Ricardo Mbarkho

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Ricardo Mbarkho
Portrait of Ricardo Mbarkho, 2011.jpg
Ricardo Mbarkho in 2011
Born (1974-01-25) 25 January 1974 (age 49)
Beirut, Lebanon
NationalityLebanese
Education Carnegie Mellon University, Pittsburgh PA, USA
École nationale supérieure des beaux-arts, Paris, France
Institut supérieur des beaux-arts, Beirut
Known forInvisual Art

Ricardo Mbarkho (25 January 1974 in Beirut, Lebanon), is a Lebanese contemporary artist, researcher, and assistant professor.

Contents

He has produced video [1] and digital arts. [2] Mbarkho's current artwork remains exclusively Invisual Art practices. In his work, he explores and theorizes the aesthetic, economic, political, and social conditions and measures of an art that emancipates itself from the idea of the artwork, the public, and the context; an art without a material or immaterial object. In an ideal type, there is a research-creation of an art without art.

As an artist and founder of the Tabbouleh Day [3] in 2001, he explores the geopolitical environment that he uses as a de-aestheticized invisible medium. Today, Tabbouleh Day [4] is celebrated by millions of people around the world, privately or publicly, or as a state of mind. This work does not stem from a contemporary tradition of art, but from an approach that follows the aesthetics of information, communication, and relational art. It is a post-immaterial art.

In his digital images period, [5] as well as in his time-based work, [6] he investigates multiple questions related to interactivity, [7] language, communication, [8] cultural industries, history of art as well as the visual representation [9] within the sociopolitical sphere. [10]

Mbarkho received his art diplomas from Université Sorbonne Paris Nord, École nationale supérieure des beaux-arts and École supérieure d'études cinématographiques, Paris, and from Institut supérieur des beaux-arts, Beirut. He also completed an exchange study program at Carnegie Mellon University - College of Fine Arts, Pittsburgh, PA, USA.

He lives and works in Beirut.

Publications

Related Research Articles

Information art, which is also known as informatism or data art, is an art form that is inspired by and principally incorporates data, computer science, information technology, artificial intelligence, and related data-driven fields. The information revolution has resulted in over-abundant data that are critical in a wide range of areas, from the Internet to healthcare systems. Related to conceptual art, electronic art and new media art, informatism considers this new technological, economical, and cultural paradigm shift, such that artworks may provide social commentaries, synthesize multiple disciplines, and develop new aesthetics. Realization of information art often take, although not necessarily, interdisciplinary and multidisciplinary approaches incorporating visual, audio, data analysis, performance, and others. Furthermore, physical and virtual installations involving informatism often provide human-computer interaction that generate artistic contents based on the processing of large amounts of data.

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References

  1. TURBULENCES VIDÉO #69 by VIDEOFORMES, October 2010
  2. Windows Upon Oceans – Cultural Observatory of the Middle East - Artos Foundation. Cyprus, 2009.
  3. Chutaux Mila, Corina (2021). Esthétique de l’art invisuel. Les Éditions du Panthéon.
  4. Moineau, Jean-Claude (2023), Pour un art invisuel, inouï, inesthétique, inœuvré, pluriel... – Biennale de Paris.
  5. Al-Soufi, Hind (2016). Visual Movements in the West and Arab World - From the Renaissance till the 21st Century - 1500 - 2015. Tripoli.
  6. Forest, Fred (2000). Fonctionnement et dysfonctionnements de l'art contemporain. Edition l'Harmattan.
  7. Costa, Mario (2012). Ontology of the media. Edition postmedia books.
  8. Ricardo Mbarkho - Communication, Language, Cultural industry. Crypt Publishing - Edition Hardmod Carlyle Nicolao. 2012.
  9. Brickwood, Cathy (2009). Mapping E-Culture, Virtueel Platform, Editor.
  10. Stener, Christophe (2010). Dictionnaire politique d'Internet et du numérique. La Tribune.