democratic Club, the Satellite Club, the Courtesy Guild, the Progressive Ladies Usher Board of the Abyssinian Baptist Church, the ABC Welcome and Hospitality Committee. She was an official representative of the Barmaid Charity Organization. She was a New York leader of the bus organizing efforts in 1963 for the March on Washington.
Dominique Morisseau is an American playwright and actress from Detroit, Michigan. She has written more than nine plays, three of which are part of a cycle titled The Detroit Project. She received a MacArthur Fellowship in 2018.
Edward W. Hardy is an American composer, music director, violinist and violist. He is known as the composer, co-conceiver, music director, and violinist of the Off-Broadway show The Woodsman and is the owner of The Black Violin.
The Nest Club was a cabaret in Harlem, more specifically an afterhours club, at 169 West 133rd Street – a street known then both as "Swing Street" and "Jungle Alley" – two doors east of Seventh Avenue, downstairs. The club, operating under the auspices of The Nest Club, Inc., was founded in 1923, co-owned, and operated by John C. Carey (né John Clifford Carey; 1889–1956) and Mal Frazier (né Melville Hunter Frazier; 1888–1967). The club flourished through 1933. The U.S. Prohibition — a nationwide ban on the sale of alcoholic beverages — ran from 1920 to 1933. The club faced a formidable challenge to its viability following the Great Crash of October 1929, followed by the Great Depression that bottomed around March 1933.
Carl Cofield is an American theatre director and actor.
