Richard Alpert (artist) | |
---|---|
Born | April 11, 1947 |
Nationality | American |
Alma mater | University of Pittsburgh and San Francisco Art Institute |
Occupation | Artist |
Website | richardalpertartist |
Richard Alpert (born April 11, 1947) is an American sculptor, abstract filmmaker, and performance artist. He is also known for his work in "Generating Art" and received a National Endowment for the Arts Fellowship Grant in Sculpture in 1979. In 1986 he was nearly killed in a fire that destroyed his studio and much of his artwork. [1]
Richard Alpert was born on April 11, 1947, in New York City, New York. He graduated with an undergraduate degree in studio arts from the University of Pittsburgh in 1970, and an MFA in sculpture from the San Francisco Art Institute in 1973. [2]
In the 1970s Alpert's conceptual and performance art included the performance sculpture Strategy for a Dance; the video works Post Time, A Circular Route, The Opacity of Order, and Facture; [3] the article and collection South of the Slot; [4] the printed works Women: On Our Way and Stretch; [5] and the performances Hand Generated Light, [6] Probe, [7] Finger, [8] and Sylph. [9] In 1976 Mir Bahadur wrote in Artweek that Hand Generated Light was created by Alpert locking himself in a closet for three hours cranking a manual electrical generator keeping a tiny light aglow on the outside of the door. The article described this work, as well as Spent Time, Spent Energy and Sylph by the term "Generating Art", whereby the subject of the work itself was the generation of the art being created. [10] Another of his major works from this period of his career is Sound Sculpture. [11]
In 1975 Alpert was interviewed as a part of a Museum of Conceptual Art in San Francisco (MOCA) sponsored history of art project titled 11 Video Interviews produced by Jeanette Willison, [12] and his video work was included with another MOCA video compilation titled A Tight Thirteen Minutes that same year, showing one-minute color video works from thirteen artists. [13] During this period his work appeared in magazines including Artweek [14] and Arts Magazine . [15] Alpert received a National Endowment for the Arts Fellowship Grant in Sculpture in 1979. [2]
Alpert's work was described by University of California, Berkeley's Pacific Film Archive in 1980 as "concerned with performance sculpture, video and concept-oriented drawing and object sculpture". [3] That year an exhibition of his work was held at La Mamelle, Time Expands to Fit the Mold. [16] In 1984 Alpert stated that his work was influenced not only by the performative arts but also by science. [17] He wrote specifically that he has been inspired by Boyle's Law as well as the Second Law of Thermodynamics. [18]
On April 4, 1986, at 3:30pm EST Alpert's collection of work up until that point was largely lost in an explosion that killed nine people and injured sixteen. During the explosion at the building that housed Alpert's studio, he was working on a new sculpture when the fire began raging on the floors below him. Alpert survived the blaze that took over 150 firefighters to contain. Alpert described the fire to a journalist that day: "There was no warning. There was a gigantic explosion. It went from daylight to pitch black. I got out because the roof collapsed around me." [1] [19]
I think that all of my work ties into sculptural ideas whether video, performances, and obviously creating objects. All the art that I produce, or have produced, I feel can be interpreted as sculpture, even the work that might be seen as painting. [20]
Since then Alpert has showed his work with a series of videos based on images recorded from a high-speed train journey in Spain, AVE (Alta Velocidad España) variations #1-10. Individual videos from this series have been screened in Europe, Cuba and India. [21]
Alpert has also published three other books based on his photographs and videos over past ten years. [22] [23] [24] He also restored a 1967 16mm film made whilst a student at the University of Pittsburgh, Pennsylvania. [25]
Alpert continues to produce object sculpture, photography and graphic (drawings) artwork. [26]
He featured in "Light on the Walls of Life: a tribute anthology to Lawrence Ferlinghetti", ISBN 9781734146011 published by Jambu Press, San Francisco, March 24, 2022. The image of his sculpture "Open the Bomb Bay Doors, Hal", appears on page 43. [27]
Warm Water Cove is a photo-book by Richard Alpert he published in 2015. His website describes this collection as "… a celebration of another San Francisco; one far off the beaten path and excluded from travel brochures and TripAdvisor. This side of San Francisco was certainly was not host to the 'summer of love' nor 'little cable cars…'". [24]
Lawrence Monsanto Ferlinghetti was an American poet, painter, social activist, and co-founder of City Lights Booksellers & Publishers. An author of poetry, translations, fiction, theatre, art criticism, and film narration, Ferlinghetti was best known for his second collection of poems, A Coney Island of the Mind (1958), which has been translated into nine languages and sold over a million copies. When Ferlinghetti turned 100 in March 2019, the city of San Francisco turned his birthday, March 24, into "Lawrence Ferlinghetti Day".
Z'EV was an American poet, percussionist, and sound artist. After studying various world music traditions at CalArts, he began creating his own percussion sounds out of industrial materials for a variety of record labels. He is regarded as a pioneer of industrial music.
Cheri Gaulke is a visual artist and filmmaker most known for her role in the Feminist Art Movement in southern California in the 1970s and her work on gay and lesbian families.
The Bay Area Figurative Movement was a mid-20th Century art movement made up of a group of artists in the San Francisco Bay Area who abandoned working in the prevailing style of Abstract Expressionism in favor of a return to figuration in painting during the 1950s and onward into the 1960s.
Cai Guo-Qiang is a Chinese artist.
