Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths.
Tactical frivolity is a form of public protest involving humour; often including peaceful non-compliance with authorities, carnival and whimsical antics. Humour has played a role in political protests at least as far back as the Classical period in ancient Greece. However, it is only since the 1990s that the term tactical frivolity gained common currency for describing the use of humour in opposing perceived political injustice. Generally, the term is used to denote a whimsical, nonconfrontational approach rather than aggressive mocking or cutting jokes.
A black bloc is a tactic used by protesters who wear black clothing, ski masks, scarves, sunglasses, motorcycle helmets with padding or other face-concealing and face-protecting items. The clothing is used to conceal wearers' identities from both the police and politically different organizations by making it difficult to distinguish between participants. It is also used to protect their faces and eyes from pepper spray, which is used by police during protests or civil unrest. The tactic also allows the group to appear as one large unified mass. Black bloc participants are often associated with anarchism, anarcho-communism, communism, libertarian socialism and the anti-globalization movement. A variant of this type of protest is the Padded bloc, where following the Tute Bianche movement protesters wear padded clothing to protect against the police.
The music of the Dominican Republic is primarily influenced by Western European music, with Sub-Saharan African and native Taino influences. The Dominican Republic is mainly known for its merengue and bachata music, both of which are the most famous styles of music in the Dominican Republic, and have been exported and popularized around the world.
Peoples' Global Action (PGA) was the name of a worldwide co-ordination of radical social movements, grassroots campaigns and direct actions in resistance to capitalism and for social and environmental justice. PGA was part of the anti-globalization movement.
Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave, and Afro-Brazilian jazz, which includes samba and bossa nova.
The 1999 Seattle WTO protests, sometimes referred to as the Battle of Seattle, were a series of anti-globalization protests surrounding the WTO Ministerial Conference of 1999, when members of the World Trade Organization (WTO) convened at the Washington State Convention and Trade Center in Seattle, Washington on November 30, 1999. The Conference was to be the launch of a new millennial round of trade negotiations.
Samba is a lively dance of Afro-Brazilian origin in 2/4(2 by 4) time danced to samba music.
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto, tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son, descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock.
Axé is a popular music genre originated in Salvador, Bahia, Brazil in the 1980s, fusing different Afro-Caribbean genres, such as marcha, reggae, and calypso. It also includes influences of Brazilian music such as frevo, forró and carixada. The word Axé comes from the Yoruba term àṣẹ, meaning "soul, light, spirit or good vibrations". Axé is present in the Candomblé religion, as "the imagined spiritual power and energy bestowed upon practitioners by the pantheon of orixás". It also has ties with the Roman Catholic Church and the Lenten season, which represents the roots of Bahian Carnival.
Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban music has deep roots in African ritual and rhythm. The genre emerged in the early 1940s with the Cuban musicians Mario Bauzá and Frank Grillo "Machito" in the band Machito and his Afro-Cubans in New York City. In 1947, the collaborations of bebop trumpeter Dizzy Gillespie and percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, such as the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as "Manteca" and "Mangó Mangüé", were commonly referred to as "Cubop" for Cuban bebop.
Dissent! was the name adopted by an international network of local groups, which came together to organise opposition to the G8 summit held at Gleneagles Hotel, Perthshire, Scotland, in July 2005. Most groups shared an anti-capitalist orientation and anti-authoritarian organizing methods and the network declares itself to be open to anyone prepared to work within the Hallmarks of Peoples' Global Action, an international co-ordination of radical social movements and grassroots campaigns. Dissent acted as a networking tool and created infrastructure which was used by groups with methods of protest ranging from anti-border city tours and street parties to road blockades, graffiti and confrontations with the police.
Batucada is a substyle of samba and refers to a percussive style, usually performed by an ensemble, known as a bateria. Batucada is characterized by its repetitive style and fast pace.
Anti-capitalist Protests in Prague took place during the International Monetary Fund (IMF) and World Bank summit on September 27, 2000, in Prague, capital of the Czech Republic.
Afro rock is a style of rock music with African influences. Afro rock is a dynamic interplay between Western rock music and African musical elements such as rhythm, melodies and instrumentation. Afro rock bands and artists in the late 1960s and early 1970s included Osibisa, Assagai and Lafayette Afro Rock Band.
Ethno jazz, also known as world jazz, is a subgenre of jazz and world music, developed internationally in the 1950s and '60s and broadly characterized by a combination of traditional jazz and non-Western musical elements. Though occasionally equaled to or considered the successor of world music, an independent meaning of ethno jazz emerged around 1990 through the commercial success of ethnic music via globalization, which especially observed a Western focus on Asian musical interpretations. The origin of ethno jazz has widely been credited to saxophonist John Coltrane.
The Carnival Against Capital took place on Friday 18 June 1999. It was an international day of protest timed to coincide with the 25th G8 summit in Cologne, Germany. The carnival was inspired by the 1980s Stop the City protests, Peoples' Global Action and the Global Street Party, which happened at the same time as the 1998 24th G8 Summit in Birmingham. The rallying slogan was Our Resistance is as Transnational as Capital.
Samba-reggae is a music genre from Bahia, Brazil. Samba reggae, as its name suggests, was originally derived as a blend of Brazilian samba with Jamaican reggae as typified by Bob Marley.
Batalá is an international samba reggae music project. The name Batalá is a combination of the phrase "bate lá" meaning "hit there" in Portuguese and Obatalá (Oxalá), the Candomblé deity who is the father of the Orixas and of all humanity.
The anti-globalization movement, or counter-globalization movement, is a social movement critical of economic globalization. The movement is also commonly referred to as the global justice movement, alter-globalization movement, anti-globalist movement, anti-corporate globalization movement, or movement against neoliberal globalization. There are many definitions of anti-globalization.
