Richard J. Watson | |
---|---|
Born | 1946 Badin, North Carolina |
Nationality | American |
Education | Pennsylvania Academy of the Fine Arts |
Known for | Painter, printmaker |
Website | watsonartforyou |
Richard J. Watson (born 1946) is an American artist. He was born in Badin, North Carolina. [1] He attended the Pennsylvania Academy of the Fine Arts. [2] In the 1970s, he collaborated with Walter Edmonds to create murals for the Church of the Advocate in Philadelphia, which was a center of activity for the civil rights movement in North Philadelphia. The church commissioned them to paint murals for the interior. They were requested to portray a combination of Black history and themes from the Bible. They were active in the Church of the Advocate and they donated their time to create the murals. 14 murals were completed from 1973 to 1976. Titles include "Creation", "I Have a Dream", "The Lord smote the firstborn in the land of Egypt" and "God has chosen the weak to confound the strong". [3]
Watson's work was included in the 2015 exhibition We Speak: Black Artists in Philadelphia, 1920s–1970s at the Woodmere Art Museum. [4] In 2021, the African American Museum in Philadelphia held an exhibition of his work entitled Portals+Revelations – Richard J. Watson Beyond Realities. [5]
His work is in the Pennsylvania Academy of the Fine Arts [6] and the Petrucci Family Foundation. [7]
The George W. South Memorial Church of the Advocate, also known as the George W. South Memorial Protestant Episcopal Church, is a historic church at 18th and Diamond Street in North Philadelphia, Pennsylvania, USA.
Donald E. Camp is an American artist, photographer, and professor emeritus of photography at Ursinus College in Collegeville, Pennsylvania. Camp holds both a Bachelor of Fine Arts and a Master of Fine Arts from Tyler School of Art in Philadelphia. Camp is notable for his portraits that explore the dignity and nobility that can be found in the human face, particularly those of African American men. Camp's unique printing methods are based on early 19th Century non-silver photographic processes.
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