Wally Bill Hedrick was a seminal American artist in the 1950s California counterculture, gallerist, and educator who came to prominence in the early 1960s. Hedrick's contributions to art include pioneering artworks in psychedelic light art, mechanical kinetic sculpture, junk/assemblage sculpture, Pop Art, and (California) Funk Art. Later in his life, he was a recognized forerunner in Happenings, Conceptual Art, Bad Painting, Neo-Expressionism, and image appropriation. Hedrick was also a key figure in the first important public manifestation of the Beat Generation when he helped to organize the Six Gallery Reading, and created the first artistic denunciation of American foreign policy in Vietnam. Wally Hedrick was known as an “idea artist” long before the label “conceptual art” entered the art world, and experimented with innovative use of language in art, at times resorting to puns.
Howard Fried is an American conceptual artist who became known in the 1970s for his pioneering work in video art, performance art, and installation art.
James C. Pomeroy was an American artist whose practice spanned a variety of media including performance art, sound art, photography, installation art, sculpture, and video art.
La Mamelle, Inc. / Art Com was a not-for-profit arts organization, artist-run space, or alternative exhibition space, active from 1975 through 1995, and was located at 70-12th Street in the South of Market-area of San Francisco, California.
Sharon Hayes is an American multimedia artist. She came to prominence as an artist and an activist during the East Village scene in the early '90s. She primarily works with video, installation, and performance as her medium. Using multimedia, she "appropriates, rearranges, and remixes in order to revitalize spirits of dissent". Hayes's work addresses themes such as romantic love, activism, queer theory, and politics. She incorporates texts from found speeches, recordings, songs, letters, and her own writing into her practice that she describes as “a series of performatives rather than performance.”
May Sun is a Los Angeles–based artist known primarily for her public art projects. Sun works in the mediums of sculpture, mixed media, photography and installation. Her work has been exhibited nationally and internationally. She was born in Shanghai, China, moved to Hong Kong at the age of two with her family and immigrated to the United States in 1971 to attend the University of San Diego. "May Sun often refers to aspects of her Chinese heritage in her work, which consistently crosses cultural and political boundaries as well as the boundaries traditionally separating art forms and disciplines."
Charles Gaines is an American artist whose work interrogates the discourse of aesthetics, politics, and philosophy. Taking the form of drawings, photographic series and video installations, the work consistently involves the use of systems, predominantly in the form of the grid, often in combination with photography. His work is rooted in Conceptual Art – in dialogue with artists such as Sol LeWitt, Lawrence Weiner and Mel Bochner – and Gaines is committed to its tenets of engaging cognition and language. As one of the only African-American conceptual artists working in the 1970s, a time when political expressionism was a prevailing concern among African-American artists, Gaines was an outlier in his pursuit of abstraction and non-didactic approach to race and politics. There is a strong musical thread running through much of Gaines' work, evident in his repeated use of musical scores as well in his engagement with the idea of indeterminacy, as similar to John Cage and Sol LeWitt.
Maria Porges is an American artist and writer based in the San Francisco Bay Area. As an artist she is known for the prominent use of text in her visual works, which encompass sculpture, works on paper and assemblage and have an epistemological bent. As a critic Porges has written for Artforum, Art in America, Sculpture and SquareCylinder, among other publications.
Elizabeth King is an American sculptor and writer known for movable figurative sculptures that she has employed in stop-frame animations. Her work combines exacting handcraft, elementary mechanics, and digital and electronic technologies, applied in sculptures of half or full figures, heads, arms and hands, or even simply eyes. She often equips figures with subtly illuminated eyes and visible and invisible mechanisms enabling the performance of anatomically correct simple operations, seemingly of their own volition. Writers have described her figures as "insistently nonhuman" yet "uncannily alive" in their ability to project self-awareness, intelligence, agency and emotion. They reflect her interests in early clockwork automata, the history of the mannequin and puppet, literature involving unnatural figures come to life, and human movement. Art in America critic Leah Ollman wrote that King's "highly articulated automatons invite us to consider how consciousness arises from physical being … she portrays her mechanical surrogates as convincingly self-aware, while we are left to ponder that age-old question: where exactly does the self reside?"
Stephen Laub is an American artist who works in performance, video, and sculpture.
Elliott Linwood is an American conceptual artist known for his large-scale photo grids and cross-referencing sculptural installations. He is based in San Diego, California.
Rebeca Bollinger is an American artist. She works with sculpture, photography, video, drawing, installation, writing and sound.
Margaret Fisher is an American performance and media artist best known for interdisciplinary works that pair gestural choreography to experimental visual theater characterized by a cartoon aesthetic with wide-ranging cultural references. She emerged amid a 1970s Bay Area experimental performance scene that included artists such as Lynn Hershman Leeson, George Coates, Bill Irwin and Winston Tong, and co-founded the intermedia production group MA FISH CO and the alternative theater Cat's Paw Palace in Berkeley.
Johanna Poethig is an American Bay Area visual, public and performance artist whose work includes murals, paintings, sculpture and multimedia installations. She has split her practice between community-based public art and gallery and performance works that mix satire, feminism and cultural critique. Poethig emerged in the 1980s as socially engaged collaborations with youth and marginalized groups gained increasing attention; she has worked as an artist and educator with diverse immigrant communities, children from five to seventeen, senior citizens, incarcerated women and mental health patients, among others. Artweek critic Meredith Tromble places her in an activist tradition running from Jacques-Louis David through Diego Rivera to Barbara Kruger, writing that her work, including more than fifty major murals and installations, combines "the idealist and caustic."
Judith Selby Lang is an American artist and environmental activist working with found beach plastic. Selby Lang is known for sourcing beach plastic from a single site: 1000 yards of Kehoe Beach along the Point Reyes National Seashore in Northern California, and then turning that plastic into artworks. Selby Lang works both independently and with her partner Richard Lang.