Richard K. Thomas | |
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Born | Richard Kenneth Thomas June 27, 1953 |
Alma mater | Michigan State University (BA) Purdue University (MFA) |
Occupation | Professor, Sound Designer, Composer |
Employer | Purdue University College of Liberal Arts |
Website | www |
Richard Kenneth Thomas (aka Zounds, Zounds Productions) is an early practitioner/advocate for theatre sound and composition for live theatre. He began his career at his recording studio, Zounds Productions, which he founded and co-owned with Brad Garton in the late 1970s and early 1980s. Zounds Productions produced among many other bands, legendary punk band Dow Jones and the Industrials.
He advocated for sound and composition as full members of the theatre creative team through his long relationship with the United States Institute for Theatre Technology, for which he was made a Fellow and Awarded the Joel E. Rubin Founder's Award in 2008, [1] and awarded the Distinguished Achievement Award for Sound Design. [2]
He published many early articles on theatre sound design and composition in the Theatre Design and Technology Journal dating back to 1988. [3] [4] He has published two books, one a biography of legendary Broadway Sound Designer Abe Jacob, The Designs of Abe Jacob,and Music as a Chariot, for Routledge, a philosophical treatise on theatre as a type of music, specifically, music to which ideas have been attached and conveyed through mimesis.
He has explored his theories on theatre as a type of music in a series of original productions that include Choices which was performed at World Stage Design in Taipei, Taiwan, [5] and included as part of the US National Exhibition at the 2015 Prague Quadrennial, [6] Ad Infinitum³, which performed at the 2011 Prague Quadrennial, [7] and subsequently at the 2013 opening of the Qualcom Institute at the University of California, San Diego, [8] and Labcoats on Clouds, which performed at the 2007 Prague Quadrennial. [9]
His explorations in theatre as a type of music evolved largely out of the dozens of productions for which he composed sound scores over his nearly forty-year career as professional composer and sound designer. [10] Thomas is a full professor of Visual and Performing Arts at Purdue University, where he has been honored many times including winning the 2017-2018 Purdue Liberal Arts Discovery Excellence Award for Creative Art, [11] being named a Purdue Legacy Artist in 2010, [12] and awarded The George P. Murphy Award for Outstanding Teaching in 2008. [13]
Dan Jones is a BAFTA and Ivor Novello Award winning composer and sound designer working in film and theatre. He read music at the University of Oxford, studied contemporary music theatre at the Banff Centre for the Arts and studied electro-acoustic composition and programming at the Centro Ricerche Musicali in Rome. Having explored various means of generating music algorithmically, he is the author of one of the earliest pieces of software for generating fractal or self-similar music.
Held in Prague once every fourth years since 1967, the Prague Quadrennial of Performance Design and Space or Prague Quadrennial is the world's largest event in the field of scenography, consisting of a competitive presentation of contemporary work in a variety of performance design disciplines and genres including costume, stage, lighting, sound design, and theatre architecture for dance, opera, drama, site-specific, multi-media performances, and performance art.
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The United States Institute for Theatre Technology (USITT) is a membership organization which aims to advance the skills and knowledge of theatre, entertainment and performing arts professionals involved in the areas of design, production and technology, and to generally promote their interests. To this end, the USITT mounts conferences and exhibitions, promulgates awards and publications, and supports research. USITT is a non-profit organization which has its headquarters in Syracuse, New York.
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Iain Mackintosh is a British practitioner of theatre combining four interwoven careers as theatre producer, theatre space designer, curator of theatre painting and architecture exhibitions, and author and lecturer on both modern and eighteenth century theatre. He has campaigned for the retention and restoration of historic theatres as working homes for live performance.
Wendall Keehn Harrington is an American theatrical projection designer and head of projection design at Yale School of Drama, sometimes referred to as 'The Queen of Projections’. She has been considered the nation's leading projection designer for more than three decades.
Sarah Nash Gates was a Seattle-based costume designer, and theatre arts professor at the University of Washington. She served as the president of the United States Institute for Theatre Technology (USITT) from 1991 to 1994. From 1994 to 2014 she served as the executive director of the School of Drama at the University of Washington.
Millia Crotty Davenport was an American costumer, theater designer, and scholar, known for her 1948 work The Book of Costume.
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Tal Itzhaki is an Israeli theatre designer and director of the Academy of Performing Arts, Tel Aviv, a translator of plays and prose into Hebrew, and a peace activist.
Afterburner is a New Zealand-based collective of theatre professionals working with light and sound. The company was founded by Martyn Roberts in 2001, and specialises in productions hybridising installation and theatre performance. Afterburner's 2016 production Dark Matter contributes to a small number of performing arts work in New Zealand that centre creative work by lighting designers "as a work about light